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This set of CDs provides recordings of the 57 additional pieces not included on the CDs automatically packaged with the text.
The story of Listening Now takes place before the events of Appachana’s 2023 critically acclaimed novel, Fear and Lovely. Mallika, a child given to weaving, is convinced that the lives of the mothers around her are dull and devoid of passion and fantasizes romantic love. The truth, which lies at the heart of this story, is completely different. Her mother, Padma, her mother’s sister, Shanta, her mother’s two friends, Madhu and Anu, and her grandmother, Rukmini, all hold wrenching secrets; their complex lives and longings are beyond the child Mallika’s comprehension. Set in 1950s and 1960s, this story encompasses the lives of two generations of women in a small, New Delhi neighbourhood, where conventional lives are lived on the surface, while below, secrets seethe—threatening to destroy everything that has been so carefully constructed to accommodate society’s structures and expectations. Rendered through six points of view, Listening Now captures the voices of these women; the spoken conversations as well as all that remains in the realm of silence. Shortlisted for the Crossword Prize when it was first published in 1998, Listening Now holds readers in its embrace from the very first line.
Compact disc contains 25 tracks of music by different performers as listed in the text.
Charles Hoffer’s best-selling MUSIC LISTENING TODAY is a complete course solution that develops student’s listening skills while teaching them to appreciate the different styles, forms, and genres of music. The text features 43 concise chapters, providing instructors with flexibility in course management. MUSIC LISTENING TODAY offers rich illustrations of musical moments in daily life throughout the text, as well as covers a variety of popular music from cultures around the world. MUSIC LISTENING TODAY is a brief, affordable chronological survey text featuring two CDs automatically included with the book at no additional cost. The CDs contain the text’s core music selections, and provide students with the date of work, genre, form, medium, and tempo. Downloadable Active Listening Guides for the CD graphically show the progression of the musical work, providing examples and commentary for student learning. These tools also give students live access to biographical sketches, musical terms, interactive Practice Learning Quizzes, and links to related websites. MUSIC LISTENING TODAY provides dozens of familiar and lesser-known musical selections, all carefully chosen for their ability to get students interested in listening to all kinds of music. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
In what ways does listening to music shape everyday perception? Is music particularly effective in promoting shifts in consciousness? Is there any difference perceptually between contemplating one's surroundings and experiencing a work of art? Everyday Music Listening is the first book to focus in depth on the detailed nature of music listening episodes as lived mental experiences. Ruth Herbert uses new empirical data to explore the psychological processes involved in everyday music listening scenarios, charting interactions between music, perceiver and environment in a diverse range of real-world contexts. Findings are integrated with insights from a broad range of literature, including consciousness studies and research into altered states of consciousness, as well as ideas from ethology and evolutionary psychology, suggesting that a psychobiological capacity for trancing is linked to the origins of making and receiving of art. The term 'trance' is not generally associated with music listening outside ethnomusicological studies of strong experiences, yet 'hypnotic-like' involvements in daily life have long been recognized by hypnotherapy researchers. The author argues that multiply distributed attention - prevalent in much contemporary listening- does not necessarily indicate superficial engagement. Music emerges as a particularly effective mediator of experience. Absorption and dissociation, as manifestations of trancing, are self-regulatory processes, often operating at the level of unconscious awareness, that support individuals' perceptions of psychological health. This fascinating study brings together research and theory from a wide range of fields to provide a new framework for understanding the phenomenology of music listening in a way that will appeal to both specialist academic audiences and a broad general readership.
It is undeniable that technology has made a tangible impact on the nature of musical listening. The new media have changed our relationship with music in a myriad of ways, not least because the experience of listening can now be prolonged at will and repeated at any time and in any space. Moreover, among the more striking social phenomena ushered in by the technological revolution, one cannot fail to mention music’s current status as a commodity and popular music’s unprecedented global reach. In response to these new social and perceptual conditions, the act of listening has diversified into a wide range of patterns of behaviour which seem to resist any attempt at unification. Concentrated listening, the form of musical reception fostered by Western art music, now appears to be but one of the many ways in which audiences respond to organized sound. Cinema, for example, has developed specific ways of combining images and sounds; and, more recently, digital technology has redefined the standard forms of mass communication. Information is aestheticized, and music in turn is incorporated into pre-existing symbolic fields. This volume - the first in the series Musical Cultures of the Twentieth Century - offers a wide-ranging exploration of the relations between sound, technology and listening practices, considered from the complementary perspectives of art music and popular music, music theatre and multimedia, composition and performance, ethnographic and anthropological research.
The Listening Book is about rediscovering the power of listening as an instrument of self-discovery and personal transformation. By exploring our capacity for listening to sounds and for making music, we can awaken and release our full creative powers. Mathieu offers suggestions and encouragement on many aspects of music-making, and provides playful exercises to help readers appreciate the connection between sound, music, and everyday life.
At once joyous and somber, this thoughtful gathering of new and selected essays spans Kathleen Dean Moore's distinguished career as a tireless advocate for environmental activism in the face of climate change. In this meditation on the music of the natural world, Moore celebrates the call of loons, howl of wolves, bellow of whales, laughter of children, and shriek of frogs, even as she warns of the threats against them. Each group of essays moves, as Moore herself has been moved, from celebration to lamentation to bewilderment and finally to the determination to act in defense of wild songs and the creatures who sing them. Music is the shivering urgency and exuberance of life ongoing. In a time of terrible silencing, Moore asks, who will forgive us if we do not save nature's songs?
Winner of the Northeast Popular Culture Association's Peter C. Rollins Book Award (2012) Winner of the ASCAP Deems Taylor Award (2012) Listening and Longing explores the emergence of music listening in the United States, from its early stages in the antebellum era, when entrepreneurs first packaged and sold the experience of hearing musical performance, to the Gilded Age, when genteel critics began to successfully redefine the cultural value of listening to music. In a series of interconnected stories, American studies scholar Daniel Cavicchi focuses on the impact of industrialization, urbanization, and commercialization in shaping practices of music audiences in America. Grounding our contemporary culture of listening in its seminal historical moment—before the iPod, stereo system, or phonograph—Cavicchi offers a fresh understanding of the role of listening in the history of music.