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In this fourth Georgie/Michelangelo mystery, AnnieMae Robertson takes them back to Georgie's hometown. In an attempt to dispel some of the grief following the lengthy illness and subsequent death of her younger daughter, Michelangelo-ever the compassionate man-surprises Georgie with the purchase of a house in the small beach town where she had grown up. During her first walk down along the waters edge she encounters a frightened young woman, Jessie, who involves them in researching her memory loss. While Georgie befriends the girl, Michelangelo follows bits of information to the town of Rayette in upstate New York, where the mystery deepens and quickly propels them into grave danger.
The Sanctified follows the migration of a soul from the past into the present and back again. It is primarily a love story, Caron's attachment to Veneta the catalyst that draws him to the New England town where she grows up under his watchful eye. Veneta, as an adult with children of her own, travels to Australia with her husband and it is there that Caron makes his first strong impact on her life. But it is back in the States that she becomes more aware of him during a frightening sance in a small house on a dark mountain road.
A great many books have been written about Jesus, the Christ. While they help us to understand the church’s theology, they do little to help us relate to the human side of Jesus, the carpenter from Galilee. Until we can see ourselves as partners with him in the human race, his divine nature seems out of reach and somewhat irrelevant to our daily life. The Rev. Doyle Snyder’s book, This Is My Beloved Son: Jesus, the Man, attempts to address this fact. Drawing on his pastoral experience and his years of Bible study and teaching, Rev. Snyder examines the life and ministry of Jesus from the perspective of his struggles as a human being attempting to share with other humans the mysteries and glory of the Kingdom of God. Soundly based in the basic tenets of the Christian faith, this work still invites the reader to examine those tenets for himself, and to decide whether these parts of the scripture are literal fact or whether they were intended to be metaphorical. Whether you are investigating these truths for the first time or are an experienced student of Bible study, you will find something new and stimulating in these pages. Among the chapter titles in his book are the following: Amazing Surprises Not a Fairy Tale The History of Jesus’ People The Social and Political Climate The Teaching of Jesus The Challenge of the Bible Discovering Jesus in the Gospels Why Was Jesus Crucified? Women in the Church Christians and Miracles Was Jesus Right?
Reprint of the original, first published in 1883.
An examination of political and cultural acts of commemoration, this study addresses the way personal and collective loss is registered in prose, poetry and drama in early modern England. It focuses on the connection of representation of violence in literary works to historical traumas such as royal death, secularization and regicide. The author contends that dramatic and poetic forms function as historical archives both in their commemoration of the past and in their reenactment of loss that is part of any effort to represent traumatic history. Incorporating contemporary theories of memory and loss, Thomas Anderson here analyzes works by Shakepeare, Marlowe, Webster, Marvell and Milton. Where other studies about violent loss in the period tend to privilege allegorical readings that equate the content of art to its historical analogue, this study insists that artistic representations are performative as they commemorate the past. By interrogating the difficulty in representing historical crises in poetry, drama and political prose, Anderson demonstrates how early modern English identity is the fragile product of an ambivalent desire to flee history. This book's major contribution to Renaissance studies lies in the way it conceives the representations of violent loss-secular and religious-in early modern texts as moments of failed political and social memorialization. It offers a fresh way to understand the development of historical and national identity in England during the Renaissance.