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Music in the Hebrew Bible investigates musical citations in the Hebrew Bible and their relevance for our times. Most biblical musical references are addressed, either alone or as a grouping, and each is considered from a modern perspective. The book consists of one hundred brief essays divided into four parts. Part one offers general overviews of musical contexts, recurring musical-biblical themes and discussions of basic attitudes and tendencies of the biblical authors and their society. Part two presents essays uncovering what the Torah (Pentateuch) has to say about music, both literally and allegorically. The third part includes studies on music's place in Nevi'im (Prophets) and the perceived link between musical expression and human-divine contact. Part four is comprised of essays on musical subjects derived from the disparate texts of Ketuvim (Writings).
This is a translation by Dennis Weber, edited by John Wheeler and jointly published with King David's Harp, in which a noted French musicologist argues that the accentual system preserved in the Masoretic Text was originally a method of recording hand signals (chironomy) by which temple musicians were directed in the performance of music. She explains her reconstruction of these notations which has allowed her to perform haunting and beautiful music around the worlds using only the Hebrew text as a score.
Music was integral to the daily life of ancient Israel. It accompanied activities as diverse as manual labor and royal processionals. At key junctures and in core institutions, musical tones were used to deliver messages, convey emotions, strengthen communal bonds and establish human-divine contact. This book explores the intricate and multifaceted nature of biblical music through a detailed look into four major episodes and genres: the Song of the Sea (Exod. 15), King Saul and David's harp (1 Sam. 16), the use of music in prophecy, and the Book of Psalms. This investigation demonstrates how music helped shape and define the self-identity of ancient Israel.
How can we describe and discuss the accents of the Hebrew Bible? This volume is extracted from a music statistics database derived from the accents in the Leningrad codex. It is intended as a reference book and explanations for evaluating the data about the accents (cantillation signs) in the Hebrew Bible. It illustrates the effectiveness and clarity of the deciphering key that is used for the music. Here we see at last a clear exposition of how to explain sequences of accents without the contortions required by a Ptolmaic view of them. Sequences of accents below the text describe musical phrases and intervals based on consecutive reciting notes. Accents above the text allow for ornamentation. This separation of function reveals astonishing beauty, restores the tone of voice, and clarifies the text. The Progression of the Music is volume 10 of the series, The Hebrew Bible and Its Music.
Did you know that there is a musical score embedded in the Hebrew Bible? The Song in the Night presents this astonishing fact. Experts have argued over what the music is for over 1000 years. Now you can examine the key to the music and imagine how the whole song might sound. You can see clearly how the accents in the text translate into music and marvel how our ancestors designed this elegant insight to the tone of voice that is still there in the Bible. How valuable it is to hear the Word of the Most High with its tone of voice, and realize that it is not the same voice that we have imagined. It is, of course, a voice of kindness, a voice of truth, a voice of love, and a voice of grief, calling all creation into everlasting praise.
Music in the Hebrew Bible investigates musical citations in the Hebrew Bible and their relevance for our times. Most biblical musical references are addressed, either alone or as a grouping, and each is considered from a modern perspective. The book consists of one hundred brief essays divided into four parts. Part one offers general overviews of musical contexts, recurring musical-biblical themes and discussions of basic attitudes and tendencies of the biblical authors and their society. Part two presents essays uncovering what the Torah (Pentateuch) has to say about music, both literally and allegorically. The third part includes studies on music's place in Nevi'im (Prophets) and the perceived link between musical expression and human-divine contact. Part four is comprised of essays on musical subjects derived from the disparate texts of Ketuvim (Writings).