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Contains the complete collection of 62 articles (without the photos) previously published by the author in the Sweetwater Reporter in Sweetwater, Texas, about the history of Nolan County, Texas, and the surrounding area. Includes an index and additional chronologies designed especially for researchers and family historians. Topics include: Women Airforce Service Pilots (WASP), Royal Air Force (RAF), Double Heart Ranch and Rodeo, Harley Sadler, Lew Jenkins, Elvis Presley, Sweetwater Fire Department, Law Enforcement Stories (Lawmen & Outlaws), Cowboys and Indians, Frank Hamer, Drive In Theaters, Pan Zareta (famous horse), Coca-Cola, Hospitals and Courthouses of Nolan County, Grogan Wells, Santa Fe Roundhouse, C-47 Airplane Crash, S. D. Myres, Salty Pups Football Team (Sweetwater Mustangs), Dorothy Scarborough (The Wind), Mulberry Mansion, and others.
True stories about the history of Nolan County, Texas, and the surrounding area. Topics include ambush of Frank Hamer, WASP (Women Airforce Service Pilots), Avenger Field, Artists of Nolan County, History of Funeral Industry in Roscoe, History of Coca-Cola in Sweetwater, History of Post Office in Sweetwater, Story of Sweetwater Marble and Granite Works, Description of Sweetwater, Texas in the Year 1900, and others.
For lovers of vintage clothing, British supermodel and vintage fashion muse Kate Moss unveils a personally curated selection of her favorite couture and costume pieces from the Museo de la Moda, the world-class fashion museum in Santiago, Chile. International fashion icon Kate Moss and the premier South American fashion museum Museo de la Moda meet in this undeniably stylish volume that celebrates iconic vintage fashion moments throughout history. The Museo de la Moda, founded in 1999, opened in 2007, and directed by Chile's first textile industry scion Jorge Yarur Bascuñán, is one of the world's most important but least-known museums of its kind, housing exquisite garments from nineteenth-century Dolman shawls to twenty-first-century sequin dresses by Balmain. Edited by Kate Moss with text contributions from fashion curator Lydia Kamitsis, this volume features a stylish selection of one hundred archival pieces from the museum, each charting different fashion trends that have inspired Moss's personal sartorial style. Organized by fashion theme, from 1920s opera coats to 1960s Swinging London designs, but also including iconic pieces of pop culture, such as Marilyn Monroe's black dresses and Jimi Hendrix's Indian tunics, each chapter showcases new images of the museum garments as selected by Moss, accompanied by interesting anecdotes and street-style photography documenting Moss wearing that particular fashion trend. This is a chic volume that will appeal to Moss's global following and readers passionate about style, fashion history, design, and culture.
Storytelling Exhibitions describes the role and practice of modern 'spatial storytellers' and looks at the potential of exhibitions to shape our understanding of the world. It explains how curators, designers, artists and scientists combine to tell powerful stories through exhibition design. Exhibition designer and educator Philip Hughes shows how contemporary tools and technologies - digital reconstruction, 3D scanning and digital archives – interweave with traditional forms of informing, displaying and promoting to create powerful narrative spaces. Whether telling stories of politics, trends, society, war, science or history, Storytelling Exhibitions provides inspiration and guidance on designing installations which change the way we think. Examples included from: Te Papa, Wellington, New Zealand National Museum of African American History and Culture, Washington, USA Weltmuseum Wien, Austria Santa Cruz Museum of Art and History, US Lascaux: Centre International de l'Art Pariétal in Montignac, France Stapferhaus, Lenzburg, Switizerland Micropia, Amsterdam, Netherlands ...and many more
"Engrossing ... The book reads like a detective story."―The Washington Post It all started with a list of paintings. There, scribbled by a cousin she hadn't seen for years, were the names of the masters whose works once belonged to her great-grandfather, Jules Strauss: Renoir, Monet, Degas, Tiepolo, and more. Pauline Baer de Perignon knew little to nothing about Strauss, or about his vanished, precious art collection. But the list drove her on a frenzied trail of research in the archives of the Louvre and the Dresden museums, through Gestapo records, and to consult with Nobel laureate Patrick Modiano. What happened in 1942? And what became of the collection after Nazis seized her great-grandparents’ elegant Parisian apartment? The quest takes Pauline Baer de Perignon from the Occupation of France to the present day as she breaks the silence around the wrenching experiences her family never fully transmitted, and asks what art itself is capable of conveying over time.
This practical and inspirational resource offers a wide range of information about museum-based art therapy and wellness programming in various museums. Featuring contributions from art therapists and access professionals from various museum-based wellness programs, the book describes museum-based art therapy, education, access, and inclusion to enlarge the scope of professional development and higher education training in art therapy and its relation to museum studies. Chapter examples of successful museum art therapy and wellness initiatives increase awareness about the role of art therapy in museums and the role of museums in building healthy societies and improving lives. The text also contributes to the field of art therapy by deconstructing traditional narratives about therapy being conceived only as a clinical treatment, and by introducing arts-based approaches and strategies in museums as expanding territories for being proactive in community health and wellness. Museum-based Art Therapy is a valuable guide for art students who are interested in working in museum education, access and disabilities, or museum studies, and graduates and professionals working across the disciplines of museums, art therapy, and disability studies.
A fine artist for over fifty years, Ruthie Windsor-Mann muses on four overlapping reflections of painting. The book goes through the painting process, from commencing to completion. She offers her opinions on art interpretation, museum visits, developing the eye, and the aging artist. She peppers the book with anecdotes of her experiences of being chased by the police in Hungary and spotting a fire in England.