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Spanning half a life, My Father's Garden tells the story of a young doctor--the unnamed narrator--as he negotiates love and sexuality, his need for companionship, and the burdens of memory and familial expectation. The opening section, 'Lover', finds him studying medicine in Jamshedpur. At college, he discovers an all-consuming passion for Samir, a junior, who possesses his body, mind and heart. Yet, on their last morning together, when he asks Samir to kiss him goodbye, his lover tells him, 'A kiss is only for someone special.' In 'Friend', the young doctor, escaping heartbreak, finds relief in Pakur where he strikes up an unusual friendship with Bada Babu, the head clerk of the hospital where he is posted. In Bada Babu's house, they indulge a shared love for drink, delicious food and convivial company. But when government bulldozers arrive to tear down the neighbourhood, and Bada Babu's house, the young doctor uncovers a sordid tale of apathy and exploitation--and a side to his new friend that leaves him disillusioned. And in 'Father', unable, ultimately, to flee the pain, the young doctor takes refuge in his parents' home in Ghatsila. As he heals, he reflects on his father--once a vital man who had phenomenal success at work and in Adivasi politics, then an equally precipitous downfall--and wonders if his obsessive gardening has anything to do with the choices his son has made. Written with deep empathy and searing emotional intensity, and in the clear, unaffected prose that is the hallmark of Hansda Sowvendra Shekhar's style, My Father's Garden marks a major talent of Indian fiction writing at the top of his form.
My Father's Gardens is the story of a young girl who comes of age in two languages, and on two shores, between warring parents and rules that change depending on the landscape and the proximity of her mother. Struggling to find her voice and her place in the world as a result of her frequent travels between her native Israel and the United States, she feels that she must choose a place to call home. As her scenery alternates between warm Mediterranean and snow capped mountains, loud-mouthed Israelis and polite Americans, so do her loyalties: Is she more Israeli or American? How will she know when she has arrived? And while she chooses she is slowly transplanting bits of her father's gardens on foreign soil.
WALKING THROUGH MY FATHER'S GARDEN--winner of the 2006 Chapbook Competition awarded by the English Department of the William Paterson University of New Jersey--speaks rhythmically of love, loss, nostalgia and nature. Through careful observation of the world and poignant insight, the poems here nudge readers to an intense yet tender appreciation of life's flesh and spirit.
A man working in his garden finds a delicate worm, a beetle in shining armor, and a leaf-green mantis and shares these treasures with his young daughter. "Lovely double-page, impressionistic oil paintings...provide a picturesque setting for this simple, straightforward description of a special parent/child outing."--School Library Journal.
From the bestselling author of The Invention of Nature, a fascinating look at the Founding Fathers like none you've seen before. “Illuminating and engrossing.... The reader relives the first decades of the Republic ... through the words of the statesmen themselves.” —The New York Times Book Review For the Founding Fathers, gardening, agriculture, and botany were elemental passions: a conjoined interest as deeply ingrained in their characters as the battle for liberty and a belief in the greatness of their new nation. Founding Gardeners is an exploration of that obsession, telling the story of the revolutionary generation from the unique perspective of their lives as gardeners, plant hobbyists, and farmers. Acclaimed historian Andrea Wulf describes how George Washington wrote letters to his estate manager even as British warships gathered off Staten Island; how a tour of English gardens renewed Thomas Jefferson’s and John Adams’s faith in their fledgling nation; and why James Madison is the forgotten father of environmentalism. Through these and other stories, Wulf reveals a fresh, nuanced portrait of the men who created our nation.
Song for My Fathers is the story of a young white boy driven by a consuming passion to learn the music and ways of a group of aging black jazzmen in the twilight years of the segregation era. Contemporaries of Louis Armstrong, most of them had played in local obscurity until Preservation Hall launched a nationwide revival of interest in traditional jazz. They called themselves “the mens.” And they welcomed the young apprentice into their ranks. The boy was introduced into this remarkable fellowship by his father, an eccentric Southern liberal and failed novelist whose powerful articles on race had made him one of the most effective polemicists of the early Civil Rights movement. Nurtured on his father’s belief in racial equality, the aspiring clarinetist embraced the old musicians with a boundless love and admiration. The narrative unfolds against the vivid backdrop of New Orleans in the 1950s and ‘60s. But that magical place is more than decor; it is perhaps the central player, for this story could not have taken place in any other city in the world.
In a remote corner of the world, forgotten for nearly three thousand years, lived an enclave of Kurdish Jews so isolated that they still spoke Aramaic, the language of Jesus. Mostly illiterate, they were self-made mystics and gifted storytellers and humble peddlers who dwelt in harmony with their Muslim and Christian neighbors in the mountains of northern Iraq. To these descendants of the Lost Tribes of Israel, Yona Sabar was born. Yona's son Ariel grew up in Los Angeles, where Yona had become an esteemed professor, dedicating his career to preserving his people’s traditions. Ariel wanted nothing to do with his father’s strange immigrant heritage—until he had a son of his own. Ariel Sabar brings to life the ancient town of Zakho, discovering his family’s place in the sweeping saga of Middle-Eastern history. This powerful book is an improbable story of tolerance and hope set in what today is the very center of the world’s attention.
There is a rug in his fathers shop that Mustafa loves. (It has a hole in it, so you can put it over your head and still see out.) No one else wants the rug, though lots of tourists visit the shop. His father always welcomes them"Bienvenue"and offers them tea"O cha wa ikaga desu ka?" Mustafas father would like him to know some words in other languages too, and he tells Mustafa that he may have the rug if he agrees to learn. But after the first lesson, Mustafa is so bored he runs out of the shop (with the carpet on his head). Ending up at the market, he finds a very different way of learning foreign languages....and of getting tourists to visit his fathers shop.
The centerpiece of Allison Joseph's sixth full-length poetry collection is a sequence of thirty-four sonnets about losing her father. "Superbly executed, part family history and part homage, Allison Joseph strings the frail human voices across the forceful lines of her verse to summon her absent father back from the dead." -- Maura Stanton
A child describes the many wonderful things about "my dad, " who can jump over the moon, swim like a fish, and be as warm as toast.