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In this book, Helmut Jahn is revealed as an architect committed to exploring the material and perceptual possibilities of creating architecture in a new millennium, one with 'a simplicity of form and construction and a clear expression of its component p
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James Murphy is a Marine Corps sniper. He’s done two tours in Afghanistan. He’s considered an American Hero. And James is out for revenge. Alejandro Rocha, a massively powerful drug kingpin who operates out of La Paz, Mexico, is responsible for James’s sister, Layla’s death, and he intends to make Rocha pay for it. James goes AWOL from his unit and travels to Mexico, ready to enact bloody vengeance, but before he can go through with his plan, he is arrested by the crooked police of La Paz. He’s quickly thrown into a dangerous prison on trumped-up charges. He knows he is marked for death while in this prison and there’s nothing he can do about it. However, there is a group of people who can do something about it. Discovering that James is wasting away in a Mexican prison, the marines in his unit decide to risk court-martial themselves and go AWOL as well, ready to go to war in order to break their brother out. And that’s just the beginning of the mayhem and violence.
In 'Great Glass Buildings", Peter and Jennifer Hyatt present fifty exemplary modern projects that explore a number of theories about the nature, mystique and attraction of glass in the architecture of recent years. Variously performing roles that include giftwrap, lightweight armour, transmitter and insulator, glass began its re-emergence as an architectural force during the 1990s, as a symbol of new modernism. Advances in glass-making and construction technology and the advent of structural glazing, fixing systems, glass coatings and waterproof connections have transformed the ambitious dreams of the past into reality. Including projects by Foster and Partners, Murphy Jahn, Santiago Calatrava, Shigeru Ban, Renzo Piano and many others, this book reveals the complex nature of glass in today's architecture. SELLING POINTS: - The latest in Images Designing With/For Series - A unique focus on the work of renowned contemporary architects from around the world showcasing their projects designed with glass Exceptional full-colour photographs
An "anatomical" study of building systems integration with guidelines for practical applications Through a systems approach to buildings, Integrated Buildings: The Systems Basis of Architecture details the practice of integration to bridge the gap between the design intentions and technical demands of building projects. Analytic methods are introduced that illustrate the value, benefit, and application of systems integration, as well as guidelines for selecting technical systems in the conceptual, schematic, and design development stages of projects. Landmark structures such as Eero Saarinen's John Deere Headquarters, Renzo Piano's Kansai International Airport, Glenn Murcutt's Magney House, and Richard Rogers's Lloyd's of London headquarters are presented as part of an extensive collection of case studies organized into seven categories: Laboratories Offices Pavilions Green Architecture High Tech Architecture Airport Terminals Residential Architecture Advanced material is provided on methods of integration, including an overview of integration topics, the systems basis of architecture, and the integration potential of various building systems. An expanded case study of Ibsen Nelsen's design for the Pacific Museum of Flight is used to demonstrate case study methods for tracing integration through any work of architecture. Visually enhanced with more than 300 illustrations, diagrams, and photographs, Integrated Buildings: The Systems Basis of Architecture is a valuable reference guide for architecture and civil engineering students, as well as architects, engineers, and other professionals in the construction industry.
Many books have been written about the University of Chicago over its 120-year history, but most of them focus on the intellectual environment, favoring its great thinkers and their many breakthroughs. Yet for the students and scholars who live and work here, the physical university—its stately buildings and beautiful grounds—forms an important part of its character. Building Ideas: An Architectural Guide to the University of Chicago explores the environment that has supported more than a century of exceptional thinkers. This photographic guide traces the evolution of campus architecture from the university’s founding in 1890 to its plans for the twenty-first century. When William Rainey Harper, the university’s first president, and the trustees decided to build a set of Gothic quadrangles, they created a visual link to European precursors and made a bold statement about the future of higher education in the United States. Since then the university has regularly commissioned forward-thinking architects to design buildings that expand—or explode—traditional ideals while redefining the contemporary campus. Full of panoramic photographs and exquisite details, Building Ideas features the work of architects such as Frank Lloyd Wright, Henry Ives Cobb, Holabird & Roche, Eero Saarinen, Ludwig Mies van der Rohe, Walter Netsch, Ricardo Legorreta, Rafael Viñoly, César Pelli, Helmut Jahn, and Tod Williams Billie Tsien Architects. The guide also includes guest commentaries by prominent architects and other notable public figures. It is the perfect collection for Chicago alumni and students, Hyde Park residents and visitors, and anyone inspired by the institutional ideas and aspirations of architecture.
