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"When the 20-year old daughter of vaudeville star Lillie Langtry turns up dead at the bottom of the Black Precipice on Mount Monadnock in the summer of 1910, the Jaffrey police chief rules it an unfortunate accident, but residents of the Halfway House hotel are not so sure."--Publisher's description
WINNER OF THE 2014 SEYMOUR MEDAL sponsored by the Society for American Baseball Research and finalist for 2014 SABR Larry Ritter Award Though his pitching career lasted only a few seasons, Howard Ellsworth "Smoky Joe" Wood was one of the most dominating figures in baseball history--a man many consider the best baseball player who is not in the Hall of Fame. About his fastball, Hall of Fame pitcher Walter Johnson once said: "Listen, mister, no man alive can throw harder than Smoky Joe Wood." Smoky Joe Wood chronicles the singular life befitting such a baseball legend. Wood got his start impersonating a female on the National Bloomer Girls team. A natural athlete, he pitched for