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A Journey Full of Hope... Escape into a riveting story based on the mystery of the Lost Colony of Roanoke. Author Shannon McNear portrays history with vivid authenticity. In 1587, Elinor White Dare sailed from England heavy with her first child but full of hopes. Her father, a renowned artist and experienced traveler, has convinced her and her bricklayer husband Ananias to make the journey to the New World. Land, they are promised, more goodly and beautiful than they can ever imagine. But nothing goes as planned from landing at the wrong location, to facing starvation, to the endless wait for help to arrive. And, beyond her comprehension, Elinor finds herself utterly alone. . . . The colony at Roanoke disappeared into the shadows of history. But, what if one survived to leave a lasting legacy?
In this memoir the author describes her complex relationship with her dominant father, who was a Modernist philosopher and teacher, whose theories on child development and art predominated.
From acclaimed photographer Elinor Carucci, a vivid chronicle of one woman's passage through aging, family, illness, and intimacy. It is a period in life that is universal, at some point, to everyone, yet in our day-to-day and cultural dialogue, nearly invisible. Midlife is a moving and empathetic portrait of an artist at the point in her life when inexorable change is more apparent than ever. Elinor Carucci, whose work has been collected in the previous acclaimed volumes Closer (2002, 2009) and Mother (2013), continues her immersive and close-up examination of her own life in this volume, portraying this moment in vibrant detail. As one of the most autobiographically rigorous photographers of her generation, Carucci recruits and revisits the same members of her family that we have seen since her work gained prominence two decades ago. Even as we observe telling details--graying hair, the pressures and joys of marriage, episodes of pronounced illness, the evolution of her aging parents' roles as grandparents, her children's increasing independence--we are invited to reflect on the experiences that we all share contending with the challenges of life, love, and change.
A liberal New England college campus is a peculiar place for a girl to grow up in this “lovable, psychologically intricate [and] bittersweet farce” (The New York Times Book Review). Massachusetts, 1970s. Born to a pair of “bleeding heart” professors who live on campus as dorm parents, Frederica Hatch soon finds herself the unofficial mascot of Dewing College. Life is so ideal that by the time she becomes a teenager, Frederica finds herself chafing under the care of "the most annoyingly evenhanded parental team in the history of civilization." But she’s about to learn that life isn’t as simple or idyllic as it seems—even amid the manicured lawns of a small women’s college like Dewing. A new dorm parent has just arrived on campus. Laura Lee French is glamorous, worldly, and the former wife of Frederica’s father. Suddenly, Frederica sees her parents’ lives—and by extension her own—in a whole new light. “May be Lipman's best work so far... Every page offers laugh-out-loud dialogue.”—The Seattle Times
A single mother. An abandoned farmhouse. An epic battle with the northern wilderness. Broke and desperate, Molly Bannister accepts the ironclad condition laid down in her great-aunt’s will: to receive her inheritance, Molly must spend one year in an abandoned, off-the-grid farmhouse in the remote backwoods of northern Alberta. If she does, she will be able to sell the farm and fund her four-year-old daughter’s badly needed medical treatment. With grim determination, Molly teaches herself basic homesteading skills. But her greatest perils come from the brutal wilderness itself, from blizzards to grizzly bears. Will she and her child survive the savage winter? Will she outsmart the idealist young farmer who would thwart her plan to sell the farm? Not only their financial future, but their very lives are at stake. Only the journal written by Molly's courageous great-aunt, the land’s original homesteader, inspires her to struggle on.
