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Music for Multi-Percussion: A World View is designed as a progression of complex skills required to play multi-percussion. Ten percussion solos and two duets are presented with the intention of being performed in recitals, auditions, studio classes and contests. The collection of solos and duets is organized into four categories which focus on specific skill sets: Category 1: Single instruments (or instrument set) Category 2: Changing implements on a single instrument (or instrument set) Category 3: Multiple instruments and implements Category 4: Three- and four-way coordination
An introduction to percussion instruments.
Seven percussion solos designed to introduce the drummer to multiple percussion playing. Titles are: Changes * Flam Invention * Triplex * Sestina * Quintesence * Suspension * Triad.
While composers and percussionists are working more closely than ever with one another, there are few resources that address this collaborative relationship in depth. Samuel Z. Solomon, himself a percussionist and teacher, offers How to Write for Percussion to fill this longstanding need. The first edition, self-published in 2004, provided musicians and music programs the world over with practical and indispensible information about issues of notation, concert production, and much more. This new edition expands the survey of behind-the-scenes processes-from instrument choice and notation to logistics, execution, and concert production-to uncover the tools a composer needs to comfortably create innovative and skilled percussion composition. Featuring an extensive Online Video Companion containing over nine hours of videos with demonstrations, performances, interviews, and analysis, How to Write for Percussion is sure to appeal to a wide swath of musicians and composers. Those familiar with the first edition will welcome the upgrade, and those who have yet to benefit from Solomon's perspective will find his insights illuminating. Book jacket.
Commissioned by renowned percussionist Dame Evelyn Glennie, Psathas’ Drum Dances (1993) is a standard for drum kit and piano repertoire. Each of the four movements in this work were stimulated by a certain rhythmic interaction possible between two performers. The performers gradually transition from battling for superiority to working together throughout the work as they navigate material ranging from from a loosely-written stately dance to very tight and syncopated rhythmic interaction.
George Lawrence Stone's Accents and Rebounds, the follow-up to the classic Stick Control, builds on the basics with accent routines and more advanced rhythms to improve the player's finesse and control. This book includes sections on accented eighths, dotted notes, and triplets, as well as rebound control and more. If you are a fan of Stick Control, then this method supplies the perfect next step for your practice routine. This updated edition adds Joe Morello's legendary arrow notation to help students incorporate the motions of the Moeller technique.
"World Music: Traditions and Transformations, fourth edition, is an introductory-level survey of diverse musics from around the world. It assumes no prior formal training or education in music, and with one brief exception avoids the use of Western music notation entirely. It is written primarily for undergraduate nonmusic majors but is equally appropriate for music majors, and is therefore ideal for courses enrolling music and nonmusic stu-dents alike"--
talent means almost nothing when it comes to getting better at anything, especially music. Practice is everything. This book covers essential practice strategies and mindsets you won't find in any other book. You'll learn the What, Why, When, Where, Who, and especially the How of great music practice. You'll learn what research tells us about practice, but more importantly, you'll learn how the best musicians in many genres of music think about practice, and you'll learn the strategies and techniques they use to improve. This book will help you get better faster, whether you play rock, Bach, or any other kind of music.
Written by drummer/educator Dave DiCenso, Universal Rhythms for Drumset is a workbook with a concept designed to help demystify the drummer's creative process. Working from the notion that the majority of Western music is built upon five simple rhythmic phrases, DiCenso offers creative tools that demonstrate how to identify, interpret, and manipulate this five-rhythm alphabet in order to improve one's understanding of rhythm as a language and one's ability to speak it on a set of drums. By applying an innovative eight-step "mastery system" to each lesson, the reader is challenged to go beyond muscle memory and improve cerebral skills such as pulse/space/shape awareness within any groove, fill, embellishment, or solo; getting ideas to flow seamlessly from mind to limbs to drums; understanding the space other musicians occupy to make informed musical choices and create a deeper band pocket. Lessons that include over 500 exercises covering 28 drumming styles are all based upon only five rhythms, and all examples in the book are performed by the author on the included MP3 CD.