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Sweet Nothings has it all: silk ribbon, Venetian lace, the best bra fitter in town… and two unsolved murders. Emma Taylor thought she knew what to expect when she abandoned life as a big-city fashionista to help her aunt, Arabella, breathe new style into Sweet Nothings, her waning lingerie boutique. As Emma settles back in to Paris, Tennessee—a world where pie is served with a parable and a pitcher of sweet tea is the cure for most of life’s ills—her escape seems smooth as silk. But when the town acquires a touch of unneeded je ne sais quoi with the arrival of Emma’s philandering ex, an unseemly murder turns her world inside out. As the police’s top suspect, Emma is going to need more than fishnets to snare the real killer. And when she and Arabella refuse to let death threats wrapped in knifed nighties stall Sweet Nothings’ vintage lingerie fashion show, it becomes increasingly clear that any garter may hide a gun and that bullet bras might have to live up to their name…
Meet Elizabeth Hartleigh Compton. She’s the house-rich, money-poor keeper of the Manor—and keeper of the peace. In World War II England, the quiet village of Sitting Marsh is faced with food rations and fear for loved ones. But Elizabeth, lady of the Manor House, stubbornly insists that life must go on. Sitting Marsh residents depend on her to make sure things go smoothly. Which means everything from sorting out gossip to solving the occasional murder... In the thick of the Allied invasion, Elizabeth is sick with worry for Major Earl Monroe. To make matters worse, people and things keep going missing from the manor—namely Martin, the elderly butler, and ladies’ knickers from the washing line. Before Elizabeth can track either down, a man is found shot dead. Few will miss bad-tempered Clyde Morgan, and the police are ready to call it a suicide. But Elizabeth’s not so sure...
The plot thickens for American gothic writer Penelope Parish when a murder near her quaint British bookshop reveals a novel's worth of killer characters. Penelope Parish has hit a streak of bad luck, including a severe case of writer's block that is threatening her sophomore book. Hoping a writer in residence position at The Open Book bookstore in Upper Chumley-on-Stoke, England, will shake the cobwebs loose, Pen, as she's affectionately known, packs her typewriter and heads across the pond. Unfortunately, life in Chumley is far from quiet and when the chairwoman of the local Worthington Fest is found dead, fingers are pointed at Charlotte Davenport, an American romance novelist and the future Duchess of Worthington. Charlotte turns to the one person who might be her ally for help: fellow American Pen. Teaming up with bookstore owner Mabel Morris and her new friend Figgy, Pen sets out to learn the truth and find the tricks that will help her finish her novel.
From selling camisoles to solving crimes, the ladies of the Sweet Nothings lingerie shop in Paris, Tennessee, will make this Valentine’s a day to remember… For Valentine’s Day, Emma Taylor and her aunt Arabella have organized a special evening for men only to shop for their sweethearts in the Sweet Nothings lingerie shop, complete with champagne and hors d’oeuvres. But when a former valentine shows up, Aunt Arabella is not her usual bubbly self. Art dealer Hugh Granger is still a charmer, though. He invites the women to a ball he’s having to celebrate his birthday and his return to Paris, Tennessee. But when Granger is pushed from the balcony, it paints a sinister picture for Aunt Arabella, who gets framed…for her old flame’s murder.
With intense and violent portrayals of death becoming ever more common on television and in cinema and the growth of death-centric movies, series, texts, songs, and video clips attracting a wide and enthusiastic global reception, we might well ask whether death has ceased to be a taboo. What makes thanatic themes so desirable in popular culture? Do representations of the macabre and gore perpetuate or sublimate violent desires? Has contemporary popular culture removed our unease with death? Can social media help us cope with our mortality, or can music and art present death as an aesthetic phenomenon? This volume adopts an interdisciplinary approach to the discussion of the social, cultural, aesthetic, and theoretical aspects of the ways in which popular culture understands, represents, and manages death, bringing together contributions from around the world focused on television, cinema, popular literature, social media and the internet, art, music, and advertising.
