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From the beloved host and creator of NPR’s All Songs Considered and Tiny Desk Concerts comes an essential oral history of modern music, told in the voices of iconic and up-and-coming musicians, including Dave Grohl, Jimmy Page, Michael Stipe, Carrie Brownstein, Smokey Robinson, and Jeff Tweedy, among others—published in association with NPR Music. Is there a unforgettable song that changed your life? NPR’s renowned music authority Bob Boilen posed this question to some of today’s best-loved musical legends and rising stars. In Your Song Changed My Life, Jimmy Page (Led Zeppelin), St. Vincent, Jónsi (Sigur Rós), Justin Vernon (Bon Iver), Cat Power, David Byrne (Talking Heads), Dave Grohl (Nirvana, Foo Fighters), Jeff Tweedy (Wilco), Jenny Lewis, Carrie Brownstein (Portlandia, Sleater-Kinney), Yusuf Islam (Cat Stevens), Colin Meloy (The Decemberists), Trey Anastasio (Phish), Jackson Browne, Valerie June, Philip Glass, James Blake, and other artists reflect on pivotal moments that inspired their work. For Wilco’s Jeff Tweedy, it was discovering his sister’s 45 of The Byrds’ “Turn, Turn, Turn.” A young St. Vincent’s life changed the day a box of CDs literally fell off a delivery truck in front of her house. Cat Stevens was transformed when he heard John Lennon cover “Twist and Shout.” These are the momentous yet unmarked events that have shaped these and many other musical talents, and ultimately the sound of modern music. A diverse collection of personal experiences, both ordinary and extraordinary, Your Song Changed My Life illustrates the ways in which music is revived, restored, and revolutionized. It is also a testament to the power of music in our lives, and an inspiration for future artists and music lovers. Amazing contributors include: Jimmy Page (Led Zeppelin), Carrie Brownstein (Sleater-Kinney, Portlandia, Wild Flag), Smokey Robinson, David Byrne (Talking Heads), St. Vincent, Jeff Tweedy (Wilco), James Blake, Colin Meloy (The Decemberists), Trey Anastasio (Phish), Jenny Lewis (Rilo Kiley), Dave Grohl (Nirvana, Foo Fighters), Yusuf Islam (Cat Stevens), Sturgill Simpson, Justin Vernon (Bon Iver), Cat Power, Jackson Browne, Michael Stipe (R.E.M.), Philip Glass, Jónsi (Sigur Rós), Hozier, Regina Carter, Conor Oberst (Bright Eyes, and others), Courtney Barnett, Chris Thile (Nickel Creek, Punch Brothers), Leon Bridges, Sharon Van Etten, and many more.
Musician's Record It takes many years to excel at recording (whether at home or in a commercial facility), and if you desire to become a professional recordist then that's what's required. But if you're a musician who wants to garner a reaction to your song, then you don't have time for that. You need to make a Killer Record right now. But how? First, stop thinking like a recordist. If you're a musician, and you record, this book will prove an invaluable resource (I encourage you to read the reviews. People love this book). I explain all the things that I've learned as a high-level professional recordist, mixer, and producer over the course of decades, but as they relate to you as a musician, your songs, and the long view of your recording career. The Goal The stated goal of this book is to convert recording decisions into musical ones, and technical decisions into practical ones. Not only do I explain the musical strategies for making a Killer Record, I also break the technical information down to its core so that you can strategize based on your recording reality. So long as you have what you need to make a record, I can help you make it a Killer Record. This is the only additional gear you'll require to greatly improve the quality of your records. Who am I? I'm Mixerman, a gold and multi-platinum award winning producer, mixer, and recordist. I was in precisely your position at the early stages of my career. I was a musician, frustrated that I could write a good song, only to feel the record itself fell short of it's potential. Over the course of my decades recording, I noticed that the performance and arrangement had a far greater impact on the sound than anything I did on the engineering side. The more musical my decisions, the better my results. What You Can Expect This Studio Field Manual is chock full of recording, mixing, and producing strategies designed to keep recording a fun and focused process. You will return to this manual time and time again to help you overcome any impediment--technical or musical--that might prevent you from achieving the results you seek, regardless of your recording environment, regardless of what equipment you're using, and regardless of your current skillset. You can make a Killer Record under nearly any circumstance. It just requires the right mindset.
