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(Harp). This book teaches harpers step-by-step the music theory and techniques they need to make their own arrangements. Subjects covered include chords, inversions, keys, accompaniment patterns, transposing, and much more. The book gives plenty of examples and includes more than 90 pieces on which the students can practice their newly gained skills as they progress through the book. Spiral-bound.
This book teaches the student step by step how to play the harp. Each of the 12 lessons includes instructions, exercises, and folk and classical pieces using the new skills and techniques taught in the lesson. --from publisher description.
Harp
This book discusses fingerings for runs, repeated notes, enharmonics, chords, left hand patterns, and more. Includes many written examples. With an introduction and two appendices.
(Harp). This easy-to-read chord and scale chart by Sylvia Woods has everything you need for quick reference on one laminated, 2-sided, 3-hole-punched, 8 1/2 x 11 sheet. It includes the chord construction for every major, minor, augmented, diminished, suspended, 6th, minor 6th, dominant 7th, major 7th, minor 7th, 9th, and major 9th chord. It also includes intervals, inversions, parts of a chord, chord intervals, scales, modes and key signatures. Concise and complete, no musician should be without one!
(Harp). Nearly two dozen favorites, including: Evergreen * From This Moment On * Lady * Let It Be Me * Never My Love * Send in the Clowns * Sunrise, Sunset * The Prayer * The Rose * The Wind Beneath My Wings * Through the Eyes of Love * and more. Playable on lever harps and pedal harps.
The main purpose of the book is to explore basic music theory so thoroughly that the interested student will then be able to easily pick up whatever further theory is wanted. Music history and the physics of sound are included to the extent that they shed light on music theory. The main premise of this course is that a better understanding of where the basics come from will lead to better and faster comprehension of more complex ideas.It also helps to remember, however, that music theory is a bit like grammar. Catherine Schmidt-Hones is a music teacher from Champaign, Illinois and she has been a pioneer in open education since 2004. She is currently a doctoral candidate at the University of Illinois in the Open Online Education program with a focus in Curriculum and Instruction.
(Harp). This easy-to-read chart for pedal harpists by Sylvia Woods includes the pedal diagrams for the most commonly used glissandos: 6th, minor 7th, suspended 4, diminished 7th, augmented, and whole tone. Several possible pedal configurations are listed for many of the glisses, so you may choose the one you like the sound of best and the one that is easiest to get in and out of with the fewest pedal changes. This 2-sided, 3-hole-punched, 8 1/2 x 11 laminated sheet is concise, complete, and easy to use. No pedal harpist should be without one!
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!