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(Vocal Collection). An expansive selection of songs from new musicals that opened in 2010-2019, representing hits like The Band's Visit , Dear Evan Hansen , A Gentleman's Guide to Love & Murder , and Tootsie . Contents: ALADDIN: Proud of Your Boy * ANASTASIA: Still * THE BAND'S VISIT: Answer Me * Haled's Song About Love * BE MORE CHILL: Loser Geek Whatever * Michael in the Bathroom * BIG FISH: Fight the Dragons * THE BOOK OF MORMON: I Believe * THE BRIDGES OF MADISON COUNTY: It All Fades Away * CATCH ME IF YOU CAN: Goodbye * DEAR EVAN HANSEN: For Forever * Waving Through a Window * EVER AFTER: Right Before My Eyes * FINDING NEVERLAND: If the World Turned Upside Down * FROZEN: THE BROADWAY MUSICAL: In Summer * A GENTLEMAN'S GUIDE TO LOVE & MURDER: I Don't Understand the Poor * Stop! Wait! What?! * HAMILTON: You'll Be Back * HONEYMOON IN VEGAS: I Love Betsy * Out of the Sun * THE HUNCHBACK OF NOTRE DAME: Made of Stone * IF/THEN: You Don't Need to Love Me * You Never Know * KINKY BOOTS: Step One * THE LIGHTNING THIEF: Good Kid * The Tree on the Hill * NATASHA, PIERRE & THE GREAT COMET OF 1812: Dust and Ashes * ONCE: Leave * Say it to Me Now * PRETTY WOMAN: Freedom * Something About Her * THE PROM: Barry Is Going to Prom * SCHOOL OF ROCK: Stick It to the Man * SOMETHING ROTTEN!: Hard to Be the Bard * TOOTSIE: Jeff Sums It Up * Whaddya Do
This volume contains detailed information about every musical that opened on Broadway from 2010 through the end of 2019. This book discusses the decade’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues.
(Vocal Collection). An expansive selection of songs from new musicals and films from 2010-2019, representing hits like Dear Evan Hansen, Hamilton, Mean Girls, Waitress, and more. Contents: THE ADDAMS FAMILY: Pulled * ANASTASIA: In My Dreams * THE BAND'S VISIT: Omar Sharif * BE MORE CHILL: I Love Play Rehearsal * BEETLEJUICE: Home * BIG FISH: I Don't Need a Roof * THE BOOK OF MORMON: Sal Tlay Ka Siti * BRING IT ON: THE MUSICAL: One Perfect Moment * CATCH ME IF YOU CAN: Fly, Fly Away * COME FROM AWAY: I Am Here * DEAR EVAN HANSEN: So Big/So Small * FIRST DATE: Safer * FROZEN: THE BROADWAY MUSICAL: Let It Go * True Love * A GENTLEMAN'S GUIDE TO LOVE & MURDER: I Don't Know What I'd Do Without You * GHOST THE MUSICAL: With You * GROUNDHOG DAY: Playing Nancy * HAMILTON: Burn * That Would Be Enough * IF/THEN: You Learn to Live Without * IT SHOULDA BEEN YOU: Jenny's Blues * KINKY BOOTS: The History of Wrong Guys * LA LA LAND (film): Audition (The Fools Who Dream) * THE LIGHTNING THIEF: My Grand Plan * MEAN GIRLS: Stupid With Love * MOANA (film): How Far I'll Go * NATASHA, PIERRE & THE GREAT COMET OF 1812: No One Else * NEWSIES THE MUSICAL: Watch What Happens * PRETTY WOMAN: Anywhere But Here * THE PROM: It's Not About Me * Just Breathe * ROCKY: Raining * SISTER ACT: The Life I Never Led * TOOTSIE: What's Gonna Happen * WAITRESS: She Used to Be Mine * When He Sees Me * WAR PAINT: Pink
A Study Guide for Michael Bennett's "Chorus Line, A", excerpted from Gale's acclaimed Drama for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama for Students for all of your research needs.
