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Excerpt from Musings Memories of a Musician Shakespeare's All the world's a stage must appear of 'particular aptness and truth to the man who, approaching the threescore and ten of the Patriarch, reviews his past with the object of writing down his reminiscences. Looking back on the events of his life he sees them as he would so many scenes in an old stage-play upon which the curtain has fallen long ago, and the men and women who appeared in them pass before his spiritual Vision like actors and actresses; some having stirred his imagination, kindled the fire of his enthusiasm, some touched him to tears, pro yoked his mirth: some perhaps exceeded his expectations, some fallen short of them; but all having left some mark, some impression on his mind, lasting for a longer or shorter period, according to their part and to the manner in which it was acted. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Musings Memories of a Musician Shakespeare's "All the world's a stage" must appear of particular aptness and truth to the man who, approaching the threescore and ten of the Patriarch, reviews his past with the object of writing down his reminiscences. Looking back on the events of his life he sees them as he would so many scenes in an old stage-play upon which the curtain has fallen long ago, and the men and women who appeared in them pass before his spiritual vision like actors and actresses; some having stirred his imagination, kindled the fire of his enthusiasm, some touched him to tears, provoked his mirth: some perhaps exceeded his expectations, some fallen short of them; but all having left some mark, some impression on his mind, lasting for a longer or shorter period, according to their part and to the manner in which it was acted. I shall never forget a little incident at the Court Theatre of Weimar long years ago. The play had been Shakespeare's King Lear. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Musical Musings "Lyrics of exceptional charm." - Matinee Musical Club, Los Angeles, Cal. "Lyrics of distinction by an author of versatile and resourceful temperament, known to her friends as the wonderful little woman." - Des Moines Register, Des Moines, la. "Perfectly wonderful stuff." - Sim Crabill, Times-Mirror Pub. Co., Los Angeles, Cal. "Lyrics of a highly gifted writer who recites her own compositions in a most charming manner." - "Orange Co. Plain Dealer," Anaheim, Cal. "Nuggets of gold." - Prof. F. R. Schiller, of Universities of Munich, Bavaria, and Grenoble, France. "Delicately modulated whispers of inspiration." - Dr. Guy Bogart, Los Angeles, Cal. "Irresistible charm - fine sense of rhythm - choice of words full of color." - Chas. E. Pemberton. Composer-Violinist, Los Angeles. "Beautiful!" - Vincent Rose, ComposerPianist, Los Angeles, Cal. "Charming thoughts expressed in beauty - they are lyrics that live - and bound along until they bring out the best that is in me." - Sol Cohen, Composer-Violinist, Los Angeles, Cal. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Memories of a Musical Life My father manifested a remarkable fondness for music at an early age. His parents did not intend that he should take up music as a profession, but his talent was not neglected. In 1812, be fore he was twenty, he heard of an open ing in a bank in Savannah, Georgia, and having secured the position, he went there. After business hours he continued his studies in music with an instructor named F. L. Abel, under whom he made rapid progress. He soon attempted com position, his first efforts being hymn-tunes and anthems. He arranged a collection consisting of a group of selections from William Gardiner's Sacred Melodies. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Vs. is the sound of a band on fire. The same confluence of talent, passion, timing, and fate that made “grunge” the world's soundtrack also lit a short fuse beneath Pearl Jam. The band combusted between late 1992 and mid-1994, the span during which they planned, recorded, and supported their sophomore record. The spotlight, the pressure, the pace-it all nearly turned the thriving act to ash. Eddie Vedder, the reluctant public face of the band, responded by lashing out lyrically. Jeff Ament, Mike McCready, and Stone Gossard, who beheld success with varying degrees of anxious satisfaction, attacked their instruments in solidarity. Dave Abbruzzese welcomed the rock-star lifestyle, and left his mark on the record with more than just potent percussion. Vs. roils with fury-and at times, gently steams-over the trappings of fame, human faults, and societal injustice. The record is a thrashing testament to Pearl Jam's urgent creativity and greater-good interests, and the band's logistical calculations behind it drew a career-defining line in the sand. It promised the world that Pearl Jam would neither burn out nor fade away. This book weaves research, little-known details, and band members' memories into a definitive account of how Vs. set them on a path toward enduring integrity and relevance.
Excerpt from Thirty Years Musical Recollections There is one only way in which a book like the following can be written, with any chance of its possessing some value - This is by aid of faith fulness to recollection, and sincerity in ofiering opinion. In so much as either romance or sup pression enter into the record, its worth is im paired. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.