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Studying Dance: A Guide for Campus and Beyond is a comprehensive bridge for students transitioning into the first year of a college dance program. Through this text, students will understand dance in new and exciting ways, embrace it as an academic discipline, navigate and take charge of their dance education, and visualize potential careers after graduation. Studying Dance: A Guide for Campus and Beyond opens students’ eyes to all the artistic, cultural, and educational aspects of dance. By expanding their thinking, students will move to a deeper understanding of themselves as dancers and the world around them. The author demystifies the entire first-year experience while guiding students in the discovery of dance as a multifaceted discipline. Students will examine academic expectations, time management, the importance of staying focused, and balancing school and life. They will delve into the various areas of dance and a range of careers and paths available to them. They will learn the differences in types of college dance courses, the approaches used, and how to personalize their dance education through individualized instructional opportunities and peer collaboration. The text also will prompt students to visualize and plan their dance lives beyond campus so they can set clear goals for studying and succeeding as young professionals. Studying Dance: A Guide for Campus and Beyond contains many student-friendly features: • 15 easy-to-digest chapters provide the rules of the road that lead to a successful freshman year and future career • 49 interviews with current dance students, recent graduates, and dance professionals encourage students to reflect on and take charge of their learning • Web resource with learning activities, glossary lists, web links, and other tools personalize each student’s journey through the content With this text, teachers can help students expand their thinking about dance in ways that will lead to success on campus and beyond.
This dance journal follows author, researcher, and university lecturer Laura Kline as she embarks on a unique journey towards heightened awareness. It records her daily insecurities as a fifty-five-year-old dance student—doing undercover research for her next lesbian romance novel—at her own university. Nervous about joining this high-risk contact improvisation class, she soon realizes what a tremendous opportunity it offers the protagonists, two fictional female dancers who fall in love. Little does she suspect how this course, along with her weekly 5Rhythms® dance sessions, will impact her personal growth and worldview, by forcing her to slow down and experience the intense flavor of each moment. It even enhances her survival skills. When the COVID-19 pandemic hits, her daily journal reflections broaden to include noisy neighbors, walls closing in on her, her partner, and their cat during the sudden stay-at-home order, struggles with teaching remotely, loss of sleep, weight loss, etc. Without realizing it, Laura becomes the protagonist of her own book—this journal. Her lively and humoristic adventure through dance illustrates how becoming present—even for five short minutes while standing still in pure silence—what she calls the Happy Dance—can literally lift people up, providing a safe space to traverse unexpected rocky roads. Her expedition is pebbled with injury and stress, yet she continues dancing. Page by page, with Laura’s stick-figure illustrations, we gradually see how Laura unearths a youthful buoyancy in her musculoskeletal system, lubricating her achy joints, giving them a bounce as she treads barefoot into the kitchen—or masters the moonwalk in her school’s photocopy room. Through a deep exploration of mindful movement and contact improvisation, we observe Laura as she dances her way to greater health, stability, healing, and happiness.
The author aims to use Kuchipudi Indian classical Hindu dance to educate non-Hindus about Hinduism with postcolonialism in mind. This goal arises from her dance experiences and the historical era of imperialism. Colonization occurs when those in power believe there is a need to dominate in a manner that subjugates people. Colonizers created colonies as they moved into territory because they felt there was a need to “civilize” the so-called savages of the land. Postcolonialism is an intellectual discourse that confronts the legacy of colonialism and attempts to de-colonize. With the legacy of colonialism and a postcolonial lens in mind, some research questions arise. How does she, as a Kuchipudi dancer, use Hindu dance to educate non-Hindus about the Eastern literature of Hinduism? For non-Hindus, she feels the power of the exoticizing gaze when she dances, which might very well block the educational intention of the dance. This exoticizing gaze prevents the understanding of the traditional nature of the dance and the introduction to Hinduism as a world religion. The author’s problem is moving the exotic gaze of non-Hindus to an educational gaze that seeks to learn about the ethics of Hinduism in a manner that takes into consideration the multiple perspectives of the complex society we live in today. “In short, MisirHiralall’s research highlights the role of contemplation and critical-self reflection in creating opportunities for true intercultural relations that respect the epistemologies of traditionally marginalized and stigmatized non-Western religions and cultures. This is essential theoretical and practical research for a multicultural society that is grounded in first-person, lived experience.” – Tyson E. Lewis, Ph.D., Associate Professor of Art Education, University of North Texas “Most impressive is that MisirHiralall is walking her talk through a thoughtful and lyrical self-study that is situated in the in-between: between the mind and body, the gaze of the Other and the self, the Eastern and Western worlds, and the fields of dance, religion, philosophy, cultural studies, and teacher education.” – Monica Taylor, Ph.D., Professor and Deputy Chair of the Department of Secondary and Special Education, Montclair State University “In MisirHiralall’s Confronting Orientalism, the reader is gifted with a rare glimpse into a philosopher-educator’s wrestling with her teaching through the medium of Hindu dance .... All who think seriously about the context and impact of their teaching in connection with their core values can benefit from reading of this book.” – Michael D. Waggoner, Ph.D., Professor of Postsecondary Education, University of Northern Iowa, Editor of Religion & Education
Experiencing Dance: From Student to Dance Artist, Third Edition, is geared toward students in dance II, III, and IV classes. It places teachers in the role of facilitator and opens up a world of creativity and analytical thinking as students explore dance as an art form.