Kronologisk gennemgang af George Harrisons sange med hovedvægt på tiden efter 1968
In a remarkable memoir written with insight and humor, Glenn Kurtz takes us from his first lessons at the age of eight to his acceptance at the elite New England Conservatory of Music. After graduation, he attempts a solo career in Vienna but soon realizes that he has neither the ego nor the talent required to succeed and gives up the instrument, and his dream, entirely. But not forever: Returning to the guitar, Kurtz weaves into the narrative the rich experience of a single practice session. Practicing takes us on a revelatory, inspiring journey: a love affair with music.
This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: playing" your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. Includes: -Training for all musicians -Specific exercises for jazz phrasing, pop/funk and classical music -Solo and duet exercises, playable on any instrument -Rhythm etudes with 1 - 4 parts for solo and ensemble practice -A recording with 19 tracks of listening and reference materials"
Tom Cliffe is who many young people in the 1960s want to be: not just a lover of music, a player of music. But more than an interest, more than a passion, music and a commitment to becoming an accomplished player and recognized for it will become the driving force in Tom's life. He will give up everything, all the accommodations of the conventional life he was brought up in and educated for. Even when he is nearly destitute, even through years of itinerancy on the road, despite self-interested booking agents and uncommitted fellow musicians, even for the woman he loves, he cannot, will not, abandon Music.The Musician captures the character and circumstance of life as shared by musicians everywhere, from immersion in their craft, to the joy of playing music well, and with others who play it as well or better, to the frustrations associated with committing a lifetime to such an unstructured and unrewarded career."True, endearing, joyful, and at times disheartening, The Musician is an unvarnished look at what most musicians encounter when they choose to follow their dreams. It is an important as well as entertaining book reflecting the reality of how rare it is to achieve celebrity in any profession." Ralph Miriello - Huffington Post columnist, Notes on Jazz blogger, voting member of the Jazz Journalists Association "Some of the best writing about music and musicians. Like all good fiction, The Musician is rooted in fact - often enough, hard, cold facts." Kevin Bales - Internationally renowned jazz pianist and teacher
A beloved folk singer presents an impassioned account of the fall and rise of the small American towns she cherishes. Dubbed by the New Yorker as "one of America's very best singer-songwriters," Dar Williams has made her career not in stadiums, but touring America's small towns. She has played their venues, composed in their coffee shops, and drunk in their bars. She has seen these communities struggle, but also seen them thrive in the face of postindustrial identity crises. Here, in an account that "reads as if Pete Seeger and Jane Jacobs teamed up" (New York Times), Williams muses on why some towns flourish while others fail, examining elements from the significance of history and nature to the uniting power of public spaces and food. Drawing on her own travels and the work of urban theorists, Williams offers real solutions to rebuild declining communities. What I Found in a Thousand Towns is more than a love letter to America's small towns, it's a deeply personal and hopeful message about the potential of America's lively and resilient communities.
“The last novel where I rooted for every character, and the last to make me cry.” - Marlon James, Elle From the Pulitzer Prize–winning author of The Overstory and the Oprah's Book Club selection Bewilderment comes Richard Powers's magnificent, multifaceted novel about a supremely gifted—and divided—family, set against the backdrop of postwar America. On Easter day, 1939, at Marian Anderson’s epochal concert on the Washington Mall, David Strom, a German Jewish émigré scientist, meets Delia Daley, a young Black Philadelphian studying to be a singer. Their mutual love of music draws them together, and—against all odds and their better judgment—they marry. They vow to raise their children beyond time, beyond identity, steeped only in song. Jonah, Joseph, and Ruth grow up, however, during the civil rights era, coming of age in the violent 1960s, and living out adulthood in the racially retrenched late century. Jonah, the eldest, “whose voice could make heads of state repent,” follows a life in his parents’ beloved classical music. Ruth, the youngest, devotes herself to community activism and repudiates the white culture her brother represents. Joseph, the middle child and the narrator of this generation-bridging tale, struggles to find himself and remain connected to them both. Richard Powers's The Time of Our Singing is a story of self-invention, allegiance, race, cultural ownership, the compromised power of music, and the tangled loops of time that rewrite all belonging.
My First Classical Music Book is a delightfully colorful introduction to classical music, designed to fire the imagination of children aged 5-7 years. Readers are asked to think about the different places in which we might hear music. Then, each of the major composers and musical instrument families are introduced and brought to life in a vivid and enchanting way. Throughout the book, children are referred to the accompanying audio CD so that they can hear examples as they read. This is the most exceptional book of its kind, providing an absorbing experience for both eyes and ears.