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Here are the stories of how music archives are preserving independent music and saving a part of our cultural heritage. Music Preservation and Archiving Today moves beyond the how-to and assembles the work currently being done to preserve music and "scenes" via essays, case studies, and overviews of work by academic archives as well as community­driven preservation projects.
This unique book is based on the results of a workshop for an international group of administrators of research-based archives held near New Delhi in December 1999, the aim of which was to bring together archivists from audio and visual archives in industrializing countries, principally from the Southern Hemisphere, which have a relatively recent history of audiovisual archives; to take concerns of audiovisual archives outside the national and regional boundaries that so often define these archives; and to focus on audiovisual archives that document musical and folklore traditions and thus those which are involved with ethnomusicology. Pooling the experience of participants from Austria, Australia, China, Cuba, Ghana, India, Indonesia, Papua New Guinea, Peru, The Philippines, South Africa, Sudan and the United States, the volume will be of interest to cultural workers both as an introductory textbook in ethnomusicology courses and as a book for specialists. The book begins with a theoretical introduction including general observations on archives, a discussion of the principal points in the participant papers, a description of the workshop itself and how the process of the workshop has been transformed into this volume. Section One deals with archive structure and operations, including a chapter on recording technology for audio archives which begins with a paper by the world-renowned expert in technology for audiovisual archives, Dr Dietrich Schüller, Director of the Vienna Phonogramm-Archiv, Austria, the oldest such archive in the world and one on issues of copyright and ethics. Section Two consists of the participants papers. The volume also includes useful material such as a bibliography of major resources on audiovisual archives and a website list of the most important professional organizations and archive sites. Anthony Seeger is Professor of Ethnomusicology at University of California at Los Angeles. He has been Director of the Archives of Traditional Music, University of Indiana and Director of Smithsonian Folkways recordings and the Curator of the archives. He has consulted internationally and published widely on issues of archiving in ethnomusicology and on intellectual property rights. He has been the President of the Society of Ethnomusicology and is currently Secretary General of the International Council of Traditional Music. Shubha Chaudhuri is Director of the Archives and Research Centre for Ethnomusicology of the American Institute of Indian Studies. She has a background in Linguistics and has been with the ARCE for the last twenty years. She has been very actively involved in issues of archiving as well as training workshops and consulting in this field. She is Vice President, International Association of Sound and Audio Visual Archives. Contributors include: Dr Dietrich Schüller (Vienna, Austria), Don Niles (Papua New Guinea), Alex Huerta (Peru), Ali Al-Daw (Sudan), Maxwell Addo (Ghana), Marialita Tamanio-Yraola (Philippines), To Ngoc Thanh (Vietnam), Valmont Layne (South Africa), Endo Suanda (Indonesia) Gert-Matthias Wegner (Nepal), J. Lawrence Witzleben and Tsui Ying-Fai (China), Olavo Alen (Cuba), Grace Koch (Australia).
Directory of music collections divided by continent/oceanic region and sub-arranged alphabetically.
"Few cello players currently before the public have enjoyed the kind of international success in all conceivable musical career roles as Janos Starker. In his lifetime, Starker has gained renown as teacher, soloist and orchestra player." --Chicago Tribune "Starker . . .remains one of the wonders of the musical world, an artist who finds innumerable ways to shape and color lines." --Cleveland Plain Dealer "Starker is not just a cellist. He is widely recognized as one of the finest of the last 50 years." --Indianapolis Star "Starker emerges here as the rare artist who respects the past but lives enthusiastically in the present. . . Essential. All readers; all levels." --Choice Janos Starker is universally acknowledged as one of the world's great musicians. Known for a flawless technique paired with expressive playing and interpretation, the Hungarian-born cellist is arguably also the premier teacher of his instrument in our time. String players flock to his masterclasses from all over the world, and cellists compete vigorously to study under him at the Indiana University School of Music. More than the consummate musician, however, Starker is also a raconteur and writer, occasionally quirky and droll, always witty and with a pointed opinion to share. The World of Music According to Starker is a colorful autobiography spanning the author's fascinating life. From his early musical education during World War II in Hungary, to his world tours, educational philosophy, and recording and pedagogical legacy, Starker takes the reader on a riveting, entertaining, and informative journey. Included in the book are several of Starker's short stories and commentaries on world events, academia, and--of course--music that have appeared in newspapers, music periodicals, and trade magazines. Also includes a bonus CD recording of Starker's last public recital, which is unavailable commercially and includes his only recording of the Strauss Sonata in F, Opus 6. Included on the CD: Richard Strauss, Sonata in F, Opus 6 Ludwig van Beethoven, Sonata in C major, Opus 102 no. 1 Johannes Brahms, Sonata in E minor, Opus 38 Franz Schubert, Sonatina in D, Opus 137 no. 1 (Starker edition)
Cover; JAZZ and PALM WINE; Title; Copyright; CONTENTS; Foreword: Harmony and Liberty or Jazz and Palm Wine; 1. The Astonishing and Dialectical Downfall of Comrade Kali Tchikati; 2. A Day in the Life of Augustine Amaya; 3. Old Likibi's Trial; 4. The Man; 5. The Ceremony; 6. Jazz and Palm Wine; 7. My Ghost Train; 8. A Love Supreme.
World music cultures: an introduction -- Pitch and melody -- Rhythm and loudness -- Texture -- Timbre and musical instruments -- Sub-Saharan Africa -- The Middle East and North Africa -- Central Asia -- India -- China -- Japan -- Indonesia -- Eastern Europe -- Western Europe -- Latin America -- North America.
Archival material from the 1990s underground movement “preserves a vital history of feminism” (Ann Cvetkovich, author of Depression: A Public Feeling). For the past two decades, young women (and men) have found their way to feminism through Riot Grrrl. Against the backdrop of the culture wars and before the rise of the Internet or desktop publishing, the zine and music culture of the Riot Grrrl movement empowered young women across the country to speak out against sexism and oppression, creating a powerful new force of liberation and unity within and outside of the women’s movement. While feminist bands like Bikini Kill and Bratmobile fought for their place in a male-dominated punk scene, their members and fans developed an extensive DIY network of activism and support. The Riot Grrrl Collection reproduces a sampling of the original zines, posters, and printed matter for the first time since their initial distribution in the 1980s and ’90s, and includes an original essay by Johanna Fateman and an introduction by Lisa Darms.