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Part-time reporter Lucy Stone isn’t about to put all her eggs in one basket during a frantic Easter in Tinker’s Cove—especially when it comes to cracking a deadly mystery . . . Known for its cheerful staff and elaborate annual Easter Bonnet Contest, the Heritage House senior center regularly attracts new residents and positive press. But once the town’s retired librarian, Miss Julia Tilley, checks in to recover from an illness, Lucy sees a side of the facility that isn’t quite so perfect and pristine. And the place may soon be making headlines for different reasons following an unexplained disappearance . . . Lucy can’t fathom how Agnes Neal could go missing from assisted living over a silly Easter bonnet contest, or why few seem concerned as signs point to foul play. A retired journalist with an independent mind, Agnes had an eye for details and little interest in conforming to catty cliques or rules set by her caretakers—traits that threatened some and angered others . . . While police stall the investigation without answers, Lucy realizes backstabbing has no age limit when alarming parallels bloom between her daughter’s college frenemies and social circles at Heritage House. Gathering clues as flimsy as a half-eaten milk chocolate bunny, Lucy must discover what happened to Agnes—before her own story becomes another springtime tragedy left unsolved.
Following the chance discovery of certain documents, a historian sets out to unravel the mystery of a murder committed in his childhood Mexico City home in the autumn of 1942. Mexico had just declared war on Germany, and its capital had recently become a colorful cauldron of the most unusual and colorful of the European ilk: German communists, Spanish republicans, Trotsky and his disciples, Balkan royalty, agents of the most varied secret services, opulent Jewish financiers, and more. As the historian-turned-detective begins his investigation, he introduces us to a rich and eccentric gallery of characters, the media of politics, the newly installed intelligentsia, and beyond. Identities are crossed, characters are confounded; Pitol constructs a novel that turns on mistaken identities, blurred memories, and conflicting interests, and whose protagonist is haunted by the ever-looming possibility of never uncovering the truth. At the same time a fast-paced detective investigation and an uproarious comedy of errors, this novel cemented Pitol’s place as one of Latin America’s most important twentieth-century authors. Winner of the Herralde Prize in 1984, The Love Parade is the first installment of what Pitol would later dub his Carnival Triptych. “This novel is not only the best that Pitol has written, but one of the best novels in Mexican literature.” —Sergio González Rodríguez, La Jornada “Sergio Pitol in the splendor of his mastery. A great novel.” —Florian Borchmeyer, Frankfurter Allgemeine Zeitung
The residents of Cabot Cove are pulling out all the stops for their 4th of July celebration. After a businessman's body is found on the evening of the fireworks show, Jessica Fletcher pores over a long list of potential suspects.
When competing restaurants open in Cabot Cove, Jessica must track down who killed one of the chefs.
In Washington to support a senator's new literacy initiative, Jessica Fletcher finds the body of the senator's chief of staff during a party at the senator's Virginia home, and embarks on an investigation.
Jessica Fletcher investigates a mysterious manuscript with deadly consequences in the latest entry in this USA Today bestselling series... Jessica Fletcher has had plenty to worry about over her storied career, both as a bestselling novelist and amateur sleuth. But she never had any reason to worry about her longtime publisher, Lane Barfield, who also happens to be a trusted friend. When mounting evidence of financial malfeasance leads to an FBI investigation of Lane, Jessica can't believe what she's reading. So when Barfield turns up dead, Jessica takes on the task of proving Barfield's innocence--she can't fathom someone she's known and trusted for so long cheating her. Sure enough, Jessica's lone wolf investigation turns up several oddities and inconsistencies in Barfield's murder. Jessica knows something is being covered up, but what exactly? The trail she takes to answer that question reveals something far more nefarious afoot, involving shadowy characters from the heights of power in Washington. At the heart of Jessica's investigation lies a manuscript Barfield had intended to bring out after all other publishers had turned it down. The problem is that manuscript has disappeared, all traces of its submission and very existence having been wiped off the books. With her own life now in jeopardy, Jessica refuses to back off and sets her sights on learning the contents of that manuscript and what about it may have led to several murders. Every step she takes brings her closer to the truth of what lies in the pages, as well as the person who penned them.
Jessica Fletcher knows that creativity must be nurtured. So when a young lady from Cabot Cove shows promise as a singer and songwriter, Jessica and a local citizens committee send Cyndi on a scholarship trip to Nashville, Tennessee, where she can benefit from professional instruction. Only weeks later, Cabot Cove is shocked to hear of the cold-blooded murder of a brash country music publisher -- by the young talent Cyndi! And as Cyndi's mother begs Jessica to help her daughter, Jess heads to the country music capital of the world to help the wayward starlet. Jessica finds that the murdered man was no country gentleman, with a list of ex-wives, cheated partners, swindled singers, and stolen songs that has Jessica swinging to-and-fro in the search for a killer. And if she can't uncover the culprit soon, Jessica knows that poor Cyndi will never get the chance for an encore ...
FLETCHER/MURDER SHE WROTE
On February 25, 1938, in the early days of the welfare system, the reviled poormaster Harry Barck—wielding power over who would receive public aid—died from a paper spike thrust into his heart. Barck was murdered, the prosecution would assert, by an unemployed mason named Joe Scutellaro. In denying Scutellaro money, Barck had suggested the man's wife prostitute herself on the streets rather than ask the city of Hoboken, New Jersey, for aid. The men scuffled. Scutellaro insisted that Barck fell on his spike; the police claimed he grabbed the spike and stabbed Barck. News of the poormaster's death brought national attention to the plight of ten million unemployed living in desperate circumstances. A team led by celebrated attorney Samuel Leibowitz of &“Scottsboro Boys&” fame worked to save Scutellaro from the electric chair, arguing that the jobless man's struggle with the poormaster was a symbol of larger social ills. The trial became an indictment &“of a system which expects a man to live, in this great democracy, under such shameful circumstances.&” We live in a time where the issues examined in Killing the Poormaster—massive unemployment, endemic poverty, and the inadequacy of public assistance—remain vital. With its insight into our social contract, Killing the Poormaster reads like today's news.
Tom McNutt, a wealthy owner of the Northernmost Winery on the Old Mission Peninsula, north of Traverse City, Michigan, and the Grand Marshal of the Cherry Festival Parade is shot in the Parade set-up area. The community is stunned, but the parade and the Festival continue. Lou Searing and Jack Kelly are invited to work with the Traverse City Police to solve the crime. A number of suspects are identified and the investigation ensues. Murder at the Cherry Festival delivers another mystery with Baldwins trademarks; interesting characters, exciting scenes including a significant threat on Lou's life. As always, justice prevails.