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Explores the place of rock and stone in human culture and history.
Placed in the context of twentieth-century moral disaster--war, genocide, the Holocaust, the atomic bomb--Forche's ambitious and compelling third collection of poems is a meditation of memory, specifically how memory survives the unimaginable. The poems reflect the effects of such experience: the lines, and often the images within them, are fragmented discordant. But read together, these lines become a haunting mosaic of grief, evoking the necessary accommodations human beings make to survive what is unsurvivable. As poets have always done, Forche attempts to give voice to the unutterable, using language to keep memory alive, relive history, and link the past with the future.
The story of our deep and multifaceted connections to geological matter—the very bedrock of our lives. From small beach pebbles to huge megaliths, stones have been revered, collected, enhanced, sculpted, or engraved for practical and artistic purposes throughout the ages. They have been used to delineate boundaries and to build homes and shelters and utilized for cooking, games, and competitions. This surprising and fascinating compendium of stone facts, myths, and stories reveals the impact and importance of stones in our history and culture. Cally Oldershaw introduces the science in an accessible way and covers the aesthetic appeal of stones, their practical uses, and metaphysical properties. With an eclectic mix of examples from the Stone Age to the present, Stones engagingly excavates the story of this essential matter.
Museum Matters tells the story of Mexico's national collections through the trajectories of its objects. The essays in this book show the many ways in which things matter and affect how Mexico imagines its past, present, and future.
These fourteen essays address controversies over a variety of cultural properties, exploring them from perspectives of law, archeology, physical anthropology, ethnobiology, ethnomusicology, history, and cultural and literary study. The book divides cultural property into three types: Tangible, unique property like the Parthenon marbles; intangible property such as folktales, music, and folk remedies; and communal "representations," which have lead groups to censor both outsiders and insiders as cultural traitors.
Museum of Stones reveals a possessive/obsessive world of a love that must be released. An exceptional child collects too many rocks, invents a garbage recycler that runs amok, does not “play well.” His mother takes their relationship to extremes, threatening her sanity and health, a wrenching yet often funny account.