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Music News Monthly features live reviews of Skunk Anansie, Paul Weller, and Olivia Rodrigo. We review the latest music from SeaGirls, Craig Gould, P-Mad, Ghost, Chasing August, See You In Reno, and many more.
March issue of Music News Monthly features reviews of the latest releases from Frank Turner, Vaquelin, Dave Bainbridge, Saxon, William Poyer, Thunderpetz and more. Plus live reviews of The Stranglers and Kawala with music news from Brian May, Florence + The Machine, and so much more.
This Current Affairs Monthly Capsule May 2022 E-book will help you understand in detail exam-related important news including National & International Affairs, Defence, Sports, Person in News, MoU & Agreements, S&T, Awards & Honours, Books, etc.
Music News Monthly features live reviews of Sea Girls, and Michael Kiwanuka as well as reviews of the latest releases from Motor Sister, and Wolfsbane plus a 9-page Meadowlands special.
Featuring Live reviews of Coldplay, The Cadillac Three. New music from Phil Lewthwaite, Crawlers, Dohny Jep, Seagirls, The Jimi Hendrix Experience and much more.
In this issue, we interview Lawrence O'Brien from Glasgow band Anchor Lane, we review new music from Pizza Weasel and Slow River School plus an epic photo special and live review of rock legends Winger.
"This is a book about how technology has affected the music industry through a series of disruptions that have taken place ten times over the past century. Whenever technological innovations result in a compelling new way to distribute music to the public, the music industry changes in myriad and fundamental ways to adjust to the new format. And while the technologies themselves have evolved over the decades, the changes within the business follow a distinct pattern. Key Changes describes this pattern: it defines an analytical structure, the 6C Framework, that explains how the music business transformed in each era. The ten disruptions are the formats for distributing recorded music: phonograph records, radio, LPs, tapes, CDs, television, digital downloads, streaming, and streaming video; and then into the future with voice response and AI technologies, where the changes are in progress now. Each of these has a chapter in the book. The book concludes with an examination of how the 6C Framework applies across the timeline of various music formats, as well as to technologically induced changes in other industries, ranging from movies to sports to coffee, and it offers some observations about how blockchain technology could be the source of the next set of disruptive innovations in the music industry"--
Rather than reserving the teaching of Black history to Black history month, Black narratives deserve to be seen and integrated into every aspect of the school curriculum. A unique yet practical resource, Global Black Narratives addresses this issue by providing primary teachers with a global outline of Black history, culture and life within the framework of the UK’s National Curriculum. Each topic explored in this essential book provides teachers and teaching assistants with historical, geographic and cultural context to build confidence when planning and teaching. Full lesson plans and printable worksheets are incorporated into each topic, alongside tips to build future lessons in line with the themes explored. Volume I of this book explores the following parts: Part 1 examines Black Britain, a term used to refer to African and Caribbean immigrants to the United Kingdom and their descendants. Teachers will gain essential contextual knowledge and the practical skills to deliver lessons exploring many examples of Black Britain, dating as far back as the Tudor period. Part 2 explores Black Presence in Europe, providing focused examples of Black narratives. Topics explored include Negritude, Josephine Baker, Afro-Spaniards and the Moorish occupation of Spain, Afro-Surinamese people in the Netherlands and Black presence in France. Created by BLAM UK, this highly informative yet practical resource is an essential read for any teacher, teaching assistant or senior leader who wishes to diversify their curriculum and address issues of Black representation within their school.
Michael Jackson challenged the power structure of the American music industry and struck at the heart of blackface minstrelsy, America’s first form of mass entertainment. The response was a derisive caricature that over time Jackson subverted through his art. In this expanded, all-new edition, Michael Jackson and the Blackface Mask argues for the tangible relationship between Jackson and blackface minstrelsy. It reveals the dialogue at minstrelsy’s core and, in its broader sense, tracks a centuries-long pattern of racial oppression and its resistance and how that has been played out in popular theatre. Michael Jackson and the Blackface Mask explores Jackson’s early talent and fame and the birth and escalation of ‘Wacko Jacko’. In relation to all this, the book examines Jackson’s dynamic art as it evolved, from his live performances and short films to the very surface of his own body. Scholarly and interdisciplinary, this work is suitable for readers across a diverse spectrum of academic fields, including African American studies, popular music studies and cultural theory, media and communication, gender studies and performance and theatre studies. Academic but accessible, this book will also be an engaging read for anyone interested in Michael Jackson and especially in his role as an icon of difference, in America’s dynamics of race and his mass media image.
The tragic and inspiring story of the leaders of Outlaw country and their influence on today’s Alt-County and Americana superstars, tracing a path from Waylon Jennings’ survival on the Day the Music Died through to the Highwaymen and on to the current creative and commercial explosion of Chris Stapleton, Brandi Carlile, Zach Bryan, Jason Isbell, and the Highwomen. On February 2, 1959, Waylon Jennings, bassist for his best friend, the rock star Buddy Holly, gave up his seat on a charter flight. Jennings joked that he hoped the plane, leaving without him, would crash. When it did, killing all aboard, on "the Day the Music Died," he was devastated and never fully recovered. Jennings switched to playing country, creating the Outlaw movement and later forming the Highwaymen supergroup, the first in country music, with Johnny Cash, Willie Nelson, and Kris Kristofferson. The foursome battled addiction, record companies, ex-wives, violent fans, and the I.R.S. and D.E.A., en route to unprecedented mainstream success. Today, their acolytes Kacey Musgraves, Ryan Bingham, Sturgill Simpson, and Taylor Swift outsell all challengers, and country is the most popular of all genres. In this fascinating new book, Brian Fairbanks draws a line from Buddy Holly through the Outlaw stars of the 60s and 70s, all the way to the country headliners and more diverse, up-and-coming Nashville rebels of today, bringing the reader deep into the worlds of not only Cash, Nelson, Kristofferson, and Jennings but artists like Chris Stapleton, Simpson, Bingham, and Isbell, stadium-filling masters whose stories have not been told in book form, as well as new, diverse artists like the Highwomen, Brittney Spencer, and Allison Russell. Thought-provoking and meticulously researched, Willie, Waylon, and the Boys ultimately shows how a twenty-one-year-old bass-playing plane crash survivor helped changed the course of American music.