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Recollections of Proust, Piaf, Colette, and a host of luminaries from Bohemian Paris For almost 50 years up until his death in 1963, Jean Cocteau held a unique place in French cultural life. The breadth of his artistic success bears witness to the astounding variety of his talents. In the fields of theater, cinema, art, ballet, and literature, Cocteau made many lifelong friends. Intimate portraits of some of the greatest artists of his age are included in this memorable memoir. Jean Cocteau was drawn to larger-than-life or seemingly unreal characters. He believed that their unreality was often the clue to the secrets of their personality. In descriptions of his contemporaries, Cocteau is able to illustrate everything that is accessible, sympathetic, memorable, durable, all-pervading, or dazzling about them. Ranging from the moving and atmospheric (the dying Proust in his cork-lined chamber) to the hilariously camp (Colette being carried from her apartment by sedan chair to have lunch across the road), it is in these portraits that the essence of his own work can be found. The portraits include Proust, Picasso, Piaf, Colette, Chaplin, and many more.
A one-of-a-kind collection of work by little-known Late Tang poetic master Li Shangyin. Li Shangyin is one of the foremost poets of the late Tang, but until now he has rarely been translated into English, perhaps because the esotericism and sensuality of his work set him apart from the austere masters of the Chinese literary canon. Li favored allusiveness over directness, and his poems unfurl through mysterious images before coalescing into an emotional whole. Combining hedonistic aestheticism with stark fatalism, Li’s poetry is an intoxicating mixture of pleasure and grief, desire and loss, everywhere imbued with a singular nostalgia for the present moment. This pioneering, bilingual edition presents Chloe Garcia Roberts’s translations of a wide selection of Li’s verse in the company of other versions by the prominent sinologist A. C. Graham and the scholar-poet Lucas Klein.
It's been nearly a century since Marcel Duchamp exhibited a urinal and called it art. Since then, painting has been declared dead several times over, and contemporary art has now expanded to include just about any object, action, or event: dance routines, slideshows, functional hair salons, seemingly random accretions of waste. In the meantime, being an artist has gone from a join-the-circus fantasy to a plausible vocation for scores of young people in America. But why--and how and by whom--does all this art get made? How is it evaluated? And for what, if anything, will today's artists be remembered? In The Contemporaries, Roger White, himself a young painter, serves as our spirited, skeptical guide through this diffuse creative world.From young artists trying to elbow their way in to those working hard at dropping out, White's essential book offers a once-in-a-generation glimpse of the inner workings of the American art world at a moment of unparalleled ambition, uncertainty, and creative exuberance.
Dan Zahavi engages with classical phenomenology, philosophy of mind, and a range of empirical disciplines to explore the nature of selfhood. He argues that the most fundamental level of selfhood is not socially constructed or dependent upon others, but accepts that certain dimensions of the self and types of self-experience are other-mediated.
Elsewhere 1 we were concerned with fundamental aspects of the question how man can comprehend his fellow-men. We analyzed man's subjective experiences of the Other and found in them the basis for his understanding of the Other's subjective processes of consciousness. The very assumption of the existence of the Other, however, introduces the dimension of intersub jectivity. The world is experienced by the Self as being inhabited by other Selves, as being a world for others and of others. As we had occasion to point out, intersubjective reality is by no means homogeneous. The social world in which man finds himself exhibits a complex structure; fellow-men appear to the Self under different aspects, to which correspond different cognitive styles by which the Self perceives and apprehends the Other's thoughts, motives, and actions. In the present investigation it will be our main task to describe the origin of the differentiated structures of social reality as well as to reveal the principles underlying its unity and coherence. It must be stressed that careful description of the processes which enable one man to understand another's thoughts and actions is a prerequisite for the methodology of the empirical social sciences. The question how a scientific interpretation of human action is possible can be resolved only if an adequate • From: De, sinnha/te A II/ball tler sowuen WeU, Vienna, 1932; 2nd ed. 1960 (Sektion IV: Strukturanalyse der Sozialwelt, Soziale Umwelt, Mitwelt, Vorwelt, English adaptation by Professor Thomas Luckmann.
A wonderfully provocative and appealing novel, from the much-loved author of Anywhere But Here and A Regular Guy, her first in ten years. It tells the story of two women whose lives entwine and unfold behind the glittery surface of Hollywood. Claire, a composer and a new mother, comes to LA so her husband can follow his passion for writing television comedy. Suddenly the marriage—once a genuine 50/50 arrangement—changes, with Paul working long hours and Claire left at home with a baby, William, whom she adores but has no idea how to care for. Lola, a fifty-two-year-old mother of five who is working in America to pay for her own children’s higher education back in the Philippines, becomes their nanny. Lola stabilizes the rocky household and soon other parents try to lure her away. What she sacrifices to stay with Claire and “Williamo” remains her own closely guarded secret. In a novel at turns satirical and heartbreaking, where mothers’ modern ideas are given practical overhauls by nannies, we meet Lola’s vast network of fellow caregivers, each with her own story to tell. We see the upstairs competition for the best nanny and the downstairs competition for the best deal, and are forced to ask whether it is possible to buy love for our children and what that transaction costs us all. We look into two contemporary marriages—one in America and one in the Philippines—and witness their endangerment, despite the best of intentions. My Hollywood is a tender, witty, and resonant novel that provides the profound pleasures readers have come to expect from Mona Simpson, here writing at the height of her powers.
Risking Who One Is shows how the process of self-recognition, even self-construction, in the reading of contemporary work can lead to larger considerations about culture and society - to the dimensions of historical awareness and collective action. The book gives us a new way of looking at issues that are as personal as they are prevalent in the writing, the criticism, and the life of our times.
In this beautiful collection of poems, remarkable for their plainspoken radiance, the bestselling author of The House on Mango Street and winner of the 2019 PEN/Nabokov Award for Achievement in International Literature embraces her first passion-verse. With lines both comic and sad, Sandra Cisneros deftly-and dazzlingly-explores the human experience. For those familiar with Cisneros only from her acclaimed fiction, My Wicked Wicked Ways presents her in an entirely new light. And for readers everywhere, here is a showcase of one of our most powerful writers at her lyrical best. “Here the young voice of Esperanza of The House on Mango Street merges with that of the grown woman/poet. My Wicked Wicked Ways is a kind of international graffiti, where the poet—bold and insistent—puts her mark on those traveled places on the map and in the heart.” —Cherríe Moraga
In a personal memoir, the author describes her relationships with the two men closest to her--her father and his brother, Joseph, a charismatic pastor with whom she lived after her parents emigrated from Haiti to the United States.
A unique hybrid of text and readings, this book combines the major writings of sociology′s core classical and contemporary theorists with an historical as well as theoretical framework for understanding them. Laura Desfor Edles and Scott A Appelrouth provide not just a biographical and theoretical summary of each theorist/reading, but an overarching scaffolding which students can use to examine, compare and contrast each theorists′ major themes and concepts. No other theory text combines such student-friendly explanation and analysis with original theoretical works. Key features include: * Pedagogical devices and visual aids - charts, figures and photographs - to help summarize key concepts, illuminate complex ideas and provoke student interest * Chapters on well-known figures, such as Marx, Weber, Durkheim, Parsons and Foucault as well as an in-depth discussion of lesser known voices, such as Charlotte Perkins-Gilman, WEB Du Bois, and Leslie Sklair * Photos of not only the theorists, but of the historical milieu from which the theories arose as well as a glossary at the back