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Classical Music and its Origins, volume 1.the Romantic era, volume 2.The nineteenth century legacy, volume 3.music in the twentieth century, volume 4.
The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved.
SUPERANNO A celebration of salsa music chronicles the lives of more than forty salsa musical giants. Singers, musicians, and experts guide us around the spicy world of salsa in this educational, historic, entertaining, touching legacy from the musicians to their fans. Learn about the most important unifying element of the Hispanic culture--its music--in a departure from the more straight-laced, historical or musicological fare with more than 300 photographs.
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Eight year old Tina Denmark knows she was born to play Pippi Longstocking and she will do anything to win the part in her school musical. Anything includes murdering the leading lady! This aggressively outrageous musical hit garnered rave reviews during its long Off Broadway run which opened with Brittany Spears in the title role.
Focussing on music traditions, these essays explore the policy, ideology and practice of preservation and promotion of East Asian intangible cultural heritage. For the first time, Japan, Korea, China and Taiwan - states that were amongst the first to establish legislation and systems for indigenous traditions - are considered together. Calls to preserve the intangible heritage have recently become louder, not least with increasing UNESCO attention. The imperative to preserve is, throughout the region, cast as a way to counter the perceived loss of cultural diversity caused by globalization, modernization, urbanization and the spread of the mass media. Four chapters - one each on China, Korea, Taiwan and Japan - incorporate a foundational overview of preservation policy and practice of musical intangible cultural heritage at the state level. These chapters are complemented by a set of chapters that explore how the practice of policy has impacted on specific musics, from Confucian ritual through Kam big song to the Okinawan sanshin. Each chapter is based on rich ethnographic data collected through extended fieldwork. The team of international contributors give both insider and outsider perspectives as they both account for, and critique, policy, ideology and practice in East Asian music as intangible cultural heritage.
Mother Jones is an award-winning national magazine widely respected for its groundbreaking investigative reporting and coverage of sustainability and environmental issues.
"First published in 2000 by Pluto Press, London, England"--T.p. verso.
If you were on the cusp, or right smack dab in the middle of adolescence during the 1960s, playing in a rock & roll group was the coolest fad around. TeenBeat Mayhem! is a historical account paying tribute to this unheralded musical class from that decade, one comprised of American teenagers who forged their own brand of homegrown rock & roll. The book relates how this nationwide craze exploded following the Beatles nationally televised debut on The Ed Sullivan Show in 1964, how amateur and club-working groups were forced to update their sound to stay competitive, while young novices deftly practiced their craft to become energetic performing combos. You'll read accounts relating what it was like making a 45rpm record, and tales of summits and pitfalls which either fortified or broke a combo's collective spirit. It's a timeline account of the popular, regional and lesser-known groups who occupied different hierarchical levels, separated by age, life experience and musical ability, whirling around within a rapidly changing music scene.This entire era would have remained inconspicuous without the unbridled enthusiasm of a few record collectors and rock & roll fanatics. You'll learn how their pioneering efforts during the 1970s to champion awareness and appreciation for the multitudes of forgotten teenage groups flourished over time, ultimately leading to the categorization of a rock & roll sub-genre known worldwide as the sound of '60s garage. TeenBeat Mayhem! includes a meticulously detailed, 228 page 45rpm discography listing thousands of recording combos from A to Z, with monikers like the Rogues, Fugitives and Outcasts, to the more creative and unique: the Alarm Clocks, Zakary Thaks, and Dr. Spec's Optical Illusion; a song title index; reference sources; the Top 1000 "garage" songs depicted by color 45rpm record label scans, and other interesting features. Designed to mimic a high school yearbook of the period, TeenBeat Mayhem! is the first book of its kind geared toward record collectors, garage rock & roll fans, musicologists, neophytes and everyone curious to find out what really happened musically throughout America during the mid to late1960s.