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A brilliant analysis of the music of the twenties and thirties, also discusses the music of composers like Stravinsky, Satie, Gershwin, and considers the contributions of jazz and other pop music of the time with classical music.
For nearly half a century, Don Ho was synonymous with the Hawaiian Islands-from his wild, unpredictable early shows at Duke Kahanamoku's to a tour and television career that carried the spirit of aloha to audiences around the world. With his laid-back, hang-loose Island charm, Don Ho kept generations of fans singing along to Tiny Bubbles and Ain't No Big Thing, Pearl Shells and I'll Remember You. Don Ho: My Music, My Life is his authorized memoir, completed just two days before his death. In revealing anecdotes and hundreds of memorable photographs, here is the story of Hawaii's greatest entertainer-in his own words and the remembrances of those who loved him.
While attention has been paid to various aspects of music education in China, to date no single publication has systematically addressed the complex interplay of sociopolitical transformations underlying the development of popular music and music education in the multilevel culture of China. Before the implementation of the new curriculum reforms in China at the beginning of the twenty-first century, there was neither Chinese nor Western popular music in textbook materials. Popular culture had long been prohibited in school music education by China’s strong revolutionary orientation, which feared ‘spiritual pollution’ by Western cultures. However, since the early twenty-first century, education reform has attempted to help students deal with experiences in their daily lives and has officially included learning the canon of popular music in the music curriculum. In relation to this topic, this book analyses how social transformation and cultural politics have affected community relations and the transmission of popular music through school music education. Ho presents music and music education as sociopolitical constructions of nationalism and globalization. Moreover, how popular music is received in national and global contexts and how it affects the construction of social and musical meanings in school music education, as well as the reformation of music education in mainland China, is discussed. Based on the perspectives of school music teachers and students, the findings of the empirical studies in this book address the power and potential use of popular music in school music education as a producer and reproducer of cultural politics in the music curriculum in the mainland.
The Ramones cut an unforgettable swathe through decades of popular music. With politically charged anger, raw sounds and ferocious 20 minute sets they undercut the glamour of the mainstream music industry and gave the punk movement an authentic voice – A voice which can still be heard echoing through the decades. Seen through the eyes of the people who were there - musicians, managers, producers, publicists - this insightful biography depicts the Ramones rebellion against the establishment, how they forged their unique voice against the pressures of censure and managed to stay honest until the bitter end. Updated to reflect the sad death of guitarist Johnny Ramone, this is the essential story of the punk scene’s most durable and influential band.
A leading Asian American artist & activist on the explosive intersection of politics and music.
Six-time Grammy(R) award-winner Daniel Ho presents a unique approach to colorful harmonies. With Colorful Sounds: Creative Harmony Made Simple, songwriters can discover infinite ways to harmonize melodies beyond the obvious ear chords, composers can create moods and underscore scenes with a more extensive sonic palette, and players can execute unique voicings of extended chords with ease. Includes an audio CD demonstrating examples from the book.
This book interweaves an examination of Vietnamese folk culture, cultural nationalism, and cultural heritage since 1945 with an ethnographic account of the changing social practice of quan ho folk song. The author demonstrates how the discourses on cultu
This dynamic collection explores the life, work, and persona of saxophonist Fred Ho, an unabashedly revolutionary artist whose illuminating and daring work redefines the relationship between art and politics. Scholars, artists, and friends give their unique takes on Ho's career, articulating his artistic contributions, their joint projects, and personal stories. Exploring his musical and theatrical work, his political theory and activism, and his personal life as it relates to politics, Yellow Power, Yellow Soul offers an intimate appreciation of Fred Ho's irrepressible and truly original creative spirit. Contributors are Roger N. Buckley, Peggy Myo-Young Choy, Jayne Cortez, Kevin Fellezs, Diane C. Fujino, Magdalena Gómez, Richard Hamasaki, Esther Iverem, Robert Kocik, Genny Lim, Ruth Margraff, Bill V. Mullen, Tamara Roberts, Arthur J. Sabatini, Kalamu ya Salaam, Miyoshi Smith, Arthur Song, and Salim Washington.
Made in Taiwan: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Taiwanese popular music. Each essay, written by a leading scholar of Taiwanese music, covers the major figures, styles, and social contexts of pop music in Taiwan and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Taiwan, followed by essays organized into thematic sections: Trajectories, Identities, Issues, and Interactions.
Five essays address feminist issues relating to the women of the hip-hop generation, covering topics ranging from strip clubs and groupie culture to the idealization of white beauty and light skin color.