Download Free Music To The Electra Of Sophocles Book in PDF and EPUB Free Download. You can read online Music To The Electra Of Sophocles and write the review.

Brill's Companion to Sophocles offers 32 specially commissioned essays from leading international scholars which give critical examinations of the progress and direction of numerous wide-ranging debates about various aspects of Sophoclean drama. Each chapter offers an authoritative and state-of-the-art survey of current thinking and research in a particular subject area, as well as covering a wide variety of thematic angles. Recent advances in scholarship have raised new questions about Sophocles and Greek tragedy, and have overturned some long-standing assumptions. Besides presenting a comprehensive and authoritative guide to understanding Sophocles, this companion provides scholars and students with compelling fresh perspectives upon a broad range of issues in the field of Sophoclean studies.
The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides’ allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides’ experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.
A libretto is an indispensable part of an opera as a musical genre: with few exceptions, operas have been the subject of musicological studies, and instrumental versions of sung or unsung opera numbers may be heard, but we never listen to libretto texts being performed without the music. Thus as a literary form the libretto is a highly specific genre with its own particular attributes. This volume offers an approach to the libretto through the discussion of these attributes in many different examples. It explores what may be expected of a librettist in response to the demands of the genre’s characteristics, his trials and tribulations, his exchanges with the composer while adapting or converting a source, almost always a literary source, into the eventual libretto, and about the different musical ways of dealing with the text. In this way the volume clarifies the fundamental differences between the libretto and other literary genres.
An accessible examination of the evolution of key Sophoclean characters
Love and loyalty, hatred and revenge, fear, deprivation, and political ambition: these are the motives which thrust the characters portrayed in these three Sophoclean masterpieces on to their collision course with catastrophe. Recognized in his own day as perhaps the greatest of the Greek tragedians, Sophocles' reputation has remained undimmed for two and a half thousand years. His greatest innovation in the tragic medium was his development of a central tragic figure, faced with a test of will and character, risking obloquy and death rather than compromise his or her principles: it is striking that Antigone and Electra both have a woman as their intransigent 'hero'. Antigone dies rather neglect her duty to her family, Oedipus' determination to save his city results in the horrific discovery that he has committed both incest and parricide, and Electra's unremitting anger at her mother and her lover keeps her in servitude and despair. These vivid translations combine elegance and modernity, and are remarkable for their lucidity and accuracy. Their sonorous diction, economy, and sensitivity to the varied metres and modes of the original musical delivery make them equally suitable for reading or theatrical peformance. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
On the Art of Reading is a collection of lectures delivered by Arthur Quiller-Couch, a literary critic and professor at Cambridge, between 1916 and 1918. In these lectures, Quiller-Couch argues for the study of the masterpieces of English literature—Shakespeare, Milton, and so on. He opines that the most effective way of appreciating literature is to experience it as “What Is,” which is to say feeling as if one has become part of the story. Much of the lectures is devoted to studying ways in which teachers can engender that feeling in pupils—with Quiller-Couch going so far as to say that even small children can be taught to appreciate seemingly-complex literature like The Tempest or classical poetry like Homer. Quiller-Couch also spends time discussing his then-controversial opinion that the English translation of the Bible, as well as many Greek classics, are masterpieces of English literature that deserve careful study not just for their religions or philosophical importance, but for their beautiful prose style. These lectures form a companion to his earlier collection of lectures, On the Art of Writing, which explore similar themes of the place of writing and literature in the intellectual firmament. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Allegorists in ancient Greece attempted to find philosophical and physical truths in myth. Plato, who resolutely excluded myths from the sphere of truth, thought that they could express ideas in a realm he could not reach with dialectical reasoning. Freud built a science around the myth of Oedipus, saying that myths were "distorted wish dreams of entire nations, the dreams of early mankind." No body of myth has served more purposes - or been subject to more analysis - than Greek mythology. This is a revised translation of Fritz Graf's highly acclaimed introduction to Greek mythology, Griechische Mythologie: Eine Einfuhrung, originally published in 1985 by Artemis Verlag. Graf offers a chronological account of the principal Greek myths that appear in the surviving literary and artistic sources, and concurrently documents the history of interpretation of Greek mythology from the seventeenth century to the present. First surveying the various definitions of myth that have been advanced, Graf proceeds to look at the relationship between Greek myths and epic poetry; the absence of an "origin of man" myth in Creek mythology; and connection between particular myths and shrines or holy festivals; the harmony in Greek literature between myth and history; the use of myth in Greek song and tragedy; and the uses and interpretations of myth by philosophers and allegorists.