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In Museum Metamorphosis, over forty cultural innovators and changemakers in contemporary art share strategies for building sociocultural relevancy and responsiveness in museums. Representing diverse perspectives from across the entire arts and culture ecosystem, the book offers tools to reshape museums into collaborative platforms for collective impact and social change. Part One features seven roundtables in which practitioners discuss best practices for dismantling barriers to entry and building reciprocal, sustained engagement with diverse constituencies. Part Two documents four case studies in structured collaboration, prompting museums to invest in both hyperlocal relationships and cross-sector partnerships. And Part Three features four interviews with thought leaders who discuss how to shift equity from a measure of compliance to a vital daily practice of organizational accountability and sustainability. Compiled during a moment of heightened social action, cultural transformation, and institutional critique, Museum Metamorphosis considers and responds to the following prompts: how will museums learn to embrace real-time change and adapt to meet the evolving needs of a rapidly shifting sociopolitical landscape? How can this metamorphosis open new pathways for engagement and encourage museums to meet more audiences where they are? And, how might reconstituting the essential DNA of the museum recalibrate the power dynamics between communities and institutions, producing a sustainable model for engaged cultural citizenship? In addressing these questions,Museum Metamorphosislooks to innovation transpiring beyond the museum echo chamber and lays bare both the opportunities and challenges of adopting new ways of working. It dares readers to identify their respective position within the social change ecosystem, and empowers them with tools to reorient their work towards cultural equity and social justice.
The Italian Metamorphosis, 1943-1968 is the first book to bring together all aspects of Italian visual culture from this fascinating period. Through seventeen scholarly essays and hundreds of lavish full-color and duotone reproductions, this volume captures the era's greatest achievements in the fields of painting, sculpture, artists' crafts, literature, photography, cinema, fashion, architecture, and design.
Organizations in the creative and cultural sector are experiencing transformational change. This book offers a new way of exploring the transformational processes that these organizations are going through, by focusing on their organizational space. By bringing together theoretical and empirical contributions from international scholars belonging to different fields of research, such as management, entrepreneurship, sociology, philosophy and anthropology, this volume seeks to provide readers with a multifaceted, comprehensive understanding of the changes that creative and cultural organizations are facing. By exploring them from an original perspective – the spatial one – this volume provides the foundations for developing a coherent research debate on the spatial dimension of creative and cultural organizations, leading to a new research agenda. This book contributes to our understanding of the ‘space’ of the creative and cultural industries and will be a useful reading for scholars involved in arts and cultural management in particular, as well as the social and human sciences more broadly. This book will inspire and inform researchers and managers who look with curiosity at the changes taking place in the creative and cultural sectors.
"This book taps the vein of the blending of theology and art in the Middle Ages, in particular, the evolution of the imagery and theology surrounding the Transfiguration Of Christ. In this well-researched volume, Andreas Andreopoulos discusses in detail every philosophical and ritual application of the Transfiguration icon - the mountain, the cloud, the mandorla, the positioning of the apostles, the Old Testament prophets, and the image of Christ himself - taking the reader through an illustrated historical journey. The author simplifies the complex relationship between the dogma of the church fathers and Byzantine art and makes it understandable to a non-specialist audience. Nevertheless, theologians, historians, and art historians alike will appreciate the interdisciplinary value of this clearly presented documentation. Andreopoulos's expert use of patristic texts and Jewish sources, as well as the New Testament and apocryphal writings and pagan sources, elucidates the development of art and doctrine that surround this scriptural epiphany."--BOOK JACKET.
A close look at the work of innovative artist and architect Tobias Klein. Contemporary German architect Tobias Klein often explores applications of 3D printing in architecture, art, design, and interactive media installations in his work in order to create a fusion of contemporary computer-aided design and manufacturing technologies built from natural materials, found objects, and cultural-historical references. Through his work, Klein has developed the emerging discipline of Digital Craftsmanship as an operational synthesis between digital and physical tools and techniques. This publication traces Klein's work over the past decade, as each chapter unravels the relationship and evolution of the artist's body of work.
This is a full-size facsimile of the magnum opus of Maria Sibylla Merian, a significant contributor to the field of entomology because of her careful observations and documentation of the metamorphosis of the butterfly. Merian, a German naturalist and scientific illustrator, was one of the foremost female scientists of the 17th century. In 1705, she published Metamorphosis Insectorum Surinamensium, for which she became famous. No more than 30 copies of this masterwork are left worldwide.
DIVProminent art historian looks at the birth of the art museum and contemplates its future as a public institution./div