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Growing up on the west coast of Queensland's Cape York Peninsula in the 1970s and 1980s, Fiona Wirrer-George Oochunyung had an idyllic traditional life. At the age of 16, she moved to Sydney to attend the NAISDA Dance College, where she studied with the legendary Page brothers. As a young woman, she carves out a fragile relationship with her absent father, inspiring her to better understand her Austrian ancestry and how it meshes with her Indigenous identity. The model of a modern woman, the author shares the joys and challenges that come with growing up in a divided community in this powerful and candid memoir and offers a rare insight into the burgeoning years of the contemporary Indigenous dance movement.
Whilst the vast majority of recent research on identity and ethnicity amongst South Asians in Britain has focused upon younger people, this book deals with Bengali elders, the first generation of migrants from Sylhet, in Bangladesh. The book describes how many of these elders face the processes of ageing, sickness and finally death, in a country where they did not expect to stay and where they do not necessarily feel they belong. The ways in which they talk about and deal with this, and in particular, their ambivalence towards Britain and Bangladesh lies at the heart of the book. Centrally, the book is based around the men and womens life stories. In her analysis of these, Gardner shows how narratives play an important role in the formation of both collective and individual identity and are key domains for the articulation of gender and age. Underlying the stories that people tell, and sometimes hidden within their gaps and silences, are often other issues and concerns. Using particular idioms and narrative devices, the elders talk about the contradictions and disjunctions of transmigration, their relationship with and sometimes resistance to, the British State, and what they often present as the breakdown of traditional ways. In addition to this, the book shows that histories, stories and identity are not just narrated through words, but also through the body - an area rarely theorized in studies of migration.
EVERY DAY Mustara and Taj look out onto a sea of yellow-red dust and stones. The sand rolls and shifts. Taj's father says it is like the waves of the ocean and the spinifex bushes are little boats blown about by the wind. Taj longs to take his young camel into the desert to explore, but like a storm in the ocean, the desert can turn wild. Taj and Mustara must prove their strength and courage. Mustara was shortlisted for the Patricia Wrightson Prize in the 2007 NSW Premier's Literary Awards and is a CBCA Notable Book. 'Mustara shows that friendship, trust and a good camel can overcome even the pitiless outback. Highly recommended.' Adelaide's Child 'Ingpen's illustrations are outstanding...I was astounded by my need to brush the grit from the page.' Magpies
Change is no where more urgently needed than in the so called developing countries. In the Constituent Assembly charged with the drafting of a constitution for free India, Jawaharlal Nehru expressed the sentiment very eloquently. Referring to Gandhi he said, "The ambition of the greatest man of our generation has been to wipe every tear from every eye. That may be beyond us, but as long as there are tears and suffering, so long our work will not be over." To bring about speedy socio-economic changes has been the ideal of all the newly independent Afro-Asian nations. After the Second World War, the new nations emerged out of the dark experience of imperial exploitation and embarked upon a complex process of social reconstruction.