An “absolutely magnificent” book (The New Republic)—the fruit of almost two decades of study—that traces the changes in Western attitudes toward death and dying from the earliest Christian times to the present day. A truly landmark study, The Hour of Our Death reveals a pattern of gradually developing evolutionary stages in our perceptions of life in relation to death, each stage representing a virtual redefinition of human nature. Starting at the very foundations of Western culture, the eminent historian Phillipe Ariès shows how, from Graeco-Roman times through the first ten centuries of the Common Era, death was too common to be frightening; each life was quietly subordinated to the community, which paid its respects and then moved on. Ariès identifies the first major shift in attitude with the turn of the eleventh century when a sense of individuality began to rise and with it, profound consequences: death no longer meant merely the weakening of community, but rather the destruction of self. Hence the growing fear of the afterlife, new conceptions of the Last Judgment, and the first attempts (by Masses and other rituals) to guarantee a better life in the next world. In the 1500s attention shifted from the demise of the self to that of the loved one (as family supplants community), and by the nineteenth century death comes to be viewed as simply a staging post toward reunion in the hereafter. Finally, Ariès shows why death has become such an unendurable truth in our own century—how it has been nearly banished from our daily lives—and points out what may be done to “re-tame” this secret terror. The richness of Ariès's source material and investigative work is breathtaking. While exploring everything from churches, religious rituals, and graveyards (with their often macabre headstones and monuments), to wills and testaments, love letters, literature, paintings, diaries, town plans, crime and sanitation reports, and grave robbing complaints, Aries ranges across Europe to Russia on the one hand and to England and America on the other. As he sorts out the tangled mysteries of our accumulated terrors and beliefs, we come to understand the history—indeed the pathology—of our intellectual and psychological tensions in the face of death.
You’re invited to the Sweet Nothings trunk show. See what the shop has to offer, taste some wonderful food, catch up with friends, and solve a murder… Emma Taylor is happy to be drawing in customers at her aunt Arabella’s lingerie shop, Sweet Nothings, but replacing the store’s broken window is going to cost a small fortune. Hoping to hoist up their sagging profits, Arabella arranges to have a trunk show at the home of a local socialite who will invite all of her friends and take care of the catering. All Emma and Arabella have to do is show up and show off their wares. Seems simple enough… A gorgeous spread is prepared for the event, including delicious cupcakes topped with edible flowers. But after one of the partygoers takes a bite and winds up dead, the guest list becomes a suspect list. Now Emma must separate facts from idle gossip before the killer gives the cops the slip…
Original publication and copyright date: 2012.
It is an Edwardian Christmas, and the Pennyfoot Hotel is all dressed up. But when one of the guests turns up dead, owner Cecily Sinclair Baxter realizes it is not only the Pennyfoot that is back in business—the hotel's Christmas curse is, too... The Pennyfoot halls are decked with boughs of holly, a magnificently decorated tree graces the lobby, and the hotel's bookings are finally looking up. Owner of the Pennyfoot, Cecily Sinclair Baxter is in high holiday spirits until disaster strikes, threatening to ruin yet another Yuletide. Her chief housemaid Gertie McBride has found a man's body in the hotel laundry room—with a woman's scarf wrapped around his neck and a note in his pocket from the hotel's new maid. Cecily is determined to track down the culprit, but with multiple suspects icing her out of crucial clues, she realizes this killer may be more slippery than most. With Christmas right around the corner, it is up to Cecily to prevent this holiday season at the Pennyfoot from turning out more fatal than festive.
In bestselling author Kate Kingsbury's Misty Bay Tea Room series debut, the proprietress of a British-style tea shop must draw on her love for mystery novels to sleuth a murder. Vivian Wainwright is living her dream. The middle-aged widow owns the Misty Bay Tearoom, a quaint, English-accented shop on the Oregon coast. But on the eve of the tearoom's second anniversary, the dream turns nightmarish when a man falls to his death from a hotel balcony. The body belongs to Dean Ramsey, ex-husband of Vivian's assistant, Jenna. Detective Tony Messina quickly zeroes in on Jenna as prime suspect, since she was seen leaving the hotel shortly before the body was found. Vivian and her other assistant, Gracie, set out to help clear Jenna's name, using their wit and a bit of criminology know-how Vivian picked up from her late attorney husband. Detective Messina is on board, but he's starting to develop feelings for his number one suspect. Puzzling questions persist--chief among them, whose clothes was Dean wearing when he landed on the rocky shore? To complicate matters, Vivian's friend, pet shop owner Hal Douglass, seems to know some secrets about the hotel that could add a long list of names to the suspect list...including Hal's own. Vivian must work quickly because if she can't, Jenna faces a murder rap...or worse.