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In his groundbreaking book 'Musical Truth, ' DJ-turned author/ researcher Mark Devlin showed how the true nature of the corporate music industry tells a very different story to what's conveyed on its glossy, glamorous surface. The manipulations run so deep, however, that the full story couldn't be told in just that first book. Here, in Volume 2, he continues to guide readers through the dark labyrinth of machinations. Discover the world of Lifetime Actors and the crucial part they play in social engineering; delve into Heavy Rock, frequently touted as the most 'satanic' of all music genres; consider the evidence for the hip-hop scene being a cult-like fraternity on a staggering scale; reflect on the nature of sound itself and the ways it can be used to affect human behaviour; and study the striking parallels between the 1960s counter-culture and the UK's Acid House scene that kicked off 21 years later, all bearing the hallmarks of Establishment manipulation. Crucially, Volume 2 reminds readers of how the music industry's activities form only one small part of what's really going on in this reality, and how the power to bring it all to an end lies with us and us alone. It always has. We've just been programmed to forget. Amazon review excerpts for 'Musical Truth, Volume 1' "I came across this book by chance, and am so glad I did. It's very well-written and a fascinating subject. It goes far deeper than just the music, too, the first chapter explaining how music fits into the larger scheme of things is spot-on. The author explains everything he speaks about, and provides links and other resources so the reader can check all the facts for themselves... and it all checks out!" "Excellent tome! Very well-researched, engagingly presented, pithy, witty, incisive and compelling." "I was aware of much of its content already, but Mark Devlin has brought so many pieces of a puzzling jigsaw together in an immensely comprehensive and articulate way. His style of writing is very natural and readable which makes it effortless for the reader - a skill that not all writers of this genre possess." "Beautiful, easy-reading language, where his soul combined with his intellect controls the pen. I just wanted to continue reading the whole night. Important stuff about our reality."
Music can carry the stories of history like a message in a bottle. Lord Kitchener, Neneh Cherry, Smiley Culture, Stormzy . . . Groundbreaking musicians whose songs have changed the world. But how? This exhilarating playlist tracks some of the key shifts in modern British history, and explores the emotional impact of 28 songs and the artists who performed them. This book redefines British history, the Empire and postcolonialism, and will invite you to think again about the narratives and key moments in history that you have been taught up to now. Thrilling, urgent, entertaining and thought-provoking, this beautifully illustrated companion to modern black music is a revelation and a delight. 'Engaging and accomplished . . . perfectly judged for young readers.' Guardian
Expression and truth are traditional opposites in Western thought: expression supposedly refers to states of mind, truth to states of affairs. Expression and Truth rejects this opposition and proposes fluid new models of expression, truth, and knowledge with broad application to the humanities. These models derive from five theses that connect expression to description, cognition, the presence and absence of speech, and the conjunction of address and reply. The theses are linked by a concentration on musical expression, regarded as the ideal case of expression in general, and by fresh readings of Ludwig Wittgenstein’s scattered but important remarks about music. The result is a new conception of expression as a primary means of knowing, acting on, and forming the world. “Recent years have seen the return of the claim that music’s power resides in its ineffability. In Expression and Truth, Lawrence Kramer presents his most elaborate response to this claim. Drawing on philosophers such as Wittgenstein and on close analyses of nineteenth-century compositions, Kramer demonstrates how music operates as a medium for articulating cultural meanings and that music matters too profoundly to be cordoned off from the kinds of critical readings typically brought to the other arts. A tour-de-force by one of musicology’s most influential thinkers.”—Susan McClary, Desire and Pleasure in Seventeenth-Century Music.
This volume focuses on the way the entertainment industry's owned assets were used to help push the official narrative of the "Covid 19" Scamdemic, (which has been rightly described as "The Greatest Scam Ever Perpetuated Upon Mankind.") So many beloved musicians showed their true colours in helping to push the lies and bad science which paved the way for the tyranny and human enslavement that was always planned to be applied in its wake. This dynamic revealed beyond all doubt how the forces that have controlled the music industry for decades are intrinsically linked to those which devised the Scamdemic. There have been only a few honourable exceptions, and these names get a respectful roll call. These chapters are punctuated by a new feature - Sound Bites - an array of short stories concerning well-known music-makers which further reinforce the assertions made in previous volumes. The book ends on an inspirational note, revealing some spiritual and metaphysical truths that have been hidden from humanity for so long, but which, it turns out, a handful of visionary songwriters seem to have cryptically encoded into their songs.
