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This ambitious publication centers indigenous perspectives on traditional artworks from Africa by focusing on the judgments and vocabularies of members of the communities who created and used them. It explores cross-cultural affinities spanning the African continent while respecting local contexts; it also documents an exhibition that is extraordinary in scope and scale. The project's overriding goal is to reconsider Western evaluations of these arts in both aesthetic and financial terms. The volume features nearly 300 works from collections around the world and from the important holdings of the Art Institute of Chicago. Although it emphasizes the sculptural legacy of sub-Saharan cultures from West and Central Africa, it also includes examples of artistic traditions associated with eastern and southern Africa as well as textiles and objects designed for domestic, ritual, and decorative functions.00Exhibition: Kimbell Art Museum, Fort Worth, TX, USA (03.04. - 31.07.2022) / Art Institute of Chicago, USA (20.11.2022 - 27.02.2023).
Franklin Delano Roosevelt and his family may be most remembered for their time at 1600 Pennsylvania Avenue, but it was the Hudson Valley they called home. In Manhattan, the president's mother built a townhome on East Sixty-Fifth Street, and Eleanor was bo
Rare stories from more than 250 years of Native Americans' service in the military Why We Serve commemorates the 2020 opening of the National Native American Veterans Memorial at the Smithsonian National Museum of the American Indian, the first landmark in Washington, DC, to recognize the bravery and sacrifice of Native veterans. American Indians' history of military service dates to colonial times, and today, they serve at one of the highest rates of any ethnic group. Why We Serve explores the range of reasons why, from love of their home to an expression of their warrior traditions. The book brings fascinating history to life with historical photographs, sketches, paintings, and maps. Incredible contributions from important voices in the field offer a complex examination of the history of Native American service. Why We Serve celebrates the unsung legacy of Native military service and what it means to their community and country.
The wars of the twentieth century, their losses, and their toll on humanity are a frequent and important theme in the work of Christian Petersen. Though he is often known as "the gentle sculptor," Petersen gave much attention to the subject of warfare. To some extent, his entire life might be said to be based on a reaction to war since it was avoidance of the German military that prompted his family to emigrate from Denmark in 1893. Petersen lived through World War I, and sculpture on this theme constituted some of his earliest and most successful commissions. When World War II erupted, Petersen had been sculptor-in-residence at Iowa State for seven years, and its effect on college-age students was something he felt strongly. His work of the war years expresses the sacrifice and tragedy of the global fight. The theme continued to be important in the post-war years when he designed a number of proposals for war memorials, all of which focused not on victory, but on the sorrow and loss of war. By the late 1940s, his strong sentiments began to combine with his religious life after he joined the Catholic Church. It seems he often portrayed Christ as the victim of mankind's warring ways.This book was published in conjunction with the exhibition All the Evils?Christian Petersen and the Art of War (August 24, 2009 through February 26, 2010), presented by the Christian Petersen Art Museum, University Museums at Iowa State University.
Pink castles, talking sofas, and objects coming to life: what may sound like the fantasies of Hollywood dream-maker Walt Disney were in fact the figments of the colorful salons of Rococo Paris. Exploring the novel use of French motifs in Disney films and theme parks, this publication features forty works of eighteenth-century European design—from tapestries and furniture to Boulle clocks and Sèvres porcelain—alongside 150 Disney film stills, drawings, and other works on paper. The text connects these art forms through a shared dedication to craftsmanship and highlights references to European art in Disney films, including nods to Gothic Revival architecture in Cinderella (1950);bejeweled, medieval manuscripts in Sleeping Beauty (1959); and Rococo-inspired furnishings and objects brought to life in Beauty and the Beast (1991). Bridging fact and fantasy, this book draws remarkable new parallels between Disney’s magical creations and their artistic inspirations.
"Whether turning his attention to kiwifruit, "Wild Kingdom's" Marlin Perkins, the Strategic Air Command Museum, or lovers who with luck may come to resemble a no-expiration-date snack cake, Mason sheds some of his Nebraskan light on our universally human proceedings." --David Clewell, author of "Now We're Getting Somewhere."
A gorgeously illustrated goodnight story that celebrates the nighttime rituals of two young children visiting their grandparents in India. As nighttime falls over the city, two children visiting their grandparents in India find there's so much fun to be had! Whether it's listening to epic stories or observing rituals in the puja room, there are many moments that make this time together special. In this beautiful, rhyming ode to bedtime, the only thing more universal than getting ready for bed and saying goodnight is the love between children and their grandparents. "Nadia Salomon’s Goodnight Ganesha reminds readers that saying goodnight is both universal and unique and that all children deserve bedtime books that reflect their experiences and culture." --Hallee Adelman, author of My Quiet Ship "A pair of parallel poems, both steeped in references to India and Hinduism, form this stunningly illustrated tribute to family rituals [with] gorgeous, classically stylized art. Contemporary Hindu families will love the culturally specific details, while cultural outsiders will appreciate the universality of a bedtime routine." —Booklist
A young Asian boy notices that his eyes look different from his peers' after seeing his friend's drawing of them. After talking to his father, the boy realizes that his eyes rise to the skies and speak to the stars, shine like sunlit rays, and glimpse trails of light from those who came before-in fact, his eyes are like his father's, his agong's, and his little brother's, and they are visionary. Inspired by the men in his family, he recognizes his own power and strength from within. This extraordinary picture book redefines what it means to be truly you.
Sutra and Bible: Faith and the Japanese American World War II Incarceration accompanies the Japanese American National Museum's 2022 "Sutra and Bible" exhibition. Together, the exhibit and catalogue explore the role that religious teachings, practices, and communities played while Japanese Americans were incarcerated during World War II. From the confines of concentration camps and locales under martial law to the battlegrounds of Europe, Japanese Americans drew on their faith to survive forced removal, indefinite incarceration, unjust deportation, family separation, military service, and resettlement at a time when their race and religion were seen as threats to national security. Co-edited by Dr. Emily Anderson and Dr. Duncan Ry?ken Williams, this catalogue weaves visual storytelling with auxiliary essays from thirty-two prominent voices across academic, arts, and social justice communities.
Museums and historic sites faced with small budgets and staff can find it intimidating to redesign or create a website from scratch. Concerns over resources make coding and designing (or hiring someone to do so) daunting and expensive. It does not have to be so. Content creation is inescapable when making a website, but designing and constructing a unique website can be as simple as taking an afternoon to use a color chart to pick a color scheme and paste in text from a Word document. All of the tools discussed in the book are free at the base level, and some offer upgrade packages with even more features. The advice and techniques are all created with an eye to making websites work for smaller institutions with limited budgets and timeframes. Every museum professional has come across issues when adapting general software for an institution’s specific needs, and the information in this book will anticipate some of these needs by offering easytoimplement workarounds and information on related software or services that integrate with each website. Features include: Howto guides for Wix, Weebly, WordPress, and Google Sites Detailed comparisons of WYSIWYG (What You See Is What You Get) editors by cost, features, and easeofuse so that you can easily identify which platforms meet your needs Mythbusting of common website and computer assumptions Stepbystep content and design planning guide Basic HTML coding tricks and tips for the slightly more advanced users (or those who want to become so) • A free companion Web site includes links to online resources, ongoing updates to this book to keep it current, and links to other free online tools and software. Go to: https://freethemuseum.wixsite.com/aaslh to request access on this author-created and managed companion site.