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This unique and important directory incorporates some 3,200 entries. It covers all types and sizes of museums; galleries of paintings, sculpture and photography; and buildings and sites of particular historic interest. It also provides an extensive index listing over 3,200 subjects. The directory covers national collections and major buildings, but also the more unusual, less well-known and local exhibits and sites. The Directory of Museums, Galleries and Buildings of Historic Interest in the United Kingdom is an indispensable reference source for any library, an ideal companion for researcher and enthusiast alike, and an essential purchase for anyone with an interest in the cultural and historical collections of the UK. Features include: * Alphabetically listed entries, which are also indexed by subject for ease of reference * Entries include the name and address of the organization, telephone and fax numbers, email and internet addresses, a point of contact, times of opening and facilities for visitors * A breakdown of the collections held by each organization, giving a broad overview of the main collection as a whole * Details of special collections are provided and include the period covered as well as the number of items held.
An engaging guide to over 150 art museums and more throughout New England
Reflections: Contemporary Art of the Middle East and North Africa brings together an extraordinary collection of work from the British Museum for the first time. The contemporary art of the Middle East and North Africa is rich and vibrant. Whether living in their countries of birth or in diaspora, the featured artists are part of the globalised world of art. Here we see artists responding to and making work about their present, histories, traditions and cultures, reflecting on a part of the world that has experienced extraordinary change in living memory.The British Museum has been acquiring the work of Middle Eastern and North African artists since the 1980s, and the collection - principally works on paper - is one of the most extensive in the public sphere. Collected within the context of a museum of history, the works offer insights into the nature of civil societies, the complex politics of the region, and cultural traditions in their broadest sense, from the relationship with Islamic art, to the deep engagement with literature.The introduction to the book by curator Venetia Porter explores the history of the collection and the works included. The essential framework for understanding the politics and context within which the artists are working is provided by Charles Tripp's essay. The works are grouped into seven chapters, each beginning with a short introduction. The authors explore the selection within themes such as faith, abstraction and the female gaze.
"Lots of painters are obsessed with inventing something," American painter Joan Mitchell (1925-92) said in 1986. "When I was young, it never occurred to me to invent. All I wanted to do was paint." Throughout her life Mitchell remained committed to totally autonomous abstract painting, always driven by this fundamental love for the craft and technique of painting. In a career spanning more than four decades, Mitchell's painting style married the dynamic gesture of the Abstract Expressionists, her generational peers, to a keen sensitivity to natural phenomena such as light and water. Characterized by an intense color palette and fresh gestural energy, often applied on a very large scale, Mitchell's paintings both sensually seduce and intellectually stimulate viewers. Published to accompany a large-scale survey of Mitchell's painting, Joan Mitchell: Retrospective draws from Mitchell's entire oeuvre, from her early work of the 1950s to her late, multipart works painted in her last years. Both catalogue and exhibition insist on the importance of biography to any retrospective account of Mitchell's work, and a large part of the exhibition is dedicated to the first extensive public presentation of archival materials from the Joan Mitchell Foundation. Photographs, correspondence and ephemera from the archives are reproduced here, along with an illustrated timeline that relates Mitchell's life to her work. Born in Chicago in 1925, Joan Mitchell studied at Smith College before training at The Art Institute of Chicago. After a fellowship in Paris, Mitchell lived in New York, where she became part of the community of Abstract Expressionist painters. She spent increasing amounts of time in France, eventually moving to Paris in 1959, and remaining there until her death in 1992.
On the Origin of Species (or, more completely, On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life),[3] published on 24 November 1859, is a work of scientific literature by Charles Darwin which is considered to be the foundation of evolutionary biology.[4] Darwin's book introduced the scientific theory that populations evolve over the course of generations through a process of natural selection. It presented a body of evidence that the diversity of life arose by common descent through a branching pattern of evolution. Darwin included evidence that he had gathered on the Beagle expedition in the 1830s and his subsequent findings from research, correspondence, and experimentation.
Ishigami's design takes inspiration from roofs, the most common architectural feature used around the world.The design of the 2019 Serpentine Pavilion is made by arranging slates to create a single canopy roof that appears to emerge from the ground of the surrounding park.Within, the interior of the Pavilion is an enclosed cave-like space, a refuge for contemplation.For Ishigami, the Pavilion articulates his 'free space' philosophy in which he seeks harmony between man-made structures and those that already exist in nature.Serpentine Pavilion - 21 Jun 2019 to 6 Oct 2019
Revolusi! is the book accompanying the Rijksmuseum exhibition, in which the Indonesian struggle for independence is followed through the eyes of the people who were there. ‘Revolusi!’ explores the history of the Indonesian struggle for independence between 1945 and 1949. Central to this are the fighters, artists, diplomats, politicians, journalists, men, women and children who experienced the revolution first hand. Dutch and Indonesian authors show how the ideal of a free Indonesia was fervently pursued; how it was fought over, how negotiations took place, how propaganda was carried out and how the revolution changed people’s lives. In this way ‘Revolusi!’ presents a range of personal and collective experiences, told from multiple points of view: from Indonesian and Dutch perspectives as well as those of the groups and individuals in between, with an eye towards the international power arena. It is published in collaboration with the Rijksmuseum. The contemporary works of art, historical objects, propaganda posters, films, photographs and archival documents that accompany these stories testify to a turbulent past.
Based on original contributions by specialists, this manual covers both the theory and the practice required in the management of museums. It is intended for all museum and art gallery profession staff, and includes sections on new technology, marketing, volunteers and museum libraries.
The allure of Great Britain's natural beauty, famously refined culture, and storied history has long held sway over visitors. The country is the number one destination for Americans traveling to Europe. Annually, more than 4,000,000 tourists cross the Atlantic to enjoy the island's myriad charms, including the rolling moors of Devon and Yorkshire, some of the world's finest museums, dining, and theater in the fabled streets of London. Travelers are able to soak in the rich history and stunning scenery of Scotland's islands and highlands, as well as the stately aristocratic mansions and castles that dot the countryside. Illustrated with more than 150 vivid photographs and 30 detailed, full-color maps, National Geographic Traveler: Great Britain, 3rd Edition brings you everything you need to know to plan a trip to this most enticing of regions. Veteran travel author Christopher Somerville, a native Englishman, guides you shire by shire through the fascinating landscape that is 21st-century Britain, beginning with a detailed introduction to the island's history, food, land, and culture--factors that have clearly shaped the distinctive tongue-in-cheek character of the British people. The book provides an in-depth exploration of the area's individual regions, including the very distinct countries of Scotland and Wales, covering in detail every corner of this diverse and beguiling land. From venerable Westminster Abbey and the cutting edge art at the Tate Modern museum in London to Shakespeare's scenic hometown of Stratford-Upon-Avon to John Lennon's boyhood home in Liverpool, it's all here. In addition, special detailed features give comprehensive information on many diverse topics such as the relaxing parks of London, Wedgewood and the potteries, Thomas Hardy's Dorset, and golfing in Scotland. The book also offers seventeen guided walks and drives through many of Britain's most scenic and historic regions, including tours of the ancient cities of Oxford and Bath and drives around Snowdonia National Park in Wales and Wordsworth's beautiful Windermere in the hugely popular Lake District. A thorough Travelwise section provides recommendations for hotels and restaurants in all price ranges and in all areas. Whether you're birdwatching on the islands of Scotland's Inner Hebrides, visiting the famous and impressive Bronze-Age monument at Stonehenge, or gazing upon the famous portraits of storybook kings and queens in the National Portrait Gallery in London, National Geographic Traveler: Great Britain has every tool you need to make your trip a memorable one.