All her life, Kat dutifully performed as faithful friend, daughter, sister, wife, mother, legal assistant. She was professionally retired and now an empty nester with an eye on the belly dancing course at a local high school. The exotic and feminine art form kept crossing her path until she finally JUST CLICKED HERE and registered. Little did she know sixteen months later, she would be on a jet with nine fellow troupe members to perform and teach belly dance classes in Jamaica. One week, nine glittery strangers, a swingers group and Kat’s struggle with demons from her past set the perfect stage for bonding in the glittery sorority. They had one common denominator— They saw sparkly people.
The New York Times–bestselling author of A Wrinkle in Time takes an introspective look at her life and muses on creativity in these four memoirs. Set against the lush backdrop of Crosswicks, Madeleine L’Engle’s family farmhouse in rural Connecticut, this series of memoirs reveals the complexity behind the beloved author whose works have long been cherished by children and adults alike. A Circle of Quiet: In a deeply personal account, L’Engle shares her journey to find balance between her career as an author and her responsibilities as a wife, mother, teacher, and Christian. The Summer of the Great-Grandmother: Four generations of family have gathered at Crosswicks to care for L’Engle’s ninety-year-old mother, whose health is rapidly declining and whose once astute mind is slipping into senility. L’Engle takes an unflinching look at diminishment and death, all the while celebrating the wonder of life and the bonds between mothers and daughters. The Irrational Season: Exploring the intersection of science and religion, L’Engle uncovers how her spiritual convictions inform and enrich the everyday. The memoir follows the liturgical year from one Advent to the next, with L’Engle’s reflections on the changing seasons in her own life as a writer, wife, mother, and global citizen. Two-Part Invention: L’Engle beautifully evokes the life she and her husband, actor Hugh Franklin, built and the family they cherished. Beginning with their very different childhoods, their life in New York City in the 1940s, and their years spent raising their children at Crosswicks, this is L’Engle’s most personal work yet. Offering a new perspective into her writing and life and how the two inform each other, the National Book Award–winning author explores the meanings behind motherhood, marriage, and faith.
Unimaginable Bodies radically resituates academic discussions of intellectual disability. Through building relationships between philosophy, cultural studies and communities of integrated dance theatre practice, Anna Hickey-Moody argues that dance theatre devised with and performed by young people with and without intellectual disability, can reframe the ways in which bodies with intellectual disability are known. This proposition is considered in terms of classic philosophical ideas of how we think the mind and body, as Hickey-Moody argues that dance theatre performed by young people with and without intellectual disability creates a context in which the intellectually disabled body is understood in terms other than those that pre-suppose a Cartesian mind-body dualism. Taking up the writings of Spinoza and Deleuze and Guattari, Hickey-Moody critiques aspects of medical discourses of intellectual disability, arguing that Cartesian methods for thinking about the body are recreated within these discourses. Further, she shows that Cartesian ways of conceiving corporeality can be traced through select studies of the social construction of intellectual disability. The argument for theorising corporeality and embodied knowledge that Hickey-Moody constructs is a philosophical interpretation of the processes of knowledge production and subjectification that occur in integrated dance theatre. Knowledge produced within integrated dance theatre is translated into thought in order to explore the affective nature of performance texts. This book is essential reading for those interested in theories of embodiment, disability studies and dance. Cover Image: Ziggy Kuster, Gigibori: Invaders of the soul, Photography David Wilson ã Restless Dance Company
Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses. Expanding on the concept of a ‘kinaesthetic mode of attention’ leads to discussion of some of the key values and practices which nurture and develop this mode in contemporary dance. Zooming in on entanglements with video self-images in dance practice provides further insights regarding kinaesthesia’s historicised polarisation with the visual. It thus provides opportunities to dwell on and reconsider reflections, opening up to a set of playful yet disruptive diffractions inherent in the process of becoming a contemporary dancer, particularly amongst an increasingly complex landscape of visual and theoretical technologies.
ALIVE OR NOT ALIVE In a world craving holistic well-being, Alive or not Alive takes readers on a transformative journey through the intricate workings of the mind, body and soul. This captivating book dives into the depths of cognitive, physical, emotional, social, environmental, and financial wellness, unveiling the secrets to unlocking one’s true potential. From the thought-provoking Prologue, ‘The Mustard Seed’ to the enlightening Epilogue, ‘What Darwin Didn’t know,’ this comprehensive guide explores the fascinating realm of human existence. In Part I - ‘Cognitive Wellness,’ readers discover the power of good judgment, the influence of biases on decision-making, and the truth behind the 10 per cent brain myth. Part II - ‘Physical Wellness’, challenges conventional notions about sleep, introduces dance as a path to staying sharp, and reveals the surprising resilience of centenarian athletes. Moving forever young into Part III - ‘Emotional Wellness’ - the book delves into transformational effects of humor, journaling, and emotional health on overall well-being. Part IV - ‘Social Wellness’ – explores the interconnectedness of community and the scientific approach to fostering meaningful relationships. In Part V -‘Environment Wellness’ - readers are inspired to find their way towards sustainable living and embrace the power of light. Finally, Part VI - ‘Financial Wellness’ – explores the intricate relationship between our financial health and overall well-being, revealing the secrets of a healthy financial brain. Throughout the book, captivating stories, insightful anecdotes, and compelling research come together to create a tapestry of knowledge that empowers readers to live their best lives. ALIVE OR NOT ALIVE is an invitation to step into a world where mind, body, and soul converge. It provides a roadmap for individuals seeking to unlock their true potential and achieve optimal well-being. With its thought-provoking content, practical insight, expert guidance, this book is an invaluable resource for anyone on a journey toward ‘Wholistic Wellness’.