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This is a book of poetry about much loved cats; their individual photographs included. From tiger tabbies and tortoiseshells, to red tabbies, Orientals, little black cats, Persians, a Blue Cream Shorthair Persian, a Norwegian Forest Cat, a Himalayan and others. All are precious and have their individual personalities that enrichen our lives so much.
Ruby-Jane Ryan is a hardworking freelance journalist in Christchurch, New Zealand, who is widely traveled in her profession. She has friends who are prone to gossip, and though Ruby-Jane is fond of them, they also annoy the heck out of her. One of them is constantly trying to woo her into ascending new heights with him, preferably in his spa pool. Another stretches their friendship with his complaints as well as his problems with various unsuitable women he finds online. She finally gets moral support and love from a gorgeous Irish occupational therapist she meets during the course of her work. Ruby-Jane’s additional work as an advice columnist written by “Agony Aunt” is kept secret from her gossipy friends. It’s through her column that she’s able to exact a form of revenge on her persistently annoying pals. After all, why should she take advice when she’s the one dishing it out?
The very learned, intuitive and crafty Dr Ulan Kavoski and his dodgy friends Grannie O’Shaunessy and Jock McFadden continue their humorous story in this second book set in the beginning of the new millennium. They are three very unlikely friends and as part of their modus operandi with others, that interaction is either for good, or more likely for bad...
Ruby-Jane Ryan is a hardworking and widely travelled freelance journalist in Christchurch, New Zealand. She has friends who are prone to gossip and although Ruby-Jane is fond of them, they also annoy the heck out of her. One of them is constantly trying to woo her, without success, into ascending new spiritual heights with him, preferably in his spa pool. Another stretches their friendship with his complaints as well as his problems with various women he discovers on dating dates online. Additional work for Ruby-Jane is as an advice columnist, written by an 'agony aunt' and who is kept secret from her gossipy friends. It's through her column that she's able to exact a form of revenge on her persistently annoying pals who write to her column, not knowing she is, in fact, 'Aunty Jane'. For relaxation and a good laugh, Ruby-Jane loves to watch old movies, amusing documentaries and old, cheesy ads on TV...
Does your pampered Persian princess have a talent for interior design? Does your dapper tabby harbor the soul of an opera diva? Or is your sleek Siamese with the selective palate a restaurant critic in the making? Cat career coach Ann Dziemianowicz helps our furry companions navigate the increasingly high-stakes feline job market and streamlines the kitty job-search process by giving cats the tools they need to identify skill sets and make sound employment decisions. The convenient, completely private in-home Meowers-Briggs Career/Personality Test is a unique self-assessment tool that establishes your cat’s “type”—outgoing or reserved? self-effacing or self-confident? witty or witless? Dziemianowicz then profiles thirty-four thoughtfully selected career matches. Finally, it’s time for cats realize their full potential and go to work so you can sit back, relax, and take a well-earned cat nap.
From ancient Egypt to the modern day, cats have been one of the most beloved pets. In fact, images of cats appear extensively in medieval manuscripts, where they are depicted as pets and mousers, appear in bestiaries and marginalia, and are even depicted in religious iconography. This delightful and informative gift book presents a wealth of cat imagery from a variety of medieval sources and is peppered with fascinating facts about the medieval view of cats and many stories of people and their pets in the Middle Ages. Among the amusing anecdotes are tales of cats having free rein of dining halls, prompting books of manners to admonish owners for petting cats while they sat on the dining table; instructions to anchoresses to not keep any animal as a pet except a cat; and examples of leases that also specify the number and age of a home's feline inhabitants. Sure to charm cat lovers and medievalists alike, Medieval Cats is a whimsical compendium of illustrations and tales.
