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My Father’s Glass Eye is Jeannie’s struggle to honour her father, her larger-than-life hero, but also the man who named her after his daughter from a previous marriage, a daughter who died. After his funeral, Jeannie spends the next decade in escalating mania, in and out of hospitals - increasingly obsessed with the other Jeanne. Obsession turns to investigation as she plumbs her childhood awareness of her dead half-sibling and hunts for clues into the mysterious circumstances of her death. It becomes a puzzle she she must solve to better understand herself and her father. Jeannie pulls us into her unravelling with such intimacy that her insanity becomes palpable, even logical. A brilliant exploration of the human psyche, My Father’s Glass Eye deepens our definitions of love, sanity, grief, and recovery.
A definitive new voice in this stunning portrait of a daughter's love for her father and her near-unravelling after his death. My Father's Glass Eye is Jeannie's struggle to honour her father, her larger-than-life hero, but also the man who named her after his daughter from a previous marriage, a daughter who died. After his funeral, Jeannie spends the next decade in escalating mania, in and out of hospitals - increasingly obsessed with the other Jeanne. Obsession turns to investigation as she plumbs her childhood awareness of her dead half-sibling and hunts for clues into the mysterious circumstances of her death. It becomes a puzzle she must solve to better understand herself and her father. Jeannie pulls us into her unravelling with such intimacy that her insanity becomes palpable, even logical. A brilliant exploration of the human psyche, My Father's Glass Eye deepens our definitions of love, sanity, grief, and recovery. AUTHOR: Jeannie Vanasco is the highly acclaimed author of Things We Didn't Talk About When I Was A Girl. Her writing has appeared in the Times Literary Supplement, The New York Times, and the New Yorker. She lives in Baltimore where she is an Assistant Professor of English at Towson University.
A sensational collection of stories of the American experience from the Depression to the aftermath of 9/11, by one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series. John Updike mingles narratives of Pennsylvania with stories of New England suburbia and of foreign travel: “Personal Archaeology” considers life as a sequence of half-buried layers, and “The Full Glass” distills a lifetime’s happiness into one brimming moment of an old man’s bedtime routine. High-school class reunions, in “The Walk with Elizanne” and “The Road Home,” restore their hero to youth’s commonwealth where, as the narrator of the title story confides, “the self I value is stored, however infrequently I check on its condition.” Exotic locales encountered in the journeys of adulthood include Morocco, Florida, Spain, Italy, and India. The territory of childhood, with its fundamental, formative mysteries, is explored in “The Guardians,” “The Laughter of the Gods,” and “Kinderszenen.” Love’s fumblings among the bourgeoisie yield the tart comedy of “Free,” “Delicate Wives,” “The Apparition,” and “Outage.”
From the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father: “With raw eloquence, Notes on Grief … captures the bewildering messiness of loss in a society that requires serenity, when you’d rather just scream. Grief is impolite ... Adichie’s words put welcome, authentic voice to this most universal of emotions, which is also one of the most universally avoided” (The Washington Post). Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie's beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure. Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page—and never without touches of rich, honest humor—Adichie weaves together her own experience of her father’s death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he’d stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria. In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book—a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment—a work readers will treasure and share now more than ever—and yet will prove durable and timeless, an indispensable addition to Adichie's canon.
PART MEMOIR AND PART ELEGY, READING MY FATHER IS THE STORY OF A DAUGHTER COMING TO KNOW HER FATHER AT LAST— A GIANT AMONG TWENTIETH-CENTURY AMERICAN NOVELISTS AND A MAN WHOSE DEVASTATING DEPRESSION DARKENED THE FAMILY LANDSCAPE. In Reading My Father, William Styron’s youngest child explores the life of a fascinating and difficult man whose own memoir, Darkness Visible, so searingly chronicled his battle with major depression. Alexandra Styron’s parents—the Pulitzer Prize–winning author of Sophie’s Choice and his political activist wife, Rose—were, for half a century, leading players on the world’s cultural stage. Alexandra was raised under both the halo of her father’s brilliance and the long shadow of his troubled mind. A drinker, a carouser, and above all “a high priest at the altar of fiction,” Styron helped define the concept of The Big Male Writer that gave so much of twentieth-century American fiction a muscular, glamorous aura. In constant pursuit of The Great Novel, he and his work were the dominant force in his family’s life, his turbulent moods the weather in their ecosystem. From Styron’s Tidewater, Virginia, youth and precocious literary debut to the triumphs of his best-known books and on through his spiral into depression, Reading My Father portrays the epic sweep of an American artist’s life, offering a ringside seat on a great literary generation’s friendships and their dramas. It is also a tale of filial love, beautifully written, with humor, compassion, and grace.