What links the popular songs "You'll Never Walk Alone", "Send in the Clowns", "Memory" and "I Am What I Am"? They all originated in Broadway musicals. Song of the Season is for those who believe that the score is at the heart of a musical and is the essential building block on which the rest of a show is built. Through a systematic historical survey from 1891 to 2023 it argues that the best musicals survive because of their songs, from early 20th century classics such as Show Boat and Oklahoma! through to the contemporary sound of Dear Evan Hansen and Hamilton. looking at outstanding songs from each Broadway season, the development and history of the musical is illustrated with a fresh perspective. As song styles and popular music tastes changed throughout the decades this structure charts the progress of American showtunes alongside popular music forms as songs evolved from the waltz and ragtime to jazz, rock, rap and hip-hop. Factual analysis and historical context combine to offer a rich picture of the American songbook from Irving Berlin to Elton John. Song of the Season paints a fresh picture for musical theatre students and fans alike, illustrating significant changes in the form through the music. Analyzed in an accessible and engaging way that doesn't rely on music theory knowledge, and including a link to playlist where all the 'songs of the seasons' can be listened to, it is a must-have for those looking to expand their knowledge of the form and trace the social history of the American showtune.
(Applause Books). Every year, Major League Baseball, the National Football League, the National Basketball Association, and the National Hockey League name a Most Valuable Player an MVP. The Broadway musical community doesn't. Oh, there are the Tony Awards, the Drama Desk Awards, and the Theatre World Awards. But what if Broadway selected a MVP each season? In Broadway Musical MVPs: 1960-2010, The Most Valuable Players of the Past 50 Seasons , Peter Filichia names his choices for the MVPs of each of the past 50 Broadway seasons they might be performers, producers, directors, or choreographers. Not surprisingly, many of the featured MVPs are multitaskers, such as directors who also choreographed, or wrote the book, or even designed the costumes! Also included are awards in categories such as Comeback Player of the Year, Reliever of the Year, Rookie of the Year, and Led League in Errors. From Tammy Grimes, MVP of the 1960-61 season for The Unsinkable Molly Brown , to Joe DiPietro, MVP of the 2009-10 season for Memphis , Filichia recognizes the best and the brightest that have appeared on Broadway.
Broadway's top orchestrators - Robert Russell Bennett, Don Walker, Philip J. Lang, Jonathan Tunick - are names well known to musical theatre fans, but few people understand precisely what the orchestrator does. The Sound of Broadway Music is the first book ever written about these unsung stars of the Broadway musical whose work is so vital to each show's success. The book examines the careers of Broadway's major orchestrators and follows the song as it travels from the composer's piano to the orchestra pit. Steven Suskin has meticulously tracked down thousands of original orchestral scores, piecing together enigmatic notes and notations with long-forgotten documents and current interviews with dozens of composers, producers, conductors and arrangers. The information is separated into three main parts: a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; a lively discussion of the art of orchestration, written for musical theatre enthusiasts (including those who do not read music); a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; and an impressive show-by-show listing of more than seven hundred musicals, in many cases including a song-by-song listing of precisely who orchestrated what along with relevant comments from people involved with the productions. Stocked with intriguing facts and juicy anecdotes, many of which have never before appeared in print, The Sound of Broadway Music brings fascinating and often surprising new insight into the world of musical theatre.
(Vocal Collection). A collection of songs from the musical stage, written for duets of various voice types. The selections are presented in their authentic settings, excerpted from the original vocal scores. Contents: ALADDIN: A Million Miles Away and A Whole New World * AMAZING GRACE: Someone Who Hears * ANASTASIA: In a Crowd of Thousands * BIG FISH: Time Stops * THE BOOK OF MORMON: Baptize Me * THE BRIDGES OF MADISON COUNTY: Falling Into You and Before and After You/One Second and a Million Miles * DEAR EVAN HANSEN: Only Us * FINDING NEVERLAND: What You Mean to Me * FIRST DATE: Something That Will Last * FROZEN: Love Is an Open Door * A GENTLEMAN'S GUIDE TO LOVE & MURDER: Better with a Man and Inside Out * GHOST THE MUSICAL: Here Right Now * HAMILTON: Dear Theodosia * IF/THEN: Some Other Me * LA LA LAND: City of Stars and A Lovely Night * LITTLE WOMEN: Some Things Are Meant to Be * NATASHA, PIERRE & THE GREAT COMET OF 1812: Sonya & Natasha * NEWSIES THE MUSICAL: Something to Believe In * ONCE: Falling Slowly * SCHOOL OF ROCK: Children of Rock * SHREK THE MUSICAL: I Think I Got You Beat * SIDE SHOW: I Will Never Leave You * SOMETHING ROTTEN!: I Love the Way * WAITRESS THE MUSICAL: You Matter to Me * WAR PAINT: If I'd Been a Man.
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical. The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the "Prologue," which traces the origins of American musical theater to 1866, through several "intermissions" (for instance, "Broadway's Response to the Swing Era, 1937-1942") and up to "Act Seven," the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening. Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts.