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Interest in ethnic studies and multiculturalism has grown considerably in the years since the 1992 publication of the first edition of this work. Co-editors Ratner and Buenker have revised and updated the first edition of Multiculturalism in the United States to reflect the changes, patterns, and shifts in immigration showing how American culture affects immigrants and is affected by them. Common topics that helped determine the degree and pace of acculturation for each ethnic group are addressed in each of the 17 essays, providing the reader with a comparative reference tool. Seven new ethnic groups are included: Arabs, Haitians, Vietnamese, Koreans, Filipinos, Asian Indians, and Dominicans. New essays on the Irish, Chinese, and Mexicans are provided as are revised and updated essays on the remaining groups from the first edition. The contribution to American culture by people of these diverse origins reflects differences in class, occupation, and religion. The authors explain the tensions and conflicts between American culture and the traditions of newly arrived immigrants. Changes over time that both of the cultures brought to America and of the culture that received them is also discussed. Essays on representative ethnic groups include African-Americans, American Indians, Arabs, Asian Indians, Chinese, Dominicans, Filipinos, Germans, Haitians, Irish, Italians, Jews, Koreans, Mexicans, Poles, Scandinavians, and the Vietnamese.
In five sections—Childhood, Migration, Half/First Generation, Return, and Future—the thirty-three contributors to this anthology write movingly, often hauntingly, of their lives in Haiti and the United States. Their dyaspora, much like a butterfly's fluctuating path, is a shifting landscape in which there is much travel between two worlds, between their place of origin and their adopted land. This compilation of essays and poetry brings together Haitian-Americans of different generations and backgrounds, linking the voices for whom English is a first language and others whose dreams will always be in French and Kreyòl. Community activists, scholars, visual artists and filmmakers join renowned journalists, poets, novelists and memoirists to produce a poignant portrayal of lives in transition. Edwidge Danticat, in her powerful introduction, pays tribute to Jean Dominique, a sometime participant in the Haitian dyaspora and a recent martyr to Haiti's troubled politics, and the many members of the dyaspora who refused to be silenced. Their stories confidently and passionately illustrate the joys and heartaches, hopes and aspirations of a relatively new group of immigrants belonging to two countries that have each at times maligned and embraced them.
A comet in the mounting firmament of third-world, non-white, female writers, Edwidge Danticat stands apart. An accomplished trilingual children's and YA author, she is also an activist, op-ed and cinema writer, and keynote speaker. Much of her work introduces the world to the cultural uniqueness of Haiti, the first black republic, and the elements of African heritage, language, and Vodou that continue to color all aspects of the island's art and self-expression. This companion provides an in-depth look into the world and writings of Danticat through A-Z entries. These entries cover both her works and the prevalent themes of her writing, including colonialism, slavery, superstition, adaptation, dreams and coming of age. It also provides a biography of Danticat, a list of 32 aphorisms from her fiction, a guide to the names and histories of the real places in her fiction, lesson planning aids, and a robust glossary offering translations and definitions for the many Creole, French, Japanese, Latin, Spanish, and Taino terms in Danticat's writing.
Summary T HE GIFT OF MISFORTUNE CHRONICLES THE STORY OF A YOUNG HAITIAN IMMIGRANT TORN BETWEEN HIS NATIVE LAND, WHICH HE LOVES UNCONDITIONALLY, AND AN ADOPTED COUNTRY THAT HE FALLS IN LOVE WITH AT FIRST SIGHT. However, once he reluctantly arrives in his new country, in spite of himself, he loves it, but three major obstacles surface that alter his attitudes and eventually his life: his natural kinship with the Christian notion of poverty and wealth; his encounter with his adopted father/friend, Thomas, who is very critical of America; and the most important, the obstacle that makes him change his attitude about American culture and democracy his malevolent and greedy wife, Monica. Politics, religion, fear, deception, greed, courage, and revelation all come to play in the journey of Armand, who brings a willing sister to the United States while his heart and soul is still in Haiti. During Haiti's most turbulent recent times, Armand and sister, Deborah, become concerned about the chaos that is claiming the streets of Port-au-Prince. The fear, violence, murder, and hopelessness were affecting not only the poor and desperate but the wealthy and desperate as well. Deborah wants to go, and so one morning, she wakes up in her comfortable house. After hearing another story of one of her friends put to death because they will not join the military of Baby Doc (Jean-Claude Duvalier), she wants to go out of Haiti as both patriot and citizen. Deborah cannot go anywhere without her brother, Armand, and though he too is frightened, he feels that he can't leave Haiti. They are not involved in politics, but are religious: Armand, fundamentalist Protestant; and Deborah, traditional Catholic. They are still thrust into the politics of the country. They attend the finest school in Haiti, and they attend this school with the country's elite who are pro-Duvalier. With warring factions, violence spurting all around them, certain friends disappearing overnight, never to return, and some friends demanding them to choose between their neutral political life, and the need for them to get involved in the Duvalier government, and concerns for Deborah's freedom since an important Duvalier official might want Deborah for his son, they hatch a plan to escape to the United States of America. In the beginning, it is Deborah, and not Armand, who wanted to abandon Haiti, but Armand has to go to protect his sister and make sure she got there safely. After making a careful trip to Bainet to get money from their very wealthy parents, they leave for the United States of America. Armand leaves with a heavy heart because, unlike Deborah, he wanted to stay in Haiti to do religious work, which would end up looking like political work since Armand has a close connection and passion for the poor. But because of family and tradition, Deborah becomes the major priority. Armand starts a whole new journey when he gets on that plane to the United States and lands in New York City, where his relatives and friends are awaiting him and Deborah. In New York City, he is immediately thrown into a quandary. Though he misses Haiti, he excitingly falls in love with the United States and New York City. On his beginning U.S. journey, he is introduced to the two most important people in his life and the two most important characters in the novel. Also, he is introduced to two of the most important persons he met in his life in the United States: Thomas, a radical Christian socialist who constantly places the United States into the glaring light of expectation and reality and compels Armand to go beyond his strict religious beliefs to uncover deeper truth about a society that worships the material greed; and the other person is Monica, a young woman of questionable reputation, but has sterling charm, a charm that, in spite of all of the warning of Armand's family and church friends, got Armand to marry her. The novel unfolds with these two polar, opposite ch
Caribbean Diaspora in the USA presents a new cultural theory based on an exploration of Caribbean religious communities in New York City. The Caribbean culture of New York demonstrates a cultural dynamism which embraces Spanish speaking, English speaking and French speaking migrants. All cultures are full of breaks and contradictions as Latin American and Caribbean theorists have demonstrated in their ongoing debate. This book combines unique research by the author in Caribbean New York with the theoretical discourse of Latin American and Caribbean scholars. Focusing on Caribbean religious communities, including Cuban/Puerto Rican Santería (Regla de Ocha), Haitian Vodou, Shango (Orisha Baptist) from Trinidad and Tobago, and Brazilian Pentecostal church, Schmidt's observations lead to the construction of a cultural concept that illustrates a culture in an ongoing state of change, with more than one form of expression depending on situation, time and context. Showing the creativity of religions and the way immigrants adapt to their new surroundings, this book fills a gap between Latin American and Caribbean Studies.
For nearly thirty years, anthropologist and physician Paul Farmer has traveled to some of the most impoverished places on earth to bring comfort and the best possible medical care to the poorest of the poor. Driven by his stated intent to "make human rights substantial," Farmer has treated patients—and worked to address the root causes of their disease—in Haiti, Boston, Peru, Rwanda, and elsewhere in the developing world. In 1987, with several colleagues, he founded Partners In Health to provide a preferential option for the poor in health care. Throughout his career, Farmer has written eloquently and extensively on these efforts. Partner to the Poor collects his writings from 1988 to 2009 on anthropology, epidemiology, health care for the global poor, and international public health policy, providing a broad overview of his work. It illuminates the depth and impact of Farmer’s contributions and demonstrates how, over time, this unassuming and dedicated doctor has fundamentally changed the way we think about health, international aid, and social justice. A portion of the proceeds from the sale of this book will be donated to Partners In Health.
America's secret war in the Caribbean during the Cold War is revealed as never before in this riveting story of the machinations and blunders of superpowers, and the daring of the mavericks who took them on. During the presidencies of Eisenhower, Kennedy and Johnson, the Caribbean was in crisis, while the United States and the USSR acted out the world's rising tensions in its island nations. Meanwhile the leaders of these nations - the charismatic Fidel Castro, and his mysterious brother Raúl; the ideologue Che Guevara; the capricious psychopath Rafael Trujillo; and François 'Papa Doc' Duvalier, a buttoned-down doctor with interests in Vodou, embezzlement and torture - had ambitions of their own. Alex von Tunzelmann's brilliant narrative follows these five rivals and accomplices from the beginning of the Cold War to its end. The superpowers thought they could use these Caribbean leaders as puppets, but what neither bargained on was that their puppets would come to life. The United States, in its all-consuming fight against communism, stumbled into one disaster after another. First, with the Bay of Pigs, and then with the Cuban Missile Crisis, it helped bring the world as close to catastrophic nuclear war as it has ever been. Red Heatis an authoritative and eye-opening account of a wildly dramatic and dangerous era of international politics that has unmistakable resonance today.
Independent Publisher Book Awards, Silver Medal for Anthology National Indie Excellence Awards, Finalist in the Anthology Category International Latino Book Awards, Gold Medal for Best Fiction (Multi-Author) International Latino Book Awards, Honorable Mention, Best Nonfiction (Multi-Author) A powerful collection of contemporary voices Showcasing a variety of voices shaped in and by a place that has been for them a crossroads and a land of contradictions, Home in Florida presents a selection of the best literature of displacement and uprootedness by some of the most talented contemporary Latinx writers who have called Florida home. Featuring fiction, nonfiction, and poetry by Richard Blanco, Jaquira Díaz, Patricia Engel, Jennine Capó Crucet, Reinaldo Arenas, Judith Ortiz Cofer, and many others, this collection of renowned and award-winning contributors includes several who are celebrated in their countries of origin but have not yet been discovered by readers in the United States. The writers in this volume—first- , second- , and third-generation immigrants to Florida from Cuba, Mexico, Honduras, Perú, Argentina, Chile, and other countries—reflect the diversity of Latinx experiences across the state. Editor Anjanette Delgado characterizes the work in this collection as literature of uprootedness, literatura del desarraigo, a Spanish literary tradition and a term used by Reinaldo Arenas. With the heart-changing, here-and-there perspective of attempting life in environments not their own, these writers portray many different responses to displacement, each occupying their own unique place on what Delgado calls a spectrum of belonging. Together, these writers explore what exactly makes Florida home for those struggling between memory and presence. In these works, as it is for many people seeking to make a new life in the United States, Florida is the place where the uprooted stop to catch their breath long enough to wonder, “What if I stayed? What if here could one day be my home?” Contributors: Daniel Reschinga | Ana Menéndez | Frances Negrón Muntaner | Hernán Vera Álvarez | Liz Balmaseda | Ariel Francisco | Andreina Fernandez | Amina Lolita Gautier PhD | Jennine Capó-Crucet | Dainerys Machado Vento | Carlos Harrison | Legna Rodríguez Iglesias | Judith Ortiz Cofer | Chantel Acevedo | Guillermo Rosales | Achy Obejas | Alex Segura | Patricia Engel | Anjanette Delgado | Mia Leonin | Carlos Pintado | Nilsa Ada Rivera | Natalie Scenters-Zapico | Pedro Medina León | Caridad Moro-Gronlier | Aracelis González Asendorf | Michael García-Juelle | Jaquira Díaz | José Ignacio Chascas-Valenzuela | Raúl Dopico | Javier Lentino | Yaddyra Peralta