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"Brave Serbia has not been forgotten in her hour of need by the women of England. For the Women's Imperial Service League, with Mrs. St. Clair Stobart as directress, went out to Serbia under the ægis of the Serbian Relief Fund, after arduous work out in Antwerp and after at Cherbourg. Mrs. Stobart decided that ours should be a Field Hospital owing to typhus and other fever raging in the country." Written in 1915, this work contains a wealth of observations on the area, and gives great insight into the contemporary views of the conflict. This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
""Brave Serbia has not been forgotten in her hour of need by the women of England. For the Women's Imperial Service League, with Mrs. St. Clair Stobart as directress, went out to Serbia under the aegis of the Serbian Relief Fund, after arduous work out in Antwerp and after at Cherbourg. Mrs. Stobart decided that ours should be a Field Hospital owing to typhus and other fever raging in the country."" Written in 1915, this work contains a wealth of observations on the area, and gives great insight into the contemporary views of the conflict. This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context."
Excerpt from My Diary in Serbia: April 1, 1915-Nov; 1, 1915 We had the following tents: one for X-ray, opera ting theatre one to receive the patients a large mess tent for patients and one for staff; one for linen laundry; two kitchens - one for patients and one for staff; dispensary; food stores; a recreation tent for the staff, and one for the doctors then there were lavatory and bath tents; the rest were wards and for the staff to sleep in. Our Hospital was soon full. I was the head of the kitchen departments, and I looked after the catering and food stores. I was very happy with my staff, in spite of the work being hard and the hours long, but we knew that we were doing good to our. Fellow-countrymen. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1916 edition. Excerpt: ... some tableaux, so we rehearsed this afternoon. Since I have been playing bridge. It is dreadfully rough again, and we have another bad thunderstorm. It will be the greatest wonder if we land at Salonika safely in this wretched boat. I thought that our end was near many times last night. I did not get a bit of sleep. Tuesday, April 13, 1915. It is still stormy and pouring with rain, not at all a nice crossing. We did not see Malta; we were too far away, but we were only about two miles from Sicily. We have been playing bridge nearly all day. Wednesday, April 14, 1915. A fine day and the wind has gone down. Four of our unit have been ill, owing to the bad food (two of them fainted and were in great pain), and several in the other units. We expect to get to Salonika on Thursday, midday. We have just passed Belopulo; we shall be passing Andros and Tinos. To-night we are all to appear in fancy dress. I am going as a mattress, a pillow arranged on my head, pillows stuffed inside a mattress ticking, and my feet coming through at the bottom with bedsocks on. The time has altered; we are 1j hours in advance of England. It is light at 4.30 in the morning, but dark soon after 6 o'clock. We had a swallow following our boat most of yesterday. The fancy dress was a great success; it was really splendid, as none of us had many things w th us, as we are all in uniform. Mr. Claude Askew was very amusing, introducing us as Mrs. Jarley's waxworks. Thursday, April 15, 1915. It was a rough and very cold night again. I slept in the lifeboat part of the night, but had to get on deck at 2 o'clock as it was so cold and rough. We get to Salonika about 1 o'clock. We have just passed Mount Olympus; it looks glorious with the sun on it and snow-capped. I heard the...
When a Serbian-backed assassin gunned down Archduke Franz Ferdinand in late June 1914, the world seemed unmoved. Even Ferdinand's own uncle, Franz Josef I, was notably ambivalent about the death of the Hapsburg heir, saying simply, "It is God's will." Certainly, there was nothing to suggest that the episode would lead to conflict -- much less a world war of such massive and horrific proportions that it would fundamentally reshape the course of human events. As acclaimed historian Sean McMeekin reveals in July 1914, World War I might have been avoided entirely had it not been for a small group of statesmen who, in the month after the assassination, plotted to use Ferdinand's murder as the trigger for a long-awaited showdown in Europe. The primary culprits, moreover, have long escaped blame. While most accounts of the war's outbreak place the bulk of responsibility on German and Austro-Hungarian militarism, McMeekin draws on surprising new evidence from archives across Europe to show that the worst offenders were actually to be found in Russia and France, whose belligerence and duplicity ensured that war was inevitable. Whether they plotted for war or rode the whirlwind nearly blind, each of the men involved -- from Austrian Foreign Minister Leopold von Berchtold and German Chancellor Bethmann Hollweg to Russian Foreign Minister Sergei Sazonov and French president Raymond Poincaré- sought to capitalize on the fallout from Ferdinand's murder, unwittingly leading Europe toward the greatest cataclysm it had ever seen. A revolutionary account of the genesis of World War I, July 1914 tells the gripping story of Europe's countdown to war from the bloody opening act on June 28th to Britain's final plunge on August 4th, showing how a single month -- and a handful of men -- changed the course of the twentieth century.
This revised and updated interpretation of World War I highlights the revolutionary nature and legacy of the conflict of 1914-1919. It examines the political, economic, social and cultural history of the war at home as well as the war's origins, ending and subsequent legacy.
Based on ten years of research, Santanu Das's India, Empire, and First World War Culture: Writings, Images, and Songs recovers the sensuous experience of combatants, non-combatants and civilians from undivided India in the 1914–1918 conflict and their socio-cultural, visual, and literary worlds. Around 1.5 million Indians were recruited, of whom over a million served abroad. Das draws on a variety of fresh, unusual sources - objects, images, rumours, streetpamphlets, letters, diaries, sound-recordings, folksongs, testimonies, poetry, essays, and fiction - to produce the first cultural and literary history, moving from recruitment tactics in villages through sepoy traces and feelings in battlefields, hospitals, and POW camps to post-war reflections on Europe and empire. Combining archival excavation in different countries across several continents with investigative readings of Gandhi, Kipling, Iqbal, Naidu, Nazrul, Tagore, and Anand, this imaginative study opens up the worlds of sepoys and labourers, men and women, nationalists, artists, and intellectuals, trying to make sense of home and the world in times of war.