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In this world, monsters consume a person's lifespan in exchange for granting their every wish. However, Nea's mysterious "apothecary" monster seems uninterested in consuming hers. After wandering into the land of Weem, Nea is offered the illustrious position of Songbearer, and forms a contract with Dino — a monster as beautiful as he is powerful. While Nea adjusts to her role (and Dino's peculiar brand of companionship) she is tasked with the search for the Grimmdoll Chain: an artifact in possession of the elusive Masked Monster. If not her lifespan, what will Dino require of her in exchange for her wishes...?
In this world, monsters consume a person's lifespan in exchange for granting their every wish. However, Nea's mysterious "apothecary" monster, Dino, seems uninterested in consuming hers. If not her lifespan, what will Dino require of her in exchange for her wishes...? After wandering into the land of Weem, Nea is offered the illustrious position of Songbearer, and forms a contract with Dino -- a monster as beautiful as he is powerful. While Nea adjusts to her role (and Dino's peculiar brand of companionship) she is tasked with the search for the Grimmdoll Chain: an artifact in possession of the elusive Masked Monster.
Even as a working adult, Sarasa Ichinokura suffers from an unshakable fatigue that’s plagued her since childhood. She goes to bed one night, exhausted from her office job, and encounters a goddess(?) who informs her that her perpetual lack of energy is actually due to a deficit of “mana.” Then, without any further explanation or time to process what’s happening to her, Sarasa is thrust into a fantasy world! She awakens in the body of a ten-year-old girl in a strange land filled with flying beasts and oversized wolves. She accordingly prepares for the worst, but a monster hunter named Nelly takes her in. The hitch is...now that Sarasa finally has the energy to do everything she wants to, being cooped up in a cabin is just no fun! She seeks to stand on her own in this scary new world—and that’s going to mean learning magic. It may be slow going, but Sarasa knows what to do—the best way to take her reincarnation is one step at a time!
“A wonderful tale . . . It crackles with suspense and excitement from start to finish.”—Terry Brooks Two thousand years ago, the Born Queen defeated the Skasloi lords, freeing humans from the bitter yoke of slavery. But now monstrous creatures roam the land—and destinies become inextricably entangled in a drama of power and seduction. The king’s woodsman, a rebellious girl, a young priest, a roguish adventurer, and a young man made suddenly into a knight—all face malevolent forces that shake the foundations of the kingdom, even as the Briar King, legendary harbinger of death, awakens from his slumber. At the heart of this many-layered tale is Anne Dare, youngest daughter of the royal family . . . upon whom the fate of her world may depend. Praise for The Briar King “Starts off with a bang, spinning a snare of terse imagery and compelling characters that grips tightly and never lets up. . . . A graceful, artful tale from a master storyteller.”—Elizabeth Haydon, bestselling author of Prophecy: Child of Earth “The characters in The Briar King absolutely brim with life. . . . Keyes hooked me from the first page,and I’ll now be eagerly anticipating sitting down with each future volume of the Kingdoms of Thorn and Bone series.”—Charles de Lint, award-winning author of Forests of the Heartand The Onion Girl “A thrill ride to the end, with plenty of treachery, revelation, and even a few bombshell surprises.”—Monroe News-Star (LA)
Candide is a French satire by Voltaire, a philosopher of the Age of Enlightenment. It begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism (or simply Optimism) by his mentor, Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow, painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes with Candide, if not rejecting optimism outright, advocating a deeply practical precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best in the best of all possible worlds". Candide is characterized by its sarcastic tone, as well as by its erratic, fantastical and fast-moving plot. A picaresque novel it parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is mordantly matter-of-fact. Still, the events discussed are often based on historical happenings, such as the Seven Years' War and the 1755 Lisbon earthquake. As philosophers of Voltaire's day contended with the problem of evil, so too does Candide in this short novel, albeit more directly and humorously. Voltaire ridicules religion, theologians, governments, armies, philosophies, and philosophers through allegory; most conspicuously, he assaults Leibniz and his optimism. As expected by Voltaire, Candide has enjoyed both great success and great scandal. Immediately after its secretive publication, the book was widely banned because it contained religious blasphemy, political sedition and intellectual hostility hidden under a thin veil of naïveté. However, with its sharp wit and insightful portrayal of the human condition, the novel has since inspired many later authors and artists to mimic and adapt it. Today, Candide is recognized as Voltaire's magnum opus and is often listed as part of the Western canon; it is arguably taught more than any other work of French literature. It was listed as one of The 100 Most Influential Books Ever Written.