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Sensational rumours of the murder of three small children by their stepmother ignite the passions of Perth citizens in 1909. Shocked by horrific descriptions of how she poisoned the children, they demand her execution as one voice. But did she do it? Or was she a victim of the prejudices of her persecutors? Based on a true story and meticulously researched, this compelling novel is driven by passion, imagination and an eerie conjuring up of the past.
In August 1925, Audrey Jacob shot dead her former fiancÉ, Cyril Gidley, in full view of hundreds of guests at a charity ball in Perth's Government House. When she was arrested, she still held the gun in her hand. It was a open and shut case of wilful murder—that is until Jacob assigned prosecutor Arthur Haynes to her defence. His ability to play the press and the jury for sympathy would lead to a sensational result. Not only did Jacob escape the gallows, she was found not guilty of Gidley's murder. Straw, the author of a number of books about notable Australian female criminals, tells a story that is rich with first-hand newspaper accounts from the day.
Inspired by the website that the New York Times hailed as "redefining mourning," this book is a fresh and irreverent examination into navigating grief and resilience in the age of social media, offering comfort and community for coping with the mess of loss through candid original essays from a variety of voices, accompanied by gorgeous two-color illustrations and wry infographics. At a time when we mourn public figures and national tragedies with hashtags, where intimate posts about loss go viral and we receive automated birthday reminders for dead friends, it’s clear we are navigating new terrain without a road map. Let’s face it: most of us have always had a difficult time talking about death and sharing our grief. We’re awkward and uncertain; we avoid, ignore, or even deny feelings of sadness; we offer platitudes; we send sympathy bouquets whittled out of fruit. Enter Rebecca Soffer and Gabrielle Birkner, who can help us do better. Each having lost parents as young adults, they co-founded Modern Loss, responding to a need to change the dialogue around the messy experience of grief. Now, in this wise and often funny book, they offer the insights of the Modern Loss community to help us cry, laugh, grieve, identify, and—above all—empathize. Soffer and Birkner, along with forty guest contributors including Lucy Kalanithi, singer Amanda Palmer, and CNN’s Brian Stelter, reveal their own stories on a wide range of topics including triggers, sex, secrets, and inheritance. Accompanied by beautiful hand-drawn illustrations and witty "how to" cartoons, each contribution provides a unique perspective on loss as well as a remarkable life-affirming message. Brutally honest and inspiring, Modern Loss invites us to talk intimately and humorously about grief, helping us confront the humanity (and mortality) we all share. Beginners welcome.
This critique explodes the stereotypical assumption that men are more prone than women to aggression A cogent and holistic assessment of the theoretical positions and research concerning female aggression Examines the treatment, punishment and community response to female aggressive behavior Examines topics including sexual power, serial murder and the evolution of gendered aggression Treats female aggression in its own right rather than as a counterpart to male violence
Analysis of the assimilation issues and race relations in five novels from the 1950s and 1960s and three non-fiction and texts that were produced in academic and government circles regarding the 'half caste problem' in the 1930s and 1940s; includes overview of assimilation in Australia and definitions of assimilation; management of race relations in Australia; eugenic politics; Aboriginality; 1937 Aboriginal welfare conference; Citizenship for the Aborigines (1944); Australia's Colours Minority: Its place in the community (1947).
_______________ 'This intricately structured, brilliantly observed modern take on a family saga is both passionate and moving and the prose snaps, crackles and pops with gorgeous detail' - Lesley Glaister 'Vividly and intensely written' - Jane Rogers, author of Mr Wroe's Virgins 'Pure pleasure to read' - Kathy Page, author of The Story of My Face 'A sharp exposé of the devastating effects of the taboos that govern motherhood ... This story is fresh, vivid - and startlingly contemporary' - Alison MacLeod, author of The Changeling _______________ A haunting, lyrical story of love, betrayal, and family secrets buried in the shifting landscape of memory It is 1958 and the Sputnik satellite has taken a dog up into space; back on earth, five-year-old Andy has a new sister, Elaine - a baby who, his father insists, is 'not quite all there'. While his parents argue over whether or not to send Elaine away, Andy sleeps beside her cot each night, keeping guard and watching as his mother - once an ambitious, energetic nurse - twists away into her private, suffocating sadness. Knots keep treasures safe, Andy's rope-maker grandfather tells him, and, as he listens to stories of the great Harry Houdini, Andy learns the Carrick Bend, the Midshipman's Hitch and the Monkey's Fist. Then a young painter, hired to decorate the family's house, seems to call Andy's mother back from the grief in which she is lost. But one day, at The Siding - the old railway carriage that serves as the family's seaside retreat - Andy is left in charge of his baby sister on a wind-chopped beach, where he discovers that not all treasures can be kept safe for ever. Three decades later Andrew returns from self-imposed exile to The Siding, the place where his life first unravelled. Looking back on the broken strands of his childhood, he tries, at last, to weave them together, aided by his grandfather's copy of The Ashley Book of Knots and the arrival of a wild-haired, tango-dancing sculptor - a woman with her own ideas about making peace with the past.
Offshoot includes essays in life writing methodologies and approaches, as well as a series of creative work-poetry and prose-that engages with current life writing. This collection highlights the development and influence of the genre in the twenty-first century. Starting from the premise that life writing is a significant component of both contemporary artistic practice and scholarship, Offshoot provides a necessary re-evaluation of the mode, its contemporary sub-generic incarnations, as well as methodological and practical approaches. The book presents research on a wide range of approaches, including both traditional areas-such as literature and creative writing-and areas that have not previously been associated with life writing scholarship. With its multifaceted readings, Offshoot signals a shift in life writing research tending towards an expansive, hybrid, experimental, and rhizomic approach. [Subject: Life Writing, Education, Literature]
Criminologist and psychotherapist Kathleen Heide focuses on families that breed violence and the relationship between patricide and child abuse. A discussion of maltreatment, who kills, youths at risk, and legal and psychological issues is followed by three detailed case studies and a discussion of intervention, society's contributions to both the.
"When sixty-five-year-old multimillionaire Steven Armstrong tells his three children that he is going to remarry, he expects them to be happy for him. But his new bride isn't the stepmother they have in mind. Charlene "Charlie" Hendricks is his vivacious, thirty-five-year-old personal trainer, the single mother of a teenage daughter. To Steven's midlife children, she is a gold digger who has seduced their father to steal their inheritance. If only there was some way to talk him out of his engagement." "Days before her wedding, Charlie, training for a triathlon, decides to go for a swim in the Atlantic Ocean. Somewhere in the water an engine begins to rev. Before long a mysterious figure on a speeding Jet Ski makes an attempt on her life. The children head the list of suspects - but which one plotted her death? The oldest son, who runs the family business? The daughter, whose art gallery depends on Steven's generosity? Or the Hollywood son, desperate for funding for his next picture?" "But Charlie refuses to give in to their campaign of intimidation. After the wedding, a second attack backfires and mistakenly kills her husband when their whaler is blown up, making her a wealthy heiress. Now Charlie is the most likely suspect, even though it appears that the bomb was intended for her. The children accuse her of murdering their father. Is Charlie a ruthless fortune hunter or the innocent victim of her husband's greedy heirs?"--BOOK JACKET.