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Fernand Leger (1881-1955) is the only modern artist to choose modernity itself as his subject. From his early series Contrastes de formes (1913-14), the first fully abstract works to emerge from Cubism, through his last realistic paintings of construction workers from the early 1950s, Leger's lifelong subject was the pulse and dynamism of contemporary life.
Includes entries for maps and atlases.
"More than one hundred color plates, accompanied by reactions and comments from critics and contemporaries, record the career of the French sculptor, cut-out artist, and painter of exotic, brightly colored nudes." -- Amazon
Published in 2017 in Great Britain by National Portrait Gallery Publications, London.
In 1916 a meeting of artists, writers, émigrés and opposition figures took place in the Cabaret Voltaire in Zurich. Under the shadow of the First World War, this was the starting point for the dissemination of the artistic and literary style known as Dadaism.
In 1930, aged 60, Henri Matisse travelled to Tahiti on a steamer from San Francisco. The trip had a profound and lasting influence on his work, particularly the late gouache cut-outs; this book gives the reader an intensely personal insight into the mind of Matisse in Tahiti.
Between March and October of 1968 Picasso produced 347 etchings in varying sizes and techniques. Uncharacteristically, he did very little drawing and almost no painting during that year. He abandoned sculpture altogether. Instead he turened his gaze almost entirely in the direction of the etchings. His concentration on them to the exclusion of other media marks Suite 347 as a particularly condensed site for the construction of meaning. One of the aims of this book is to establish how and under what conditions he contructed that meaning.
Explores how one group of Latin American artists express their relationship to American art, history and culture.