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This is the first major study in English of Fascist Italy’s overseas propaganda. Using rare Italian and French captured documents, this is also the first investigation into the relationship between Mussolini’s regime and Arab nationalist movements This new account covers propaganda and subversive activities engineered by the Italian government in the Mediterranean and the Middle East from 1935 until 1940, when Italy entered the war. It assesses the nature of the challenge brought by the Fascist regime to British security and colonial interests in the region. Fascist propaganda, in particular in the Arab Middle East, must be regarded as an expression of Mussolini’s foreign policy and his attempts to build an Italian empire that would stretch beyond the Mediterranean, gaining control over the exits, Gibraltar and Suez, which were in the hands of the British and the French. The activities of individual agents and organizations are carefully reconstructed and analyzed to highlight the seemingly contradictory objectives of the Italian government: on the one hand, Rome was courting the Arab nationalist movements in Egypt and Palestine, which were seeking the support of external forces capable of providing political, financial and military backing needed to overthrow foreign rulers; on the other, the regime was promoting further territorial expansion in Africa. These aspects build into an excellent picture of this fascinating period of modern history. This book will be of great interest to all students and scholars of politics, media, Italian history and propaganda.
During the 1920s and 1930s, Mussolini’s fascist regime attempted to promote fascist Italy’s national project in Argentina, bombarding the republic with its propaganda. Although politically a failure, this propaganda provoked a debate over the idea of a national identity outside of the nation-state and the potential roles that citizens living abroad could play in their country of origin. In propagating an Italian national identity within another sovereign state, Mussolini’s initiative also inspired heated debate among native Argentines over their own national project as a nation of immigrants. Using the experiences of Mussolini’s efforts in Argentina as its case study, this book demonstrates how national projects take on different meanings once they enter a contested public space. It details how both members of the Italian community as well as native Argentines reshaped Italy’s national discourse from abroad by entangling it with Argentina’s own national project. In exploring the way in which nations are imagined, constructed, and recast both from above as well as from below, Mussolini’s National Project in Argentina offers new perspectives on the politics of identity formation while providing a transatlantic example of the dynamic interplay between the Italian state and its emigrant communities. It is in short, a transnational perspective on what it means to belong to a nation.
Among the great misconceptions of modern times is the assumption that Benito Mussolini was Hitler's junior partner, who made no significant contributions to the Second World War. That conclusion originated with Allied propagandists determined to boost Anglo-American morale, while undermining Axis cooperation. The Duce's failings, real or imagined, were inflated and ridiculed; his successes, pointedly demeaned or ignored. Italy's bungling navy, ineffectual army - as cowardly as it was ill-equipped - and air force of antiquated biplanes were handily dealt with by the Western Allies. So effective was this disinformation campaign that it became post-war history, and is still generally taken for granted even by otherwise well-informed scholars and students of World War Two. But a closer examination of recently disclosed, and often neglected, original source materials presents an entirely different picture. They shine new light, for example, on Italy's submarine service, the world's greatest in terms of tonnage, its boats sinking nearly three-quarters of a million tons of Allied shipping in three years' time. During a single operation, Italian 'human torpedoes' sank the battleships HMS Valiant and Queen Elizabeth, plus an eight-thousand-ton tanker, at their home anchorage in Alexandria, Egypt. By mid-1942, Mussolini's navy had fought its way back from crushing defeats to become the dominant power in the Mediterranean Sea. Contrary to popular belief, his Fiat biplanes gave as good as they got in the Battle of Britain, and their monoplane replacements, such as the Macchi Greyhound, were state-of-the-art interceptors superior to the American Mustang. Savoia-Marchetti Sparrowhawk bombers accounted for seventy-two Allied warships and one hundred-ninety-six freighters before the Bagdolio armistice in 1943. On 7 June 1942, infantry of the Italian X Corps saved Rommel's XV Brigade near Gazala, in North Africa, from otherwise certain annihilation, while horse-soldiers of the Third Cavalry Division Amedeo Duca d'Aosta defeated Soviet forces on the Don River before Stalingrad the following August in history's last cavalry charge. As influential as these operations were on the course of World War Two, more potentially decisive was Mussolini's planned aggression against the United States' mainland. Postponed only at the last moment when its conventional explosives were slated for substitution by a nuclear device, New York City escaped an atomic attack by margins more narrow than previously understood. It is now known that Italian scientists led the world in nuclear research in 1939, and a four-engine Piaggio heavy bomber was modified to carry an atomic bomb five years later. These and numerous other disclosures combine to debunk lingering propaganda stereotypes of an inept, ineffectual Italian armed forces. That dated portrayal is rendered obsolete by a true-to-life account of the men and weapons of Mussolini's War.