With guts, love, and her finger on the pulse, rock musical audition coach Sheri Sanders shares the essential tools artists need to interpret rock material with openness, sensitivity, creativity, and authenticity so they may succeed in the audition room and on stage. It includes tips from interviews with industry insiders and innovators.
A world-renowned scholar and musician helps Christians respond with theological discernment to music.
A revolutionary new understanding of the mind is transforming the field of performance psychology, making it easier than ever before for musicians to bring out the best in themselves and make music as nature intended. Not only that, but it offers renewed hope for sufferers of anxiety, depression and a whole host of other psychological disorders.
Born in Miami's notorious Liberty City, Luther Campbell witnessed poverty, despair, and crime firsthand. His uncle Ricky did not want him trapped by the "invisible chains" of systemic racism, so Ricky schooled him on the necessity of a black man running his own life, controlling his livelihood, and owning property. Embracing these lessons, Campbell discovered his gift for entrepreneurship: He created one of the first hip-hop record companies, Luke Records, which started out of a shed in his mom's backyard and grew into a multimillion-dollar enterprise. As a rapper on his own label, Luke became known as the "King of Dirty Rap" and helped pioneer the worldwide phenomenon of Miami Bass. He went on to become the front man and manager for the rap group 2 Live Crew, and was key to the success of the group's controversial platinum recording As Nasty As They Wanna Be. His hugely popular and provocative music infuriated the Man, and Luke was marked as public enemy number one when hip-hop crossed the color line into white America. Campbell would spend more than a million dollars of his own money fighting cops and prosecutors, and he went all the way to the Supreme Court to protect his—and every other artist's—right to free speech, setting landmark legal precedents that continue to shape the entertainment industry to this day. In Campbell's clear and honest voice, he shares unforgettable stories of his rise to celebrity status, including illicit tales from his raunchy concerts. He also breaks down how he lost his fortune, but in the process gained a better perspective on life. His father taught him to be responsible for his actions and to be proud of himself. Campbell expressed this by being cocky and holding his head up high, but, as he acknowledges, "America has never been an easy place for a black man who doesn't know how to apologize." Touching on some of the most pressing issues of our time, The Book of Luke is a raw and powerful memoir of how one man invented southern hip-hop, saved the First Amendment, and became a role model for the disenfranchised people of the city he calls home.
Each title in The Applause Libretto Library Series presents a Broadway musical with fresh packaging in a 6 x 9 trade paperback format. Each Complete Book and Lyrics is approved by the writers and attractively designed with color photo inserts from the Broadway production. All titles include introduction and foreword by renowned Broadway musical experts. Long before Dorothy dropped in, two other girls meet in the Land of Oz. One, born with emerald green skin, is smart, fiery, and misunderstood. The other is beautiful, ambitious, and very popular. The story of how these two unlikely friends end up as the Wicked Witch of the West and Glinda the Good Witch makes for the most spellbinding new musical in years.
Often described inadequately as the John Lennon or Bob Dylan of Brazil, Caetano Veloso is unquestionably one of the most influential and beloved of Brazilian artists and has developed a world-wide following. Now, in his long awaited memoir, he tells the heroic story of how, in the late 60s, he and a group of friends from the north-eastern state of Bahia created tropicalismo, the movement that shook Brazilian culture and civic order and pushed a nation then on the margins of world politics and economics into the pop avant-garde. Tropical Truth recounts the story of a country, its most subversive generation, and the odyssey of a brilliant constellation of artists. By turns erudite and playful, dreamlike and confessional, Tropical Truth is a revelation of Brazil's most famous artist, one of the greatest popular composers of the past century.