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This Tony winner’s memoir is “a riot of characters met and characters played . . . a funny, frank, and savvy chronicle of a wonderful life.” —David Hyde Pierce Mary Louise Wilson became a star at age sixty with her smash one-woman play Full Gallop, portraying legendary Vogue editor Diana Vreeland. But before and since, her life and career—including the Tony Award for her portrayal of Big Edie in Grey Gardens—have been celebrated and varied. Raised in New Orleans with a social climbing, alcoholic mother, Mary Louise moved to New York City in the late 1950s; lived with her gay brother in the Village; entered the nightclub scene in a legendary revue; and rubbed shoulders with every famous person of that era and since. My First Hundred Years in Show Business gets it all down. Yet as delicious as the anecdotes are, the heart of this book is in its unblinkingly honest depiction of the life of a working actor. In her inimitable voice—wry, admirably unsentimental, mordantly funny—Mary Louise Wilson has crafted a work that is at once a teeming social history of the New York theatre scene and a thoroughly revealing, superbly entertaining memoir of the life of an extraordinary woman and actor. “Brims with anecdotes . . . plenty of laughs [and] plenty of candor, too.” —Nola.com
On August 5, 1958, Jack Warner spent six hours playing baccarat, taking $4,000 from the tables at Cannes before stepping out into the night. He drove home along a winding road in a sporty little Alfa-Romeo, and was negotiating a tricky turn when a truck leapt in front of him. The Alfa was destroyed, but Warner was saved—thrown out the door to land forty feet from the burning car. Around the world, the newspapers told of the death of the king of Hollywood. But Warner wasn’t finished yet. One of the true legends of the movie business, Warner had wielded absolute power over his studio since the silent era. He produced Casablanca and The Jazz Singer; he feuded with Errol Flynn, and gave the green light to What Ever Happened to Baby Jane? starring Joan Crawford and Bette Davis. As the studio system crumbled, Warner’s control remained unquestioned, and in this engaging autobiography, he shows the man behind the crown. Jack L. Warner is portrayed by Stanley Tucci in the Ryan Murphy TV series Feud.
The unabashedly funny and forthright memoir by the Tony Award winner for Grey Gardens, detailing the singular life and career of one of our most admired and acclaimed stage actors
This is a sociocultural history of the visually oriented mass media forms that beguiled American society from the 1890s to the end of World War II. The purpose of the work is to show how revolutionary technological advances during these years were instrumental in helping create a unique culture of media-made origins. By focusing on the communal appeal of both traditional and new modes of visual expression as welcome diversions from the harsh realities of life, this book also attends to the American people's affinity for those special individuals whose talent, vision, and lifestyle introduced daring new ways to avoid the ordinariness of life by fantasizing it. Also examined is the sociocultural impact of an ongoing democratization process that through its nurturing of a responsive media culture gradually eroded the polar postures of the elite and mass cultures so that by the mid-1940s signs of a coming postmodern alliance were in the air. Illustrated. Before his retirement Wiley Lee Umphlett served as an administrator/professor at the University of West. Florida for more than twenty-five years.
Behind the scenes at the legendary Warner Brothers film studio, where four immigrant brothers transformed themselves into the moguls and masters of American fantasy Warner Bros charts the rise of an unpromising film studio from its shaky beginnings in the early twentieth century through its ascent to the pinnacle of Hollywood influence and popularity. The Warner Brothers—Harry, Albert, Sam, and Jack—arrived in America as unschooled Jewish immigrants, yet they founded a studio that became the smartest, toughest, and most radical in all of Hollywood. David Thomson provides fascinating and original interpretations of Warner Brothers pictures from the pioneering talkie The Jazz Singer through black-and-white musicals, gangster movies, and such dramatic romances as Casablanca, East of Eden, and Bonnie and Clyde. He recounts the storied exploits of the studio’s larger-than-life stars, among them Al Jolson, James Cagney, Bette Davis, Errol Flynn, Humphrey Bogart, James Dean, Doris Day, and Bugs Bunny. The Warner brothers’ cultural impact was so profound, Thomson writes, that their studio became “one of the enterprises that helped us see there might be an American dream out there.”
This is the self-portrait of a missionary, minister, and teacher, at age 100, sharing the adventures of his childhood in Korea, exhilarating academic career at Princeton University, and then a lifetime of purposeful dedication to the ministry and to teaching. The author, a poet and gifted prose writer, engages the reader in beautiful landscapes of rural Korea, a trans-Siberian journey in the 1930s, his pioneering ministry in the desert of northern Chile, and the throes and conscientious commitment to civil rights in the 1960s. His life partnership with Martha, a church musician, features prominently in the book, as does their experience with her Alzheimer’s disease. The writer shares moments of epiphany, and the discovery of God’s will, represented by turning points in a life lived on three continents. More than just a memoir, this is a book full of devotional meaning and spiritual inspiration, for readers who enjoy a good story and excellent prose.
The Crossroads of American History and Literature collects two decades' worth of the best-known essays of Philip F. Gura. Beginning with a definitive overview of studies of colonial literature, Gura ranges through such subjects in colonial American history as the intellectual life of the Connecticut River Valley, Cotton Mather's understanding of political leadership, and the religious upheavals of the Great Awakening. In the nineteenth century, he visits such varied topics as the history of print culture in rural communities, the philological interests of the Transcendentalist Elizabeth Peabody, the craft and business of the early Amerian music trades, and Thoreau's interest in exploration literature and in the Native American. Displaying remarkable sophistication in a variety of fields that, taken together, constitute the heart of American Studies, this collection illustrates the complexity of American cultural history.