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Chronicles Helen Clay Frick's lifelong commitment to social welfare, the environment, and her purchase of many significant works of art for her private collection, the Frick Collection in New York, the University of Pittsburgh teaching collection, and the Frick Art Museum.
Dear Readers, My Fathers Fathers is a composite of historical and archaeological fact, personal oral and written histories. These are woven together with my remembrances and hypotheses to narrate the history of my ancestors as nothing else exists to explain me. That said, combining and establishing theories is the work I put my mind to for the past three years. So please dont contact me to correct my inaccuracies or blunders. I acknowledge them and have embraced them. The scientific, historical, and archaeological information is all true as far as I can comprehend it. There really have been millions of tribes, thousands of dynasties, mass migrations, and countless wars since the Neolithic period, far too many to cite or explore deeply. I could not have written this book or found many illustrations without using the entries in Wikipedia.org. They are, in my estimation, one of the greatest boons the computer has provided us. I know people say it is not always accurate and I found different versions of events on other websites. When compared, they often offered additional information or a different view of affairs, but for my purposes they hung together. I urge you to support Wikipedia if you use their site because they always seek to upgrade their information and for this they should be rewarded. A list of all the sources I consulted containing information relevant to this paper would be virtually endless, so I have listed some of the principal authors and titles. I am greatly indebted to them all. If you wish to start exploring your genetic history, it will lead you to many exciting places. I recommend you begin your search by consulting Shannon Bennetts article in Family Tree Magazine entitled DNA Demystified: Genetic Genealogy for First Timers, p. 42, December 2012. The magazine is published by F+W Media, Inc., Cincinnati, Ohio. My cat Sassy always helped me edit the information I wrote by watching the words appear on the computer screen or lying on my lap and pawing the pages as I tried to make sense of what I was trying to say. What would I have done without her? Keep reading and be well. Sincerely, Barbara Grivna
Henry Clay Frick, reviled in his own time, infamous in ours, was blamed for the Johnstown Flood (which killed 2,200 people) as well as the violent Homestead Strike of 1892, and survived an assassination attempt, yet at the same time was an ardent philanthropist, giving more than $100 million during his lifetime and in his will, while insisting on anonymity. This biography explores the contradictions in this great industrialist's nature and avoids the extremes of both hagiography and denunciation.
PART MEMOIR AND PART ELEGY, READING MY FATHER IS THE STORY OF A DAUGHTER COMING TO KNOW HER FATHER AT LAST— A GIANT AMONG TWENTIETH-CENTURY AMERICAN NOVELISTS AND A MAN WHOSE DEVASTATING DEPRESSION DARKENED THE FAMILY LANDSCAPE. In Reading My Father, William Styron’s youngest child explores the life of a fascinating and difficult man whose own memoir, Darkness Visible, so searingly chronicled his battle with major depression. Alexandra Styron’s parents—the Pulitzer Prize–winning author of Sophie’s Choice and his political activist wife, Rose—were, for half a century, leading players on the world’s cultural stage. Alexandra was raised under both the halo of her father’s brilliance and the long shadow of his troubled mind. A drinker, a carouser, and above all “a high priest at the altar of fiction,” Styron helped define the concept of The Big Male Writer that gave so much of twentieth-century American fiction a muscular, glamorous aura. In constant pursuit of The Great Novel, he and his work were the dominant force in his family’s life, his turbulent moods the weather in their ecosystem. From Styron’s Tidewater, Virginia, youth and precocious literary debut to the triumphs of his best-known books and on through his spiral into depression, Reading My Father portrays the epic sweep of an American artist’s life, offering a ringside seat on a great literary generation’s friendships and their dramas. It is also a tale of filial love, beautifully written, with humor, compassion, and grace.
Traces the life of the brilliant and ruthless businessman who used leveraged buyouts, insider trading, stock manipulation, price fixing, and union busting to become one of the richest men in America
Two founding fathers of American industry. One desire to dominate business at any price. “Masterful . . . Standiford has a way of making the 1890s resonate with a twenty-first-century audience.”—USA Today “The narrative is as absorbing as that of any good novel—and as difficult to put down.”—Miami Herald The author of Last Train to Paradise tells the riveting story of Andrew Carnegie, Henry Clay Frick, and the bloody steelworkers’ strike that transformed their fabled partnership into a furious rivalry. Set against the backdrop of the Gilded Age, Meet You in Hell captures the majesty and danger of steel manufacturing, the rough-and-tumble of the business world, and the fraught relationship between “the world’s richest man” and the ruthless coke magnate to whom he entrusted his companies. The result is an extraordinary work of popular history. Praise for Meet You in Hell “To the list of the signal relationships of American history . . . we can add one more: Andrew Carnegie and Henry Clay Frick . . . The tale is deftly set out by Les Standiford.”—Wall Street Journal “Standiford tells the story with the skills of a novelist . . . a colloquial style that is mindful of William Manchester’s great The Glory and the Dream.”—Pittsburgh Tribune-Review “A muscular, enthralling read that takes you back to a time when two titans of industry clashed in a battle of wills and egos that had seismic ramifications not only for themselves but for anyone living in the United States, then and now.”—Dennis Lehane, author of Mystic River
Lee Martin tells us in his memoir, “I was never meant to come along. My parents married late. My father was thirty-eight, my mother forty-one. When he found out she was pregnant, he asked the doctor, ‘Can you get rid of it?’” From such an inauspicious beginning, Martin began collecting impressions that, through the tincture of time and the magic of his narrative gift, have become the finely wrought pieces of Such a Life. Whether recounting the observations of a solemn child, understood only much later, or exploring the intricacies of neighborhood politics at middle age, Martin offers us a richly detailed, highly personal view that effortlessly expands to illuminate our world. At a tender age Martin moved to a new level of complexity, of negotiating silences and sadness, when his father lost both of his hands in a farming accident. His stories of youth (from a first kiss to a first hangover) and his reflections on age (as a vegan recalling the farm food of his childhood or as a writer contemplating the manual labor of his father and grandfather) bear witness to the observant child he was and the insightful and irresistible storyteller he’s become. His meditations on family form a highly evocative portrait of the relationships at the heart of our lives.