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'A clever multiple-narrative account of teenage kicks and sectarian strife in early 80s Northern Ireland . . . this debut marks out Quigley as a writer of compassion and humour' Guardian The end of the school year is approaching, and siblings Paddy and Liz McLaughlin, Christy Meehan, Kevin Thompson and their friends will soon have to decide what they're going to do with the rest of their lives. But it's hard to focus when there's the allure of their favourite hangout place, the dingy 'Cave', where they go to drink and flirt and smoke. Most days, Christy, Paddy and Kevin lie around listening to Dexys and Joy Division. Through a fog of marijuana, beer and budding romance, the future is distant and unreal. But this is Derry in 1981, and they can't ignore the turmoil of the outside world. A friend is killed, and Christy and Paddy, stunned out of their stupor, take matters into their own hands. Some choices are irreversible, and choosing to fight will take hold of their lives in ways they never imagined. With humour and compassion, Geraldine Quigley reveals the sometimes slippery reasons behind the decisions we make, and the unexpected and intractable ways they shape our lives. 'A novel that is warm but also unsettling and exhilarating. That's some feat' Roddy Doyle 'A poignant and powerful coming-of-age story' Sunday Mirror
The New York Times Bestseller What if everything you think you know about addiction is wrong? Johann Hari's journey into the heart of the war on drugs led him to ask this question--and to write the book that gave rise to his viral TED talk, viewed more than 62 million times, and inspired the feature film The United States vs. Billie Holiday and the documentary series The Fix. One of Johann Hari's earliest memories is of trying to wake up one of his relatives and not being able to. As he grew older, he realized he had addiction in his family. Confused, not knowing what to do, he set out and traveled over 30,000 miles over three years to discover what really causes addiction--and what really solves it. He uncovered a range of remarkable human stories--of how the war on drugs began with Billie Holiday, the great jazz singer, being stalked and killed by a racist policeman; of the scientist who discovered the surprising key to addiction; and of the countries that ended their own war on drugs--with extraordinary results. Chasing the Scream is the story of a life-changing journey that transformed the addiction debate internationally--and showed the world that the opposite of addiction is connection.
2020 — Ruth Benedict Prize – Association for Queer Anthropology, American Anthropological Association 2020 — Gloria E. Anzaldúa Book Prize – National Women’s Studies Association 2020 — Honorable Mention, Sara A. Whaley Book Prize 2021 — Best Book in Social Sciences – Mexico Section, Latin American Studies Association (LASA) Sex, drugs, religion, and love are potent combinations in la zona, a regulated prostitution zone in the city of Reynosa, across the border from Hidalgo, Texas. During the years 2008 and 2009, a time of intense drug violence, Sarah Luna met and built relationships with two kinds of migrants, women who moved from rural Mexico to Reynosa to become sex workers and American missionaries who moved from the United States to forge a fellowship with those workers. Luna examines the entanglements, both intimate and financial, that define their lives. Using the concept of obligar, she delves into the connections that tie sex workers to their families, their clients, their pimps, the missionaries, and the drug dealers—and to the guilt, power, and comfort of faith. Love in the Drug War scrutinizes not only la zona and the people who work to survive there, but also Reynosa itself—including the influences of the United States—adding nuance and new understanding to the current Mexico-US border crisis.
Recounts the addiction and recovery of the world-renowned solo artist and former lead singer and songwriter of Soul Coughing.
'A clever multiple-narrative account of teenage kicks and sectarian strife in early 80s Northern Ireland . . . this debut marks out Quigley as a writer of compassion and humour' Guardian The end of the school year is approaching, and siblings Paddy and Liz McLaughlin, Christy Meehan, Kevin Thompson and their friends will soon have to decide what they're going to do with the rest of their lives. But it's hard to focus when there's the allure of their favourite hangout place, the dingy 'Cave', where they go to drink and flirt and smoke. Most days, Christy, Paddy and Kevin lie around listening to Dexys and Joy Division. Through a fog of marijuana, beer and budding romance, the future is distant and unreal. But this is Derry in 1981, and they can't ignore the turmoil of the outside world. A friend is killed, and Christy and Paddy, stunned out of their stupor, take matters into their own hands. Some choices are irreversible, and choosing to fight will take hold of their lives in ways they never imagined. With humour and compassion, Geraldine Quigley reveals the sometimes slippery reasons behind the decisions we make, and the unexpected and intractable ways they shape our lives. 'A novel that is warm but also unsettling and exhilarating. That's some feat' Roddy Doyle 'A poignant and powerful coming-of-age story' Sunday Mirror
This charming, irresistible debut novel set in London during World War II about a young woman who longs to be a war correspondent and inadvertently becomes a secret advice columnist is “a jaunty, heartbreaking winner” (People)—for fans of The Guernsey Literary and Potato Peel Pie Society and Lilac Girls. Emmeline Lake and her best friend Bunty are doing their bit for the war effort and trying to stay cheerful, despite the German planes making their nightly raids. Emmy dreams of becoming a Lady War Correspondent, and when she spots a job advertisement in the newspaper she seizes her chance; but after a rather unfortunate misunderstanding, she finds herself typing letters for the formidable Henrietta Bird, renowned advice columnist of Woman’s Friend magazine. Mrs. Bird is very clear: letters containing any Unpleasantness must go straight into the bin. But as Emmy reads the desperate pleas from women who many have Gone Too Far with the wrong man, or can’t bear to let their children be evacuated, she begins to secretly write back to the readers who have poured out their troubles. “Fans of Jojo Moyes will enjoy AJ Pearce’s debut, with its plucky female characters and fresh portrait of women’s lives in wartime Britain” (Library Journal)—a love letter to the enduring power of friendship, the kindness of strangers, and the courage of ordinary people in extraordinary times. “Headlined by its winning lead character, who always keeps carrying on, Pearce's novel is a delight” (Publishers Weekly). Irrepressibly funny and enormously moving, Dear Mrs. Bird is “funny and poignant…about the strength of women and the importance of friendship” (Star Tribune, Minneapolis).
