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"Before the dominance of the "terrorist" trope in Hollywood dozens of films embraced romantic and exotic representations of Muslims on screen. While these films are often left without serious inquiry because they reproduce stereotypes, Daniel O'Brien's Muslim Heroes on Screen questions whether these depictions can transcend their Orientalist production and framing. O'Brien brings his compelling and careful film analysis to a series of films that center heroic Muslim characters, while also analyzing their cinematic production, release, and journalistic reception. Muslim Heroes on Screen is an unique study that pushes the study of Muslims in film in interesting directions." - Kristian Petersen, Old Dominion University, editor of Muslims in the Movies: A Global Anthology and New Approaches to Islam in Film. If films drawing on Middle East tropes often highlight white Westerners, figures such as Sinbad and the Thief of Bagdad embody a counter-tradition of protagonists, derived from Islamic folklore and history, who are portrayed as 'Other' to Western audiences. In Muslim Heroes on Screen, Daniel O'Brien explores the depiction of these characters in Euro-American cinema from the silent era to the present day. Far from being mere racial masquerade, these screen portrayals are more complex and nuanced than is generally allowed, not least in terms of the shifting concepts and assumptions that inform their Muslim identity. Using films ranging from Douglas Fairbanks' The Thief of Bagdad, The 7th Voyage of Sinbad, El Cid, Kingdom of Heaven and The Message to The Wind and the Lion, O'Brien considers how the representational strategies of Western filmmakers may transcend such Muslim stereotypes as fanatic antagonists or passive victims. These figures possess a cultural significance which cannot be fully appreciated by Euro-American audiences without reference to their distinction as Muslim heroes and the implications and resonances of an Islamicized protagonist. Daniel O'Brien is a writer and part-time lecturer in film studies, and has worked for both the Department of Film and the Faculty of Medicine at the University of Southampton, UK. His previous books include Classical Masculinity and the Spectacular Body on Film (Palgrave, 2014) and Black Masculinity on Film (Palgrave, 2017).
If films drawing on Middle East tropes often highlight white Westerners, figures such as Sinbad and the Thief of Bagdad embody a counter-tradition of protagonists, derived from Islamic folklore and history, who are portrayed as ‘Other’ to Western audiences. In Muslim Heroes on Screen, Daniel O’Brien explores the depiction of these characters in Euro-American cinema from the silent era to the present day. Far from being mere racial masquerade, these screen portrayals are more complex and nuanced than is generally allowed, not least in terms of the shifting concepts and assumptions that inform their Muslim identity. Using films ranging from Douglas Fairbanks’ The Thief of Bagdad, The 7th Voyage of Sinbad, El Cid, Kingdom of Heaven and The Message to The Wind and the Lion, O’Brien considers how the representational strategies of Western filmmakers may transcend such Muslim stereotypes as fanatic antagonists or passive victims. These figures possess a cultural significance which cannot be fully appreciated by Euro-American audiences without reference to their distinction as Muslim heroes and the implications and resonances of an Islamicized protagonist.
Read about 20 Muslim heroes who made a big difference to the world. Travel back in time with true stories of these inspirational heroes, accompanied by colourful illustrations and real images bringing the stories to life.
Heroes, Villains and the Muslim Exception explores recent crime drama film and television depictions of Arab and Muslim men in Australia. It examines the representation of three Australian productions- East West 101, The Combinationand Cedar Boys. Since 2007 Australia has seen a notable increase in the inclusion of Arab and Muslim male characters in various serials and films, but what do these inclusions mean for the place of Arab and Muslim men in Australia today?This book seeks to understand how these representations are constructed and whether they are as progressive and edgy as producers and media responses would suggest. This book explores the extent to which cultural productions such as East West 101, The Combinationand Cedar Boysopen up a space for new understandings of the place of Arab and Muslim Australians in contemporary Australia. Importantly it considers the role of the Special Broadcasting Service in the plight of anti-racism.
Muslims have no need to look for fictitious or mythical heroes, because their history is abundant with heroes of real flesh and blood, whose acts were heroic because of their faith, and a consequence of their attitude to life and the world. For all the heroes of Islam share two very special traits: full conviction and dedication to their pristine faith and constant attempt to seek the Pleasure of their Creator, Allah, alone, regardless of the circumstances and times they live in. For a Muslim hero, be he a military genius, a scholar teacher, or a devout common person, knows that the transient life in this world is a means to the eternal life in the Hereafter, and that ephemeral pains and pleasures are nothing compared to the everlasting pains and pleasures of Hell and Heaven. To this hero, the key to the whole thing is Divine Pleasure. Through it alone can a person enjoy peace and tranquility in this world and attain real happiness in the life Hereafter.
The first book to examine the troubled relationships between women, Islam and cinema.
"Superheroes of Islam" is a book series that portrays the lives of past Muslim Heroes through the lenses of a young author. The book series intends to teach and give children a sense of pride in Islamic Heritage and use the lives of the Rightly Guided Leaders and Sahabas as an example of true heroes to follow. The first book of the series reveals a little bit about the life of the first Khalifa, and the lessons we should learn from his life.