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“We who have been colonized can never forget” Andrée Blouin—once called the most dangerous woman in Africa—played a leading role in the struggles for decolonization that shook the continent in the 1950s and ’60s, advising the postcolonial leaders of Algeria, both Congos, Ivory Coast, Mali, Guinea, and Ghana. In this autobiography, Blouin retraces her remarkable journey as an African revolutionary. Born in French Equatorial Africa and abandoned at the age of three, she endured years of neglect and abuse in a colonial orphanage, which she escaped after being forced by nuns into an arranged marriage at fifteen. She later became radicalized by the death of her two-year-old son, who was denied malaria medication by French officials because he was one-quarter African. In Guinea, where Blouin was active in Sékou Touré’s campaign for independence, she came into contact with leaders of the liberation movement in the Belgian Congo. Blouin witnessed the Congolese tragedy up close as an adviser to Patrice Lumumba, whose arrest and assassination she narrates in unforgettable detail. Blouin offers a sweeping survey of pan-African nationalism, capturing the intricacies of revolutionary diplomacy, comradeship, and betrayal. Alongside intimate portraits of the movement’s leaders, Blouin provides insights into the often-overlooked contribution of African women in the struggle for independence.
Demonstrates the diversity of the African continent by describing daily life in some of its fifty-three nations.
Discover the exhilarating diversity of the African continent in storyteller Atinuke’s kaleidoscopic nonfiction guide to the people, flora, and fauna of all fifty-five countries. A Nigerian storyteller explores the continent of Africa country by country: its geography, peoples, animals, history, resources, and cultural diversity. The book is divided into five distinct sections—South, East, West, Central, and North—and each country is showcased on its own bright, energetic page brimming with friendly facts on science, industry, food, sports, music, wildlife, landscape features, even snippets of local languages. The richest king, the tallest sand dunes, and the planet’s largest waterfall all make appearances along with drummers, cocoa growers, inventors, balancing stones, salt lakes, high-tech cities, and nomads who use GPS! Atinuke’s lively and comprehensive introduction to all fifty-five African countries—a celebration scaled to dazzle and delight even very young readers—evokes the continent’s unique blend of modern and traditional. Complete with colorful maps, an index, and richly patterned and textured illustrations by debut children’s book artist Mouni Feddag, Africa, Amazing Africa is both a beautiful gift book and an essential classroom and social studies resource.
In this wide-ranging collection of essays, Pius Adesanmi explores what Africa means to him as an African and as a citizen of the world. Examining the personal and the political, tradition and modernity, custom and culture, Adesanmi grapples with the complexity and contradictions of this vast continent, zooming in most closely on Nigeria, the country of his birth. The inspiration for the title of the collection, You're Not a Country, Africa, comes from a line of poetry: 'You are not a country Africa, you are a concept, fashioned in our minds, each to each'. The Africa fashioned in our minds - with our fears and our dreams - is the Africa that the reader will encounter in these essays. Through narratives and political and cultural reflections, Pius Adesanmi approaches the meaning of Africa from the perspective that you never actually define Africa: rather, it defines you in various contexts and for various people.
Ever since Nelson Mandela dramatically walked out of prison in 1990 after twenty-seven years behind bars, South Africa has been undergoing a radical transformation. In one of the most miraculous events of the century, the oppressive system of apartheid was dismantled. Repressive laws mandating separation of the races were thrown out. The country, which had been carved into a crazy quilt that reserved the most prosperous areas for whites and the most desolate and backward for blacks, was reunited. The dreaded and dangerous security force, which for years had systematically tortured, spied upon, and harassed people of color and their white supporters, was dismantled. But how could this country--one of spectacular beauty and promise--come to terms with its ugly past? How could its people, whom the oppressive white government had pitted against one another, live side by side as friends and neighbors? To begin the healing process, Nelson Mandela created the Truth and Reconciliation Commission, headed by the renowned cleric Archbishop Desmond Tutu. Established in 1995, the commission faced the awesome task of hearing the testimony of the victims of apartheid as well as the oppressors. Amnesty was granted to those who offered a full confession of any crimes associated with apartheid. Since the commission began its work, it has been the central player in a drama that has riveted the country. In this book, Antjie Krog, a South African journalist and poet who has covered the work of the commission, recounts the drama, the horrors, the wrenching personal stories of the victims and their families. Through the testimonies of victims of abuse and violence, from the appearance of Winnie Mandela to former South African president P. W. Botha's extraordinary courthouse press conference, this award-winning poet leads us on an amazing journey. Country of My Skull captures the complexity of the Truth Commission's work. The narrative is often traumatic, vivid, and provocative. Krog's powerful prose lures the reader actively and inventively through a mosaic of insights, impressions, and secret themes. This compelling tale is Antjie Krog's profound literary account of the mending of a country that was in colossal need of change.
