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A historical and contemporary study of Palestinian musicianship in exile in the Middle East, spanning half a century in disparate locations Palestinian Music in Exile is a historical and contemporary study of Palestinian musicianship in exile in the Middle East, spanning half a century in disparate and undocumented locations. The stories taking center stage show creatively divergent and revolutionary performance springing from conditions of colonialism, repression, and underdevelopment. What role does music play in the social spaces of Palestinian exile? How are the routes and roadblocks to musical success impacted by regional and international power structures? And how are questions of style, genre, or national tradition navigated by Palestinian musicians? Based on seven years of research in Europe and the Middle East, this timely and inspiring collection of musical ethnographies is the first oral history of contemporary Palestinian musicianship to appear in book form, and the only study to encompass such a broad range of experiences of the ghurba, or place of exile.
Written by the refugees themselves, this highly original anthology of Palestinians forced to live outside their homeland brings together stories of what it means to be exiled, reflections on the events that led to being displaced, and the raw experience of daily life in a camp. The 11 lives given voice here are unique, each an expression of the myriad displacements that war and occupation have forced upon Palestinians since the Nakba of 1948. At the same time, they form a collective testament of a people driven from their homes and land by colonial occupation. Each story is singular; and each tells the story of all Palestinians. As Edward Said argued in 1984, the object of Israel's colonial warfare is not only material--seeking to minimise Palestinian existence as such--but is also a narrative project that aims to obliterate Palestinian history "as possessed of a coherent narrative direction pointed towards self-determination." In these pages, Palestinian refugees narrate their own histories. The product of a creative-writing workshop organized by the Institute for Palestine Studies in Lebanon, 11 Lives tells of children's adventures in the alleyways of refugee camps, of teenage martyrs and ghosts next-door, of an UNRWA teacher's dismay at the shallowness of her colleagues, and of the love, labour, and land that form the threads of a red keffiyeh. What unites these 11 stories is "the inadmissible existence of the Palestinian people" highlighted by Said. Their words persist, as one contributor writes, "between the Nakba and the Naksa, throughout defeats and massacres, love affairs and revolutions." The stories of Palestinians in exile are also open-ended, and will continue to reverberate across borders until Palestine is free. With contributions by: Nadia Fahed, Intisar Hajaj, Yafa Talal El-Masri, Youssef Naanaa, Ruba Rahme, Hanin Mohammad Rashid, Mira Sidawi, Wedad Taha, Salem Yassin, Taha Younis, Mahmoud Mohammad Zeidan Co-published with the Institute of Palestine Studies.
A collection of stories by a Palestinian novelist, journalist, teacher, and activist, including the novella Men in the Sun (1962), the basis of the film The Deceived. Other stories were written during the 1950s and 1960s, and offer a gritty look at the agonized world of Palestine and the adjoining Middle East. Includes an introduction on Kanafani's life and work. The author, a major spokesman for the Popular Front for the Liberation of Palestine, was killed in a car-bomb explosion in 1972. Lacks a subject index. Annotation copyrighted by Book News, Inc., Portland, OR
Students and teachers of Israeli studies will appreciate Narratives of Dissent.
"During the 1948 war more than 750,000 Palestinian Arabs fled or were violently expelled from their homes by Zionist militias. The legacy of the Nakba - which translates to 'disaster' or 'catastrophe' - lays bare the violence of the ongoing Palestinian plight. Voices of the Nakba collects the stories of first-generation Palestinian refugees in Lebanon, documenting a watershed moment in the history of the modern Middle East through the voices of the people who lived through it. The interviews, with commentary from leading scholars of Palestine and the Middle East, offer a vivid journey into the history, politics and culture of Palestine, defining Palestinian popular memory on its own terms in all its plurality and complexity"--Publisher.
Catastrophe and Exile in the Modern Palestinian Imagination explores the cultural memory of al-Nakba (1948 Israeli independence, or The Catastrophe as it is known in Palestine) and its significance to the modern Palestinian imagination. Ihab Saloul addresses central concepts to debates over identity such as nostalgia and trauma, notions of home and forced travel, and geopolitical continuity of loss of place. Through an integrated method of close narrative and discursive analysis of diverse literary texts, films, and personal narratives, this study offers an analytical account of the preservation of cultural optimism in the face of the ongoing catastrophe, as well as the ways in which aesthetics and politics intersect in contemporary Palestinian culture.
In My Voice Is My Weapon, David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues.