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This book investigates the Muslim castles of greater Syria from c.700 to c.1700 from archaeological and historical perspectives.
This book investigates the Muslim castles of greater Syria from c.700 to c.1700 from archaeological and historical perspectives.
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
An extensive study of the strategy and technology employed by the Franks and Muslims as they fought each other in the Holy Land. Sieges played a key role in the crusades, but they tend to be overshadowed by the famous battles fought between the Franks and the Muslims, and no detailed study of the subject has been published in recent times. So, Michael Fulton’s graphic, wide-ranging, and thought-provoking book is a landmark in the field. Fulton examines the history of siege warfare in the Holy Land from every angle—the tactics and technology, the fortifications, the composition of the opposing armies, and the ways in which sieges shaped Frankish and Muslim strategy at each stage of the conflict. The differences and similarities between the Eastern and Western traditions are explored, as is the impact of the shifting balance of power in the region. The conclusions may surprise some readers. Neither the Muslims nor the Franks possessed a marked advantage in siege technology or tactics, their fortifications reflected different purposes and an evolving political environment, and, although there were improvements in technologies and fortifications, the essence of siege warfare remained relatively consistent. Essential reading for medieval and military historians. “A lavishly illustrated text full of original photographs of sites, many of which are inaccessible and hard to find images of, guides the reader through the strategies, tactics and weaponry of offense and defense in the Latin East.” —The Society for Medieval Archaeology “This is a book you will read once and continually return to not only as an invaluable reference but as a cracking good read.” —Michael McCarthy, battlefield guide
After more than a century of neglect, a profound revolution is occurring in the way archaeology addresses and interprets developments in the social history of early Islamic Syria-Palestine. This concise book offers an innovative assessment of social and economic developments in Syria-Palestine shortly before, and in the two centuries after, the Islamic expansion (the later sixth to the early ninth century AD), drawing on a wide range of new evidence from recent archaeological work. Alan Walmsley challenges conventional explanations for social change with the arrival of Islam, arguing for considerable cultural and economic continuity rather than devastation and unrelenting decline. Much new, and increasingly non-elite, architectural evidence and an ever-growing corpus of material culture indicate that Syria-Palestine entered a new age of social richness in the early Islamic period, even if the gains were chronologically and regionally uneven.
The 30 studies presented here are dedicated to Sophia Kalopissi-Verti, Emerita of Byzantine Archaeology at the National and Kapodistrian University of Athens. They cover a large variety of topics presenting unpublished archaeological material, suggesting new approaches to various aspects of Byzantine archaeology, material culture and art history.
Courts and the complex phenomenon of the courtly society have received intensified interest in academic research over recent decades, however, the field of Islamic court culture has so far been overlooked. This book provides a comparative perspective on the history of courtly culture in Muslim societies from the earliest times to the nineteenth century, and presents an extensive collection of images of courtly life and architecture within the Muslim realm. The thematic methodology employed by the contributors underlines their interdisciplinary and comprehensive approach to issues of politics and patronage from across the Islamic world stretching from Cordoba to India. Themes range from the religious legitimacy of Muslim rulers, terminologies for court culture in Oriental languages, Muslim concepts of space for royal representation, accessibility of rulers, the role of royal patronage for Muslim scholars and artists to the growing influence of European courts as role models from the eighteenth century onwards. Discussing specific terminologies for courts in Oriental languages and explaining them to the non specialist, chapters describe the specific features of Muslim courts and point towards future research areas. As such, it fills this important gap in the existing literature in the areas of Islamic history, religion, and Islam in particular.
In honor of Fred M. Donner's distinguished career as an interpreter of early Islam, this volume collects more than a dozen studies by his students. They range over a wide array of sub-fields in Islamic studies, including Islamic history, historiography, Islamic law, Qur'anic studies and Islamic aracheology.
From 1326 to 1402, Bursa, known to the Byzantines as Prousa, served as the first capital of the Ottoman Empire. It retained its spiritual and commercial importance even after Edirne (Adrianople) in Thrace, and later Constantinople (Istanbul), functioned as Ottoman capitals. Yet, to date, no comprehensive study has been published on the city's role as the inaugural center of a great empire. In works by art and architectural historians, the city has often been portrayed as having a small or insignificant pre-Ottoman past, as if the Ottomans created the city from scratch. This couldn't be farther from the truth. In this book, rooted in the author's archaeological experience, Suna Çagaptay tells the story of the transition from a Byzantine Christian city to an Islamic Ottoman one, positing that Bursa was a multi-faith capital where we can see the religious plurality and modernity of the Ottoman world. The encounter between local and incoming forms, as this book shows, created a synthesis filled with nuance, texture, and meaning. Indeed, when one looks more closely and recognizes that the contributions of the past do not threaten the authenticity of the present, a richer and more accurate narrative of the city and its Ottoman accommodation emerges.
This collection seeks to explore alternative definitions of bounded identities, facilitating new approaches to spatial and architectural forms. Taking as its starting point the emergence of a new sense of ‘boundary’ emerged from the post-19th century dissolution of large, heterogeneous empires into a mosaic of nation-states in the Islamic world. This new sense of boundaries has not only determined the ways in which we imagine and construct the idea of modern citizenship, but also redefines relationships between the nation, citizenship, cities and architecture. It brings critical perspectives to our understanding of the interrelation between the accumulated flows and the evolving concepts of boundary in predominantly Muslim societies and within the global Muslim diaspora. Essays in this book seeks to investigate how architecture mediates the creation and deployment of boundaries and boundedness that have been devised to define, enable, obstruct, accumulate and/or control flows able to disrupt bounded territories or identities. More generally, the book explores how architecture might be considered as a means to understand the relationship between flows and boundaries and its implication of defining modern self. The essays in this volume collectively address how the construction of self is primarily a spatial event and operated within the crucial nexus of power-knowledge-space. Contributors investigate how architecture mediates the creation and deployment of boundaries and boundedness, how architecture might be considered as a means to understand the relationship between flows and boundaries and its implications for how we define the modern self. Part of the Critical Studies in Architecture of the Middle East series.