A devout Catholic politician assassinated by a capricious dictator. A Cardinal standing up for his people in the face of political repression. A priest leading his nation’s constitutional revision. The “Mother Teresa of Uganda” transforming the lives of thousands of abandoned children. Two missionaries who founded the best community radio station in Africa. A peace activist who has amplified the voices of grassroots women in the midst of a brutal civil war. Such are the powerful stories in For God and My Country, a book that explores how seven inspiring leaders in Uganda’s largest religious community have shaped the social and political life of their country. Drawing on extensive oral research, J. J. Carney analyzes how personal faith, theological vision, and Catholic social teaching have propelled these leaders to embody Vatican II’s call for the Church to be a sign of communion and unity in the world. Readers will gain rich insight into Uganda’s postcolonial politics and the history of one of Africa’s most important Catholic communities. Each chapter closes with leadership lessons and reflection questions, making this an ideal text for classroom and parish adoption.
Definitive proof that Africa is *not* a country. A lively, entertaining and informative portrait of modern Africa that pushes back against harmful stereotypes. Over a billion people have been reduced to one simple story. Africa Is Not a Country fills in the gaps. So often Africa is depicted simplistically as a red landscape of safaris and famines. In this funny, insightful book Dipo Faloyin corrects this view to create a fresh and positive view of the continent. By turns intimate and political, he looks at buzzy urban life in Lagos and the lively West African rivalry over who makes the best jollof rice, before giving us the story of democracy in seven dictatorships, an insight into different regional accents and the colonial foundation of many countries which are still younger than your grandparents. We learn about the dangers of white saviours and the cultural significance of Aunties, and he provides us with a tour guide of where citizens of several African countries need to travel to visit their own cultural artefacts - 90% of which are in museums outside the continent. We immerse ourselves in the energy and fabric of many different cultures and communities as Dipo shows his deep love of the region - as a concept, as a promise and as a reality.
'If the form of my poetry is thoroughly European, its content is thoroughly African.' Thus the author introduces this collection of some eighty of his poems written between the late 1950s and the present: from the settler period through the civil war, to independence and neo- colonialism. The poems explore the contradictions and creative possibilities of an identity that is at once native and white, European and African. The voice is varyingly satirical, confessional, outraged and affectionate. "These poems have nothing to do with white nostalgia for the colonial period. On the contrary, they circle round [the author's] attempt both to embrace a past and wean himself from it."
For the Makahs, a tribal nation at the most northwestern point of the contiguous United States, a deep relationship with the sea is the locus of personal and group identity. Unlike most other indigenous tribes whose lives are tied to lands, the Makah people have long placed marine space at the center of their culture, finding in their own waters the physical and spiritual resources to support themselves. This book is the first to explore the history and identity of the Makahs from the arrival of maritime fur-traders in the eighteenth century through the intervening centuries and to the present day. Joshua L. Reid discovers that the “People of the Cape” were far more involved in shaping the maritime economy of the Pacific Northwest than has been understood. He examines Makah attitudes toward borders and boundaries, their efforts to exercise control over their waters and resources as Europeans and Americans arrived, and their embrace of modern opportunities and technology to maintain autonomy and resist assimilation. The author also addresses current environmental debates relating to the tribe's customary whaling and fishing rights and illuminates the efforts of the Makahs to regain control over marine space, preserve their marine-oriented identity, and articulate a traditional future.