Download Free Music Genius Book in PDF and EPUB Free Download. You can read online Music Genius and write the review.

The story of Les Paul—tinkerer, inventor, and rock and roll legend: “An exuberant introduction to a musician and creative genius.”—Kirkus Reviews A New York Public Library Best Book of the Year A beautifully-illustrated true story of rock and roll legend Les Paul: This is the story of how Les Paul created the world’s first solid-body electric guitar, countless other inventions that changed modern music, and one truly epic career in rock and roll. How to make a microphone? A broomstick, a cinderblock, a telephone, a radio. How to make an electric guitar? A record player's arm, a speaker, some tape. How to make a legendary inventor? A few tools, a lot of curiosity, and an endless faith in what is possible. This unforgettable biography, with pictures by a New York Times–bestselling children’s book illustrator, will resonate with inventive readers young and old. “Les Paul was an innovator and musical force for the ages—he changed the world in a very real way. His story is a lesson from which kids of all ages can derive inspiration.” —Billy Gibbons, lead guitarist of ZZ Top “Delightfully told . . . Text and illustrations radiate exuberance and joy. Readers will marvel at the perseverance and ingenuity Paul demonstrated throughout his life . . . An excellent choice for STEM programs.” —School Library Journal
"It was high time that someone tried to explain more fully, and on the basis of the known documents, the course of Beethoven's meteoric rise to fame in Vienna at the end of the eighteenth century. . . . I would consider this cleverly written and authoritative book to be the most important about Beethoven in twenty-five years. No one considering the subject will be able to overlook DeNora's research."—H.C. Robbins Landon, author of Beethoven: His Life, Work, and World "This is a study with the power to reshape our perceptions of Beethoven's first decade in Vienna and substantially refine our notions of the creation and foundations of Beethoven's career."—William Meredith, Ira Brilliant Center for Beethoven Studies, San Jose State University "Professor DeNora's achievement in placing Beethoven, and the reception of Beethoven's music, in social context is all the more impressive because it goes so much against the grain of conventional habits of thought. In illuminating how changing social institutions created opportunities for Beethoven to gain contemporary and posthumous recognition, and, in so doing, created new forms for thinking and talking about musical achievement—the author at once provides fresh insights into the institutional origins of 'classical' music and offers an exemplary contribution to the sociological study of the arts."—Paul DiMaggio, Princeton University "An important landmark in our understanding of the relationship of the creative musician to society, and a vital contribution to debates about the central phenomenon which distinguishes Western music from other musical traditions: the phenomenon of the Great Composer."—Julian Rushton, University of Leeds "This original book argues that Beethoven's high reputation was created as much by the social-cultural agendas of his aristocratic Viennese patrons in the 1790s as by the qualities of his music. DeNora's persuasive reading of this momentous cultural-artistic event will be welcome to sociologists for its successful contextualization of a hero of 'absolute music,' as well as to musicologists and music-lovers who wish to move beyond the myth of Beethoven as 'the man who freed music.'"—James Webster, Cornell University "Lucid, well-researched, and theoretically informed, Beethoven and the Construction of Genius is one of the best works yet published in the historical sociology of culture. DeNora makes important contributions not only to our knowledge of Beethoven and of the social construction of genius but to the general problems of how identities are created, shaped, and sustained and of how aesthetic claims gain authority."—Craig Calhoun, University of North Carolina
A musical prodigy, Wolfgang Amadeus Mozart began playing the piano and composing when he was just three years old. Able to play multiple instruments, among them the piano and violin, Mozart spent much of his youth touring European courts with his family. From the time he was three until his death just thirty-two years later, he produced a huge volume of musical works. Among them the famed operas The Magic Flute, The Marriage of Figaro, and Don Giovanni.
A brief biography of Mozart, emphasizing the first six years of his musically productive life.
After obtaining access to long-sought-after archival material about the final years of Robert Schumann, Lise Deschamps Ostwald, the author's widow, is finally able to detail the composer's last years at the mental institution in Endenich, fulfilling her husband's original intent "Schumann is a remarkable piece of work...Soberly and objectively, it unearths information that no previous Schumann researcher--in English at least--has come near duplicating."--Harold C. Schonberg, The New York Times Book Review "Peter Ostwald, a San Francisco psychiatrist who is also a trained musician, has dug deeply...and applied his professional knowledge to the fashioning of a fascinating, perceptive psychobiography of the nineteenth-century Romantic master."--Arthur Hepner, Boston Globe "Ostwald...offers new insights into one about whom the musical world has never ceased wondering."--Robert Commanday, San Francisco Chronicle --Book Jacket.
