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Sarah was born to an unskilled young mother who suddenly finds herself alone with young Sarah when her then live-in boyfriend, which is Sarahs father, decided to leave them both for a tour of the duty, a circumstance that made Sarah separated from her biological parents. Sarah was raised by her maternal grandmother and her auntie in a small town called Opelika. At an appointed time, all people that matter in her life came back to favor her. She fell in love and married a Nigerian student who encouraged her to fine-tune her career as a singer. When the family moved to Nigeria, she was not found of rigidity in Nigerian school system where students just study, do exam, study, and do the test. Nothing excited her; therefore, she suggested a ceremony similar to the American version of homecoming to her daughters school. They not only accepted her idea but also granted her absolute right to coordinate and implement the entire event. The event was so successful that it eventually transformed Sarah from an elite house wife to a well-known socialite in the Nigerian high-class inner circle.
America, do you love me? Acclaimed author-artist Daria Peoples-Riley invites readers to answer timely—and timeless—questions beating inside the hearts of children across America. Exquisitely illustrated, with a powerful, lyrical text, America, My Love, America, My Heart will challenge readers of all ages to examine and evaluate personal beliefs and attitudes toward the many different colors of America. America, do you love me? My black. My brown. My pride. My crown. What begins as a single question from a single child multiplies as America, My Love, America, My Heart sweeps across the country with every page turn, inviting in more and more children of color—and their questions. Does America love them when they speak? Or whisper? Or shout? When they stand? Does America love them just as they are? Inspired by the questions of her own childhood, author and artist Daria Peoples-Riley has created a powerful and important book for Americans of all ages—an essential addition to every bookshelf and classroom. Her poetic text encourages readers to confront bias, prejudice, and discrimination and invites readers to reflect and respond with their own answers, while honoring the identities of black and brown children and people of color. The unforgettable monochromatic oil paintings incorporate patriotic colors—red, white, and blue—to evoke deeply felt emotion and unique perspective. This rich, resonant book is a conversation starter for children, for families, for classrooms, and for communities.
Book Prize Winner of the International Alliance for Women in Music of the 2022 Pauline Alderman Awards for Outstanding Scholarship on Women in Music The Heart of a Woman offers the first-ever biography of Florence B. Price, a composer whose career spanned both the Harlem and Chicago Renaissances, and the first African American woman to gain national recognition for her works. Price's twenty-five years in Chicago formed the core of a working life that saw her create three hundred works in diverse genres, including symphonies and orchestral suites, art songs, vocal and choral music, and arrangements of spirituals. Through interviews and a wealth of material from public and private archives, Rae Linda Brown illuminates Price's major works while exploring the considerable depth of her achievement. Brown also traces the life of the extremely private individual from her childhood in Little Rock through her time at the New England Conservatory, her extensive teaching, and her struggles with racism, poverty, and professional jealousies. In addition, Brown provides musicians and scholars with dozens of musical examples.
"Suggested by the book [A Piece of my heart, compiled] by Keith Walker."
★ "A quiet loveliness, sense of gratitude, and—yes—happiness emanate from this tender celebration of simple pleasures."--Publishers Weekly, starred review The sun on your face. The smell of warm bannock baking in the oven. Holding the hand of someone you love. What fills your heart with happiness? This beautiful board book, with illustrations from celebrated artist Julie Flett, serves as a reminder for little ones and adults alike to reflect on and cherish the moments in life that bring us joy. International speaker and award-winning author Monique Gray Smith wrote My Heart Fills with Happiness to support the wellness of Indigenous children and families, and to encourage young children to reflect on what makes them happy.
Throughout the 1960s and 1970s, folklorist William Ferris toured his home state of Mississippi, documenting the voices of African Americans as they spoke about and performed the diverse musical traditions that form the authentic roots of the blues. Now, Give My Poor Heart Ease puts front and center a searing selection of the artistically and emotionally rich voices from this invaluable documentary record. Illustrated with Ferris's photographs of the musicians and their communities and including a CD of original music, the book features more than twenty interviews relating frank, dramatic, and engaging narratives about black life and blues music in the heart of the American South. Here are the stories of artists who have long memories and speak eloquently about their lives, blues musicians who represent a wide range of musical traditions--from one-strand instruments, bottle-blowing, and banjo to spirituals, hymns, and prison work chants. Celebrities such as B. B. King and Willie Dixon, along with performers known best in their neighborhoods, express the full range of human and artistic experience--joyful and gritty, raw and painful. In an autobiographical introduction, Ferris reflects on how he fell in love with the vibrant musical culture that was all around him but was considered off limits to a white Mississippian during a troubled era. This magnificent volume illuminates blues music, the broader African American experience, and indeed the history and culture of America itself.
Records the memories of a war in the words of those women courageous enough to walk into hell. --San Francisco Chronicle
Based on the song that President Joe Biden quoted in his inaugural address, this picture book celebrates the beauty and diversity of this country and the legacies on which we build our future. As President Joe Biden delivered his inaugural address, he quoted from a song that fully captured his own spirit of service: “The work and prayers of centuries have brought us to this day. What shall be our legacy? What will our children say? Let me know in my heart, when my days are through—America, America, I gave my best to you.” It was a sentiment that spoke not only to our new president’s character, but to the sense of pride in duty and purpose for the sake of a country we hold dear. And it contained a message of quiet patriotism that so many of us hope to share with the next generation. In this new picture book, using the full text of the song President Biden quoted, we do just that. With words that speak to the soul of our nation, and art from twelve different illustrators, all depicting what America means to them, we take readers on a journey through this beautiful country—its history, its struggles, and its dignity—and throughout, we count our own blessings and think about how we can do more to share them with others, and give our best to our country and everyone in it.
Why is there no Native woman David Sedaris? Or Native Anne Lamott? Humor categories in publishing are packed with books by funny women and humorous sociocultural-political commentary—but no Native women. There are presumably more important concerns in Indian Country. More important than humor? Among the Diné/Navajo, a ceremony is held in honor of a baby’s first laugh. While the context is different, it nonetheless reminds us that laughter is precious, even sacred. Bury My Heart at Chuck E. Cheese’s is a powerful and compelling collection of Tiffany Midge’s musings on life, politics, and identity as a Native woman in America. Artfully blending sly humor, social commentary, and meditations on love and loss, Midge weaves short, stand-alone musings into a memoir that stares down colonialism while chastising hipsters for abusing pumpkin spice. She explains why she does not like pussy hats, mercilessly dismantles pretendians, and confesses her own struggles with white-bread privilege. Midge goes on to ponder Standing Rock, feminism, and a tweeting president, all while exploring her own complex identity and the loss of her mother. Employing humor as an act of resistance, these slices of life and matchless takes on urban-Indigenous identity disrupt the colonial narrative and provide commentary on popular culture, media, feminism, and the complications of identity, race, and politics.