“An eloquent argument for speaking even the most difficult truths.” —New York Times Book Review Paul Moore’s vocation as an Episcopal priest took him— with his wife, Jenny, and their family of nine children—from robber-baron wealth to work among the urban poor, leadership in the civil rights and peace movements, and two decades as the bishop of New York. The Bishop’s Daughter is his daughter’s story of that complex, visionary man: a chronicle of her turbulent relationship with a father who struggled privately with his sexuality while she openly explored hers and a searching account of the consequences of sexual secrets.
For fifteen years, New York's community literary paper, Literal Latté, has kept free thought free, developed new writers, and fed hungry readers. Debuting in 1994, Literal Latté filled a void for aspiring writers and editors. In the modern world, where it is almost impossible to get published without an agent and almost impossible to get an agent without getting published, Literal Latté provided a much-needed missing link. Serving up thirty-thousand free copies in New York's coffeehouses, book stores, and arts organizations, the editors published the highest level of new literature-a feast in many flavors. Suddenly, good writing, in a friendly and accessible format, became as popular as cappuccino. With this anthology, Jenine Gordon Bockman and Jeffrey Michael Bockman, who remain traditional "book" people, present highlights from their years of publishing Literal Latté. This eclectic collection of short fiction, poetry, essays, and nonfiction will dazzle any lover of good writing. Each selection is fascinating, and the writing, delectably varied, is flawless and clearly focused. The Bockmans have masterfully swirled the forty-five pieces into an enticing brew. So, pour that cup of Joe, pick up a pair of biscotti, and prepare to be thoroughly entertained.
"The author has imbued this book with magic charms, making it an adventuresome voyage through a sometimes entertaining, sometimes alarming, always fascinating, unfamiliar lost world, almost too fantastic to be real, and peopled with as many interesting characters as Alice in Wonderland." ~ Bob Anthony, author of Novus Mirabilis "This book was born from the stories my father told me and my adventure of growing up in a freer time. I realized from a young age how fortunate I had been to have exposure to such a varied experience and I wanted my children to know these people when my dad and I were gone. Cast your memory back and enjoy." ~ Janet Clarkson
Library of America continues its definitive edition of Wendell Berry's complete fiction, including the novels The Memory of Old Jack and Remembering and 23 brilliant and beautiful stories In this second volume, Port William faces the disappearance of farms and farmers in the decades after World War II, while Andy Catlett resolves to remain in the Membership Set along the banks of the Kentucky River in America’s heartland, fictional Port William, Kentucky, is an agrarian world is peopled with memorable and beloved characters collectively known as the Port William Membership. For more than 50 years, Wendell Berry has told Port William’s history from the Civil War to the present day, recapturing a time when farming, faith, and family were the anchors of community and the ligaments that bound one generation to the next. Now Library of America continues its definitive edition, prepared in close consultation with the author and published for his 90th birthday, presenting the complete story of Port William for the first time in the order of narrative chronology. This second volume contains 23 stories and 2 novels that span the years 1945 to 1978, as the town faces the forces of mechanization and the looming possibility of its own disappearance. As the generation that came of age after the Civil War disappears, the younger generation increasingly chooses to leave and not return; one of the only exceptions is Andy Catlett, who resolves to remain in and to maintain the Membership. This definitive edition of Wendell Berry's complete fiction includes detailed notes, endpapers featuring a map of Port William and a Membership family tree, and a chronology of Berry's remarkable life and career.
Arjun Raina- Nine Contemporary Plays with stories from India, and the diaspora in Austria and Australia. This is the first-ever anthology of plays by a South Asian playwright and actor Arjun Raina. Arjun’s plays have been commissioned by, and performed at some of the finest theatre festivals of Europe, including the Zurich Specktakel, the Vienna Festwochen, Linz 09, the Bharat Rang Mahotsav, and the International theatre festival of Kerala. It encompasses a two-decade-long theatrical exploration of the lives of contemporary Indians, both in the home country, and in the diaspora of Austria and Australia. The works are a chronicle and critique of political, and contemporary social relationships in South Asia and the diaspora. The collection is bookended by plays concerned with two cataclysmic world events. The terrorist attacks on the World Trade Centre which is the backdrop for the first play, A Terrible Beauty is Born. Camp Darwin, the second last play in the anthology evokes a life lived in an Australian Quarantine Centre, during the present Coronavirus Pandemic. From the phenomenon of International Call Centres in India, to the political and economic fallout of a fast globalising India as played out over the bodies of its citizens, to the rise of Hindu Nationalism. Also the emotional trauma of Indian migrants in Austria, to issues of race and prejudice as experienced by the Indian Hawkers in 19th Century Australia. The authors own experience as a new migrant to Australia, the plays chronicle and critique the steady rise and increasing presence of South Asian/ Indian characters on the contemporary global creative consciousness. These Indian characters engage with American, Austrian, and Australian characters making for diverse and inclusive casts.