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For the first time, the history of Southern Gospel has been compiled in an encyclopedia format. This book covers everything from little known trivia to detailed biographies about the most influential characters who shaped the Southern Gospel landscape.
The first comprehensive overview of contemporary inspirational music, covering its historical roots and dramatic growth into one of America's most vital music genres. The Encyclopedia of Contemporary Christian Music: Pop, Rock, and Worship is the first comprehensive reference work on a form of American music that is far more popular than nonfans may realize. It fills a major gap in the literature on American music and Christian culture, looking at this increasingly popular genre in the context of the overall history of religious music in the United States. With over 200 entries, The Encyclopedia of Contemporary Christian Music covers important performers and industry figures, songs and albums, concerts and festivals, the rise of Christian radio and television, and other issues related to the growth of inspirational music. Scholars and fans alike will find a wealth of revealing information and insightful coverage illustrating the influence of gospel on modern American music with musicians such as Elvis, Sam Cooke, Johnny Cash, Bob Dylan, and U2.The work also examines the use of fundamental rock, pop, and rap music templates in the service of songs of faith.
In The Gaithers and Southern Gospel, Ryan P. Harper examines songwriters Bill and Gloria Gaither's Homecoming video and concert series--a gospel music franchise that, since its beginning in 1991, has outperformed all Christian and much secular popular music on the American music market. The Homecomings represent "southern gospel." Typically that means a musical style popular among white evangelical Christians in the American South and Midwest, and it sometimes overlaps in style, theme, and audience with country music. The Homecomings' nostalgic orientation--their celebration of "traditional" kinds of American Christian life--harmonize well with southern gospel music, past and present. But amidst the backward gazes, the Homecomings also portend and manifest change. The Gaithers' deliberate racial integration of their stages, their careful articulation of a relatively inclusive evangelical theology, and their experiments with an array of musical forms demonstrate that the Homecoming is neither simplistically nostalgic, nor solely "southern." Harper reveals how the Gaithers negotiate a tension between traditional and changing community norms as they seek simultaneously to maintain and expand their audience as well as to initiate and respond to shifts within their fan base. Pulling from his field work at Homecoming concerts, behind the scenes with the Gaithers, and with numerous Homecoming fans, Harper reveals the Homecoming world to be a dynamic, complicated constellation in the formation of American religious identity.
The wait is over! And it was worth the wait. William Lee Golden finally tells all! William's new autobiography "Behind the Beard" is an amusing, poignant and brutally honest memoir. "When you write your life story, and you decide to bare everything, it's kind of scary. It feels a lot like getting naked ... in front of the entire world. Now that I've committed to it, there is one thing going through my mind...if I was going to get naked in front of everyone, I probably shouldn't have waited until I was 82 years old!" - William Lee Golden. This deluxe, hard cover book includes over 200 rare, never-before-seen photos from William's personal collection! Told in William's own words, "Behind the Beard" includes: William's memories of his childhood and teenage years; and how he went from the cotton fields of Alabama to singing on stage with his favorite musical group. William's vision of turning a gospel group into one of the biggest acts in country music history. His first wife's one-of-kind reaction when she learned he had been unfaithful. William's stories of 50 years on the road with the Oak Ridge Boys. The real reason he was away from the group for 9 years. How he made his "Prodigal Son" return to the Oaks. What the future holds for William Lee and the Oak Ridge Boys.
In this ambitious book on southern gospel music, Douglas Harrison reexamines the music's historical emergence and its function as a modern cultural phenomenon. Rather than a single rhetoric focusing on the afterlife as compensation for worldly sacrifice, Harrison presents southern gospel as a network of interconnected messages that evangelical Christians use to make individual sense of both Protestant theological doctrines and their own lived experiences. Harrison explores how listeners and consumers of southern gospel integrate its lyrics and music into their own religious experience, building up individual--and potentially subversive--meanings beneath a surface of evangelical consensus. Reassessing the contributions of such figures as Aldine Kieffer, James D. Vaughan, and Bill and Gloria Gaither, Then Sings My Soul traces an alternative history of southern gospel in the twentieth century, one that emphasizes the music's interaction with broader shifts in American life beyond the narrow confines of southern gospel's borders. His discussion includes the "gay-gospel paradox"--the experience of non-heterosexuals in gospel music--as a cipher for fundamentalism's conflict with the postmodern world.
Covering the grown of twentieth-century American popular music, this work explores the question of why some music styles attain mass popularity while others thrive in small niches.
Historically the state of Ohio has maintained an active role in the promotion of southern gospel music. Many gospel artists, including some of the Nation’s finest, were either born, or lived a portion of their life, in Ohio. Development of these ministries and the events that have taken place along the way has become a valuable part of Ohio’s history. Over the past two years, desiring to preserve a portion of this history, I have completed extensive research interviewing gospel artists throughout the state. I then compiled this information into a unique collection of history to be shared with everyone. To help the reader more fully appreciate “life on the road” the stories of these gospel artists are presented within the context of eight road tours covering the entire state of Ohio. Travelling along on each tour we will experience a variety of emotions from laughter to frustration. At each stop we will learn some fascinating facts about the town and while in town we’ll stop by and visit with a few of those southern gospel artists and/or groups who claim the town as part of their heritage. Each tour will end with a short walk down memory lane as we view photos of those gospel artists whom we have just visited. So come on! Open the book, climb on board and prepare yourself for eight exciting tours across the great state of Ohio where we’ll meet some truly inspiring people. Hope you enjoy the book!
Folk art is one of the American South's most significant areas of creative achievement, and this comprehensive yet accessible reference details that achievement from the sixteenth century through the present. This volume of The New Encyclopedia of Southern Culture explores the many forms of aesthetic expression that have characterized southern folk art, including the work of self-taught artists, as well as the South's complex relationship to national patterns of folk art collecting. Fifty-two thematic essays examine subjects ranging from colonial portraiture, Moravian material culture, and southern folk pottery to the South's rich quilt-making traditions, memory painting, and African American vernacular art, and 211 topical essays include profiles of major folk and self-taught artists in the region.
Ed O'Neal has owned, managed, and sung bass for the legendary Dixie Melody Boys for more than 55 years. Many of Southern Gospel's best recognized singers of today developed their craft as members of the Dixie Melody Boys under Ed O'Neal's tutelage. Now at the age of 84 years, Ed O'Neal tells the story of his life in his own words. Discover where he grew up, attended school, and met his wife of 60 years. Read all about the trendsetting DMB Band, his various business ventures, and the cast of characters who passed through the group to become alumni of Ed O'Neal University. Finally, enjoy more than 50 pages of Ed's famous stories. No one in the music business can tell a funny road story quite like Ed O'Neal!
The Moravian Brethren are one of the most notable of the pietistic sects to emerge from the Protestant Reformation. Mrs. Fries here documents the brief history of the Moravian community in Georgia, commencing with an overview of the sect and continuing through the negotiations between Brethren leader August Spangenburg and Georgia founder General James Oglethorpe, establishment of the Brethren community in Savannah, missionary work among the Creeks, and the departure of the Moravians for England, Pennsylvania, and other locations. Genealogists will find numerous references to transfers of land involving the Moravians, settlement maps, passenger lists of Moravian arrivals, a brief list of Moravian deaths in Georgia, and a name index to the persons mentioned in the text.