Again and again British politicians, commentators and celebrities intone that 'The War on Drugs has failed'. They then say that this is an argument for abandoning all attempts to reduce drug use through the criminal law. Peter Hitchens shows that in Britain there has been no serious 'war on drugs' since 1971, when a Tory government adopted a Labour plan to implement the revolutionary Wootton report. This gave cannabis, the most widely used illegal substance, a special legal status as a supposedly 'soft' drug (in fact, Hitchens argues, it is at least as dangerous as heroin and cocaine because of the threat it poses to mental health). It began a progressive reduction of penalties for possession, and effectively disarmed the police. This process still continues, behind a screen of falsely 'tough' rhetoric from politicians. Far from there being a 'war on drugs', there has been a covert surrender to drugs, concealed behind an official obeisance to international treaty obligations. To all intents and purposes, cannabis is legal in Britain, and other major drugs are not far behind. In The War We Never Fought, Hitchens uncovers the secret history of the government's true attitude, and the increasing recruitment of the police and courts to covert decriminalisation initiatives, and contrasts it with the rhetoric. Whatever and whoever is to blame for the undoubted mess of Britain's drug policy, it is not 'prohibition' or a 'war on drugs', for neither exists.
"An important and timely book. The authors capture the dynamics of drug debate with uncanny accuracy. Too often, treatment and prevention get the short end of the stick in Congress, and this book explains why. Drug War Politics makes a compelling case for bringing public health principles to bear on the drug epidemic, and is essential reading for serious students of the drug issue."—Senator Edward M. Kennedy "A thoughtful analysis of the most fundamental and troublesome social problem in America. It reaches behind rhetoric and starts making sense about how we can go about saving ourselves from two addictions: the terrible affliction of drugs and the easy talk that makes the rest of us feel good but does not deal with the problem."—Kurt Schmoke, Mayor, City of Baltimore "This well-informed book shows how political expediency and a punitive conventional wisdom have combined over the past decades to support a national drug policy that fills our prisons, depletes our budget, and destroys our poor. This is a wonderfully sane analysis of what has become a major form of national insanity."—Frances Fox Piven, City University of New York "We've needed a new way of thinking about the drug problem for a long time. Now we have it. Drug War Politics is one of the best efforts to reconceptualize a major aspect of crime, especially victimless crime, that I have seen since Morris and Hawkins' The Honest Politician's Guide to Crime Control of nearly 30 years ago."—Theodore J. Lowi, Cornell University "A compelling analysis of our failure. The provocative public health solutions it proposes to the drug-related crime, violence, and despair that ravage many of our inner cities show that we can give people a chance—a chance to fight addiction and build better lives."—Congressman John Lewis "We will never be able to arrest, prosecute, or jail our way out of the drug problem. To understand why, read this book. The evidence is overwhelming: we need a radical change in the mission and mandate of drug control."—Nicholas Pastore, Chief of Police, New Haven "This is the smart citizens' guide to the drug policy debate—to why we spend so much time and money on things that don't work, and to where we can look for guidance for things that do."—Barbara Geller, Director, Fighting Back, New Haven
Selected as One of the Best Books of the 21st Century by The New York Times Set amid the havoc of the War on Drugs, this New York Times bestseller is an "astonishingly intimate" (New York magazine) chronicle of one family’s triumphs and trials in the South Bronx of the 1990s. “Unmatched in depth and power and grace. A profound, achingly beautiful work of narrative nonfiction…The standard-bearer of embedded reportage.” —Matthew Desmond, author of Evicted In her classic bestseller, journalist Adrian Nicole LeBlanc immerses readers in the world of one family with roots in the Bronx, New York. In 1989, LeBlanc approached Jessica, a young mother whose encounter with the carceral state is about to forever change the direction of her life. This meeting redirected LeBlanc’s reporting, taking her past the perennial stories of crime and violence into the community of women and children who bear the brunt of the insidious violence of poverty. Her book bears witness to the teetering highs and devastating lows in the daily lives of Jessica, her family, and her expanding circle of friends. Set at the height of the War on Drugs, Random Family is a love story—an ode to the families that form us and the families we create for ourselves. Charting the tumultuous struggle of hope against deprivation over three generations, LeBlanc slips behind the statistics and comes back with a riveting, haunting, and distinctly American true story.
Our drug prohibition policy is hopeless, just as Prohibition, our alcohol prohibition policy, was before it. Today there are more drugs in our communities and at lower prices and higher strengths than ever before. We have built large numbers of prisons, but they are overflowing with non-violent drug offenders. The huge profits made from drug sales are corrupting people and institutions here and abroad. And far from being protected by our drug prohibition policy, our children are being recruited by it to a lifestyle of drug use and drug selling. Judge Gray’s book drives a stake through the heart of the War on Drugs. After documenting the wide-ranging harms caused by this failed policy, Judge Gray also gives us hope. We have viable options. The author evaluates these options, ranging from education and drug treatment to different strategies for taking the profit out of drug-dealing. Many officials will not say publicly what they acknowledge privately about the failure of the War on Drugs. Politicians especially are afraid of not appearing "tough on drugs." But Judge Gray’s conclusions as a veteran trial judge and former federal prosecutor are reinforced by the testimonies of more than forty other judges nationwide.