Though she came from a wealthy and privileged family, Eleanor Roosevelt grew up in a cheerless household that left her lonely and shy. Years passed before Eleanor began to discover in herself the qualities of intelligence, compassion, and strength that made her a remarkable woman. In Eleanor, two-time Caldecott Medal winner Barbara Cooney paints a meticulously researched, lushly detailed picture of Eleanor's childhood world--but most importantly, she captures the essence of the little girl whose indomitable spirit would make her one of the greatest and most beloved first ladies of all time. "There are many biographies of Eleanor Roosevelt, but this one is special?Cooney is at her artistic best." --Booklist
Just before World War II, “Lil” escaped a miserable marriage in Cleveland, Ohio, took back her maiden name, left her young daughter Elinor behind, and launched what became an international business career. Rejoining Lil at the age of ten, Elinor watched as her mother gave fabulous parties, sold automotive parts in South America, Asia, and the Middle East, and “in any given room, took up all the air there was.” With her stunning looks, high intelligence, and drive for adventure, Lil was more a figure to admire than a mother to love. Making an Exit is the account of what happened after Lil was diagnosed with Alzheimer’s. As the disease progresses, Elinor becomes her mother’s mother, caring for her with growing compassion. Lil changes, too: filled with new warmth, the word “love” now regularly crosses her lips. And despite the disintegration of Lil’s mind and language, mother and daughter make a surprising new start. “In this moving memoir of mother-daughter love only strengthened by Alzheimer’s, Elinor Fuchs brilliantly pulls off the nearly impossible feat of reproducing on the page the living voice of dementia, a masterly achievement.” — Alix Kates Shulman, author of A Good Enough Daughter and To Love What Is “How many dementia caregivers find themselves laughing and crying at the same time? This is the book for us. Making an Exit is Elinor Fuchs's sparkling gift basket to those who help, or may someday help, someone with severe cognitive impairment. A theater professor and drama critic, Fuchs describes the strange, heroic ten-year ‘Emergency’ of caring for her single mom, Lil-- a glamorously eccentric businesswoman--with irrepressible vitality, generosity, forthrightness, and love.” —Margaret Morganroth Gullette, author of Aged by Culture and Agewise “Unflinchingly honest, open-hearted, and funny, this is a work of passionate intelligence and deep humanity.” — Joyce Antler, author of The Journey Home: How Jewish Women Shaped Modern America and You Never Call, You Never Write! A History of the Jewish Mother “Fuchs celebrates the richness and folly of life and language in this loving and often funny tribute to her nonconformist mother... Never mawkish, this is a tender tale of an idiosyncratic, independent woman and her daughter’s reluctant love.” — Publishers Weekly “This book was a joy to read. It felt as if I were reading a well-written script, part drama and part comedy” — Daniel Kuhn, American Journal of Alzheimer’s Disease and Other Dementias “Making an Exit makes you cry and laugh and think. It takes you into deep disturbances of memory and history and brings you back with compassion and love. No other memoir of dementia combines the trials of caregiving and the painful, yet necessary growth of self knowledge.” — Thomas R. Cole, author of The Journey of Life: A Cultural History of Aging in America “In Making an Exit Elinor Fuchs leaves readers with an understanding of growing older in America today, where filial generosity, enduring resilience, heartfelt ambivalence, and undiminished humor shine through the most vulnerable experiences of decline.” —Stephen Katz, author of Cultural Aging: Life Course, Lifestyle, and Senior Worlds and Professor of Sociology, Trent University, Canada “For millions of sufferers and their families, Alzheimer’s is a bleak and arduous experience. Yet Fuchs’s unsentimental and often wry memoir should help them by showing that though there are certainly dark and precipitous times near the end, a life examined with totality and compassion can make that eventual end an experience not only of tragedy but dignified fulfillment.” — Michael Standaert, Los Angeles Times “Making an Exit is a rare and wonderful rollercoaster of a book, tender and touching, hilarious and high-spirited - a moving portrait of a daughter and mother that is fiercely intelligent, ineffably sad, and, finally, transcendent.” — Kathleen Woodward, author of Aging and its Discontents “Fuchs’s mother is larger than life in both her salad days and in her days of word salad. Making an Exit overflows with life — its sorrows and surprises, its follies and joys.” — Anne Basting, author of Forget Memory and editor of Playing Penelope: An Arts-Based Odyssey to Change Long-Term Care “Tremendous... A book filled with unexpected glimmers of hope, wisdom, and joy... Fuchs possesses a delightfully wicked sense of humor and a sharp eye for the quirky detail. Fuchs [employs] a deft and efficient prose style, one akin to Augusten Burroughs, David Sedaris, and Anne Lamott.” — Greg Changnon, The Atlanta Journal-Constitution “Elinor’s mother Lil is a larger than life character who needs her daughter’s help to make an exit from life’s stage. While Elinor is burdened by her mother’s dementia, she is also uplifted by its possibilities for a late-blooming relationship. Dementia is ripe for social reconstruction, and Fuchs gives us hope with stories that reframe the challenge of cognitive loss in terms of loving relationship. Read this book, find deep humanity, and enrich yours.” — Peter Whitehouse, M.D., author of The Myth of Alzheimer’s and Professor of Neurology, Case Western Reserve University