A remarkable new history evoking the centrality of Italy to World War II, outlining the brief rise and triumph of the Fascists, followed by the disastrous fall of the Italian military campaign. While staying closely aligned with Hitler, Mussolini remained carefully neutral until the summer of 1940. At that moment, with the wholly unexpected and sudden collapse of the French and British armies, Mussolini declared war on the Allies in the hope of making territorial gains in southern France and Africa. This decision proved a horrifying miscalculation, dooming Italy to its own prolonged and unwinnable war, immense casualties, and an Allied invasion in 1943 that ushered in a terrible new era for the country. John Gooch's new history is the definitive account of Italy's war experience. Beginning with the invasion of Abyssinia and ending with Mussolini's arrest, Gooch brilliantly portrays the nightmare of a country with too small an industrial sector, too incompetent a leadership and too many fronts on which to fight. Everywhere—whether in the USSR, the Western Desert, or the Balkans—Italian troops found themselves against either better-equipped or more motivated enemies. The result was a war entirely at odds with the dreams of pre-war Italian planners—a series of desperate improvisations against an allied force who could draw on global resources, and against whom Italy proved helpless.
A vividly written portrait of Benito Mussolini, whose passion for the theatre profoundly shaped his ideology and actions as head of fascist Italy This consistently illuminating book transforms our understanding of fascism as a whole, and will have strong appeal to readers in both theatre studies and modern Italian history.
A fresh treatment of Fascist Italy and Nazi Germany, revealing the close ties between Mussolini and Hitler and their regimes ​From 1934 until 1944 Mussolini met Hitler numerous times, and the two developed a relationship that deeply affected both countries. While Germany is generally regarded as the senior power, Christian Goeschel demonstrates just how much history has underrepresented Mussolini's influence on his German ally. In this highly readable book, Goeschel, a scholar of twentieth-century Germany and Italy, revisits all of Mussolini and Hitler's key meetings and asks how these meetings constructed a powerful image of a strong Fascist-Nazi relationship that still resonates with the general public. His portrait of Mussolini draws on sources ranging beyond political history to reveal a leader who, at times, shaped Hitler's decisions and was not the gullible buffoon he's often portrayed as. The first comprehensive study of the Mussolini-Hitler relationship, this book is a must-read for scholars and anyone interested in the history of European fascism, World War II, or political leadership.
The first exploration of how Mussolini employed population settlement inside the nation and across the empire to strengthen Italian sovereignty.
The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.
With Mussolini ’s Italy, R.J.B. Bosworth—the foremost scholar on the subject writing in English—vividly brings to life the period in which Italians participated in one of the twentieth century’s most notorious political experiments. Il Duce’s Fascists were the original totalitarians, espousing a cult of violence and obedience that inspired many other dictatorships, Hitler’s first among them. But as Bosworth reveals, many Italians resisted its ideology, finding ways, ingenious and varied, to keep Fascism from taking hold as deeply as it did in Germany. A sweeping chronicle of struggle in terrible times, this is the definitive account of Italy’s darkest hour.
This book examines the arrival of jazz in Italy, its reception and development, and how its distinct style influenced musicians in America.