In Black & White Music report I investigated a very small part of the music industry from the USA (0.09% musicians); more precisely, I investigated the contribution and the artistic merit (greater or lesser) of black artists (0.03%) and white artists (0.05%) in the production and writing of their albums. The artists investigated in this report are Taylor Swift, Kanye West, Beyoncé, Kendrick Lamar, Macklemore & Ryan, Adele and Beck. I selected these artists because the music produced and released by them was used by various artists and journalists as examples of allegations of discrimination and racism which takes place in the music industry in the USA. The aim of the research is split into 2 levels: in the first level: I explored, analysed and created a comparative study about the contribution and the artistic merit of black and white artists in the production and writing of their albums; to achieve this aim, I added contribution and artistic merit into one bubble of research and treated the two concepts with the same meaning, then I divided the bubble into 8 points of research. the second level: is about using the findings from the eight points of research to offer a response to three conventional wisdom advanced by black artists and their supporters against the rules and awards offered by The Recording Academy. Black & White Music report it is unique and original which investigates the artistic merit of six of the best artists in the music industry of the USA; in these pages, there is an advanced comparative analysis of the music released by famous artists that was never done before. Black & White Music report was born out of the urgent need to confront and challenge the three conventional wisdom advanced by black artists and their supporters who feel and promote the idea of injustice regarding the music released. Black & White Music report can be used to calm the realities of discrimination and racism and provides a point of reference of the quality, originality and novelty of the music investigated in these pages; also, it is for future artists waiting to be discovered, and what they need to expect once they are part of the music industry. Second Edition July 2023
An account of the High School for Recording Arts in St. Paul, Minnesota that demonstrates how hip-hop-based education can be a powerful medium for cultivating creativity and engaging students.
Let the debate begin... The Advanced Genius Theory, hatched by Jason Hartley and Britt Bergman over pizza, began as a means to explain why icons such as Lou Reed, David Bowie, and Sting seem to go from artistic brilliance in their early careers to "losing it" as they grow older. The Theory proposes that they don’t actually lose it, but rather, their work simply advances beyond our comprehension. The ramifications and departures of this argument are limitless, and so are the examples worth considering, such as George Lucas’s Jar Jar Binks, Stanley Kubrick’s fascination with coffee commercials, and the last few decades of Paul McCartney’s career. With equal doses of humor and philosophy, theorist Jason Hartley examines music, literature, sports, politics, and the very meaning of taste, presenting an entirely new way to appreciate the pop culture we love . . . and sometimes think we hate. The Advanced Genius Theory is a manifesto that takes on the least understood work by the most celebrated figures of our time.
In that hot summer of '69 two longhaired music freaks created an underground LP record album of unreleased tracks by one of their music gods and put it out on the streets of Los Angeles. No one had ever been crazy enough to do such an audacious thing before. The god's official record label was not amused but the music fans were thrilled. Were these guys pirates or heroes? It was so much fun the first time, they soon pressed up even more records of forbidden musical fruit. They were on a roll. The following year, in 1970, one of the culprits put The Pig image in a circular logo with the name, "Trade Mark of Quality." TMQ and Pigman were born!With a cast of outrageous characters, here is the story of Trade Mark of Quality aka TMQ aka The Pig, the first bootleg record label of it's kind, spawning many later imitators. From the end of the 60's to the mid 70's, TMQ and Pigman lead the way, trotting down a muddy trail, feeding the habits and needs of music addicts around the world. Who were these fellow travelers? Carl? The Greek? Merlin? Hans? Rob Snout? Casper? Sheldon? The Blue Hasslebeast? and Ol' Fred? (Not to mention, The Brooklyn Boys, The Record Suits and The Feds!) What was the connection between TMQ and the Viet Nam war, revolutionaries, guns, pot and the moon landing? It's all here!Included in A Pig's Tale is not only the Trade Mark of Quality and Pigman saga, but reproductions of all the rubber stamped and illustrated album jackets from every genuine TMQ record release, including the earliest releases from '69 right up to the last titles in 1976. Everything you ever wanted to know about the real TMQ label is here: A complete discography of artists and track listings, sources of recordings, catalogue numbers, master tape and record matrix info, colored vinyl pressings, record labels, graphics, photos, vintage news clippings, articles and more, all collected together, at last, in one volume.