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Based on original fieldwork in the 1960s and drawing on studies from the 1950s, examines the social, cultural, and religious function of traditional music among the African peoples long known as Bushmen. Covers the instrumental music of hunting and other musical bows, the linguiphone, and the pluriarc. The vocal music includes medicine songs, and men's and women's songs. Includes scores of motifs, photographs, and many transcriptions of entire songs. Corrected but not updated from a 1968 doctoral dissertation for Harvard University. No index. Annotation copyright by Book News, Inc., Portland, OR
Providing a distillation of knowledge in the various disciplines of arts education (dance, drama, music, literature and poetry and visual arts), this essential handbook synthesizes existing research literature, reflects on the past, and contributes to shaping the future of the respective and integrated disciplines of arts education. While research can at times seem distant from practice, the Handbook aims to maintain connection with the live practice of art and of education, capturing the vibrancy and best thinking in the field of theory and practice. The Handbook is organized into 13 sections, each focusing on a major area or issue in arts education research.
The fourth edition of the Historical Dictionary of Botswana_through its chronology, introductory essay, appendixes, map, bibliography, and hundreds of cross-referenced dictionary entries on important persons, places, events, institutions, and significant political, economic, social, and cultural aspects_provides an important reference on this burgeoning African country.
Whether initiating girls or healing cattle, bringing rain or protesting taxation, many in Africa share a vision of a world where the cultural, symbolic and cosmic categories of 'male' and 'female' serve, through ritual, to both reimagine and transform the world. Those Who Play With Fire introduces recent gender theory to the analysis of African ethnography, exploring the ways in which ideational gender categories permeate African systems of thought and ritual practices. Thus, the book provides a powerful framework with which to evaluate previous ethnographic material on Africa. In addition, Those Who Play With Fire presents a broad range of new case studies - of hunter-gatherers, agriculturalists and pastoralists - revealing the varied and complex ways in which African ideas and ideals of what it means to be 'male' and 'female' broadly inform and give meaning to a wide range of transformative rituals.
Exploring a hitherto unexamined aspect of San cosmology, Mathias Guenther’s two volumes on human-animal relations in San cosmology link “new Animism” with Khoisan Studies, providing valuable insights for Khoisan Studies and San culture, but also for anthropological theory, relational ontology, folklorists, historians, literary critics and art historians. In Volume I, therianthropes and transformations, two manifestations of ontological mutability that are conceptually and phenomenologically linked, are contextualized in broader San myth. Guenther explores the pervasiveness of human-animal hybridity and transformation in San expressive culture (myth, stories and storytelling, ludic dancing and art, ancestral rock art and contemporary easel art), ritual (trance dance curing, female and male rites of passage) and hunting. Transformation is shown to be experienced by humans, particularly via rituals and dancing that evoke animal identity mergers, but also by hunters who may engage with their prey animals in terms of sympathy and inter-subjectivity, particularly through the use of “hunting medicines.”
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition
" . . . a first-rate piece of scholarship . . . an invaluable summary and commentary on the multilingual literature on [Bushman] people." —Choice The trickster and trance dancer are the guides through Bushman (or San) religion, a world of ambiguity and contradiction, and of enchantment. The two figures, who in Bushman belief are symbolically equivalent and mystically linked, embody these antistructural traits.
The Cinema of John Marshall explores the life and art of the pioneering ethnographic filmmaker. Its centerpiece is an autobiographical essay in which Marshall assesses his forty-year involvement with the San peoples (Bushmen) of South Africa and his films, from the 1957 award winning The Hunters to his current work in progress, Death by Myth. The book weaves together the political economy of San dispossession, history and ethnography, personal narratives of historical importance, and expositions of film techniques and film language. The first English language study of the man and his work, The Cinema of John Marshall conveys the complex unity of Marshall's life: the filmic, the intellectual, the political, and the human.