Superstitions are commonplace in the modern world. Mostly, however, they evoke innocuous images of people reading their horoscopes or avoiding black cats. Certain religious practices might also come to mind—praying to St. Christopher or lighting candles for the dead. Benign as they might seem today, such practices were not always perceived that way. In medieval Europe superstitions were considered serious offenses, violations of essential precepts of Christian doctrine or immutable natural laws. But how and why did this come to be? In Fearful Spirits, Reasoned Follies, Michael D. Bailey explores the thorny concept of superstition as it was understood and debated in the Middle Ages. Bailey begins by tracing Christian thinking about superstition from the patristic period through the early and high Middle Ages. He then turns to the later Middle Ages, a period that witnessed an outpouring of writings devoted to superstition—tracts and treatises with titles such as De superstitionibus and Contra vitia superstitionum. Most were written by theologians and other academics based in Europe’s universities and courts, men who were increasingly anxious about the proliferation of suspect beliefs and practices, from elite ritual magic to common healing charms, from astrological divination to the observance of signs and omens. As Bailey shows, however, authorities were far more sophisticated in their reasoning than one might suspect, using accusations of superstition in a calculated way to control the boundaries of legitimate religion and acceptable science. This in turn would lay the conceptual groundwork for future discussions of religion, science, and magic in the early modern world. Indeed, by revealing the extent to which early modern thinkers took up old questions about the operation of natural properties and forces using the vocabulary of science rather than of belief, Bailey exposes the powerful but in many ways false dichotomy between the "superstitious" Middle Ages and "rational" European modernity.
A “fun, fanciful, and even informative” history of felines as revealed by a very learned tabby with a knack for hunting down facts (People). Since the dawn of civilization, felines have prowled alongside mankind as they expanded their territory and spread the myth of human greatness. And today, cats are peddled on social media as silly creatures here to amuse humans with their antics. But this is an absurd, self-centered fantasy. The true history of felines is one of heroism, love, tragedy, sacrifice, and gravitas. Not entirely convinced? Well, get ready, because Baba the Cat is here to set the record straight. Spanning almost every continent and thousands—yes, thousands—of years, Baba’s complex story of feline survival presents readers with a diverse cast of cats long forgotten: from her prehistoric feline ancestors and the ancient Egyptian cat goddess Bastet to the daring mariners at the height of oceanic discovery, key intellectuals in the Enlightenment period, revered heroes from World Wars I and II, and the infamous American tabbies. Baba, a talented model in addition to a scholar, goes beyond surface-level scratches, pairing her freshly unearthed research with a series of stunning costume portraits to bring history to life. A paws-on journey through the feline hall of fame, with in-depth research and four-legged testaments that will make you rethink who defines history, A Cat’s Tale is a one-of-a-kind chronicle that introduces readers to the illustrious ancestors of their closest companions and shows, once and for all, that cats know exactly what they’re doing. “Almost certainly the most unique cat history book ever published.” —Smithsonian Magazine
Julie de Lespinasse was a French salon holder and letter writer. She held a prominent salon in Paris during the Enlightenment. She is best-known today, however, for her letters, first published in 1809, which offer compelling accounts of two tragic love affairs.
In this provocative revisionist work, Evonne Levy brings fresh theoretical perspectives to the study of the "propagandistic" art and architecture of the Jesuit order as exemplified by its late Baroque Roman church interiors. The first extensive analysis of the aims, mechanisms, and effects of Jesuit art and architecture, this original and sophisticated study also evaluates how the term "propaganda" functions in art history, distinguishes it from rhetoric, and proposes a precise use of the term for the visual arts for the first time. Levy begins by looking at Nazi architecture as a gateway to the emotional and ethical issues raised by the term "propaganda." Jesuit art once stirred similar passions, as she shows in a discussion of the controversial nineteenth-century rubric the "Jesuit Style." She then considers three central aspects of Jesuit art as essential components of propaganda: authorship, message, and diffusion. Levy tests her theoretical formulations against a broad range of documents and works of art, including the Chapel of St. Ignatius and other major works in Rome by Andrea Pozzo as well as chapels in Central Europe and Poland. Innovative in bringing a broad range of social and critical theory to bear on Baroque art and architecture in Europe and beyond, Levy’s work highlights the subject-forming capacity of early modern Catholic art and architecture while establishing "propaganda" as a productive term for art history.