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2020 IPPY Awards Gold Medalist, Great Lakes Best Regional Nonfiction Relying on oral histories, hundreds of rare photographs, and original music reviews, this book explores the countercultural fringes of Kent, Ohio, over four decades. Firsthand reminiscences from musicians, promoters, friends, and fans recount arena shows featuring acts like Pink Floyd, The Clash, and Paul Simon as well as the grungy corners of town where Joe Walsh, Patrick Carney, Chrissie Hynde, and DEVO refined their crafts. From back stages, hotel rooms, and the saloons of Kent, readers will travel back in time to the great rockin' nights hosted in this small town. More than just a retrospective on performances that occurred in one midwestern college town, Prufer's book illuminates a fascinating phenomenon: both up-and-coming and major artists knew Kent was a place to play--fertile ground for creativity, spontaneity, and innovation. From the formation of Joe Walsh's first band, The Measles, and the creation of DEVO in Kent State University's art department to original performances of Pink Floyd's Dark Side of the Moon and serendipitous collaborations like Emmylou Harris and Good Company in the Water Street Saloon, the influence of Kent's music scene has been powerful. Previously overshadowed by our attention to Cleveland as a true music epicenter, Prufer's book is an excellent and corrective addition. Extensively researched for eight years and lavishly illustrated, Small Town, Big Music is the most comprehensive telling of any of these stories in one place. Rock historians and fans alike will want to own this book.
In the twentieth century, Appalachian migrants seeking economic opportunities relocated to southwestern Ohio, bringing their music with them. Between 1947 and 1989, they created an internationally renowned capital for the thriving bluegrass music genre, centered on the industrial region of Cincinnati, Dayton, Hamilton, Middletown, and Springfield. Fred Bartenstein and Curtis W. Ellison edit a collection of eyewitness narratives and in-depth analyses that explore southwestern Ohio’s bluegrass musicians, radio broadcasters, recording studios, record labels, and performance venues, along with the music’s contributions to religious activities, community development, and public education. As the bluegrass scene grew, southwestern Ohio's distinctive sounds reached new fans and influenced those everywhere who continue to play, produce, and love roots music. Revelatory and multifaceted, Industrial Strength Bluegrass shares the inspiring story of a bluegrass hotbed and the people who created it. Contributors: Fred Bartenstein, Curtis W. Ellison, Jon Hartley Fox, Rick Good, Lily Isaacs, Ben Krakauer, Mac McDivitt, Nathan McGee, Daniel Mullins, Joe Mullins, Larry Nager, Phillip J. Obermiller, Bobby Osborne, and Neil V. Rosenberg.
Music has played an important role in Ohio's cultural vitality. This work offers a comprehensive look at music as it has been practised in Ohio from the 18th century onwards, from folk to jazz to rock to the polka. It also examines the music of the Moravians, Mormons, and Welsh.
"Cincinnati, Ohio, might have seemed like an unlikely choice to host the nation's largest annual R&B concert, but thanks to local promoter Dino Santangelo, the Ohio Valley Jazz Festival would become the 'Granddaddy of them all.' The first festival was held in 1962 at the Carthage Fairgrounds, but the event would continue to grow--moving to Crosley Field in 1964 and then Riverfront Stadium in 1971--to become the nation's biggest two-day stadium concert. The Ohio Valley Jazz Festival would eventually feature the most popular R&B artists of the day and draw audiences from as far as 500 miles away. The festival pioneered stadium concert production, generated millions for the regional economy, and eased the Greater Cincinnati community's difficult cultural transition throughout the turbulent 1960s and 1970s"--Back cover.
A dynamic multimedia introduction to the global connections among peoples and their music
Most jazz historians give short shrift to the Buckeye state, regarding as a go-through rather than a go-to place. However, the fact is jazz has been practiced in Ohio and with a vengeance. For 30 years, these authors have been researching and documenting the history of music, particularly jazz in Ohio. Their 1999 exhibit at the Ohio Historical Society, Jazz Ohio " ran for twelve months before portions of it moved to the Rock and Roll Hall of Fame. The exhibit inspired the book, and much of what you will read here has never been brought together in one place before and it may well change the way you think about jazz. And Ohio."
First to be published in the series was The Art of French Horn Playing by Philip Farkas, now Distinguished Professor Emeritus of Music at Indiana University. In 1956, when Summy-Birchard published Farkas's book, he was a solo horn player for the Chicago Symphony and had held similar positions with other orchestras, including the Boston Symphony, Cleveland Orchestra, and Kansas City Conservatory, DePaul University, Northwestern University, and Roosevelt University in Chicago. The Art of French Horn Playing set the pattern, and other books in the series soon followed, offering help to students in learning to master their instruments and achieve their goals.
(Faber Piano Adventures ). ShowTime Piano Disney presents contemporary and classic Disney hits arranged for the pianist at Level 2A. Students develop fundamental skills reading basic rhythms, intervals, and simple chords, all while playing appealing songs from favorite movies such as Aladdin, Pirates of the Caribbean, Mulan , and more. Almost There ( Princess and the Frog ) * Baroque Hoedown ("Main Street Eletrical Parade" at Disneyland Resort and Magic Kingdom Park) * Chim Chim Cher-ee ( Mary Poppins ) * Colors of the Wind ( Pocahontas ) * He's a Pirate ( Pirates of the Caribbean: The Curse of the Black Pearl ) * Proud Corazon ( Coco ) * Reflection ( Mulan )* Under the Sea ( The Little Mermaid ) * A Whole New World ( Aladdin .)
Neil Young is one of rock and roll’s most important and enigmatic figures, a legend from the sixties who is still hugely influential today. He has never granted a writer access to his inner life – until now. Based on six years of interviews with more than three hundred of Young’s associates, and on more than fifty hours of interviews with Young himself, Shakey is a fascinating, prodigious account of the singer’s life and career. Jimmy McDonough follows Young from his childhood in Canada to his cofounding of Buffalo Springfield to the huge success of Crosby, Stills, Nash and Young to his comeback in the nineties. Filled with never-before-published words directly from the artist himself, Shakey is an essential addition to the top shelf of rock biographies.