When Robert G. Jahn and Brenda J. Dunne first embarked on their exotic scholarly journey more than three decades ago, their aspirations were little higher than to attempt replication of some previously asserted anomalous results that might conceivably impact future engineering practice, either negatively or positively, and to pursue those ramifications to some appropriate extent. But as they followed that tortuous research path deeper into its metaphysical forest, it became clear that far more fundamental epistemological issues were at stake, and far stranger phenomenological creatures were on the prowl, than they had originally envisaged, and that a substantially broader range of intellectual and cultural perspectives would be required to pursue that trek productively. This text is their attempt to record some of the tactics developed, experiences encountered, and understanding acquired on this mist-shrouded exploration, in the hope that their preservation in this format will encourage and enable deeper future scholarly penetrations into the ultimate Source of Reality.
- Introduction is by Helmut Jahn, FAIA, who has known Hovey since 1974. Jahn's building have been described as having had a 'staggering' influence on architecture - Essays by Cheryl Kent and Alex Marshall examine respectively the architectural achievement, and secondly, trace Hovey's life and describe how he successfully combined the roles of architect and developer - A beautiful collector's edition, this book also covers Hovey's work as an abstract sculptor, whose monumental work is installed at some of the multifamily projects examined in this book - A serious art collector of mostly 20th-century art, Hovey's acquisitions are detailed in an illustrated catalog at the end of the bookThis beautifully illustrated monograph chronicles the architecture of David C. Hovey, FAIA, and his influence on the discipline, as well as the story of his life and career. David Hovey founded Optima in 1978, with the goal of reinventing multifamily housing by combining development and design in a single company. Over the forty-plus years the company has existed, Hovey has built nearly 6,000 residential units. In the process, he has elevated the design of a building type that has, with a few exceptions, been left to developers to produce indifferent work. He challenges the market with something better, something worthy of enfolding families and individuals. Hovey is a modernist, steadfast in his belief in the future, in technology, in material honesty, in structural expression, and in architecture's ability to improve the lives of people. His work has captured attention, winning critical acclaim as well as many national and regional awards for architecture. The dozen representative projects in this book range from single-family homes to towers and from the company's early years to the present. Also showcased is Hovey's work as an abstract sculptor, whose monumental work is installed at some of the multifamily projects examined here. A serious art collector of mostly twentieth-century art, Hovey's acquisitions are detailed in an illustrated catalog at the end of the book.
Throughout the 20th century and into the 21st, the emergence of airports as gateways for their cities has turned into one of the most important architectural undertakings. Ever since the first manned flight by the Brothers Orville and Wilbur Wright on December 17th 1903, utilitarian sheds next to landing strips on cow pastures evolved into a completely new building type over the next few decades – into places of Modernism as envisioned by Le Corbusier and Frank Lloyd Wright (who themselves never built an airport), to eventually turn into icons of cultural identity, progress and prosperity. Many of these airports have become architectural branding devices of their respective cities, regions and countries, created by some of the most notable contemporary architects. This interdisciplinary cultural study deals with the historical formation and transformation of the architectural typology of airports under the aspect of spatial theories. This includes the shift from early spaces of transportation such as train stations, the synesthetic effect of travel and mobility and the effects of material innovations on the development, occupation and use of such spaces. The changing uses from mere utilitarian transportation spaces to ones centered on the spectacular culture of late capitalism, consumption and identity formation in a rapidly changing global culture are analyzed with examples both from architectural and philosophical points of view. The future of airport architecture and design very much looks like the original idea of the Crystal Palace and Parisian Arcades: to provide a stage for consumption, social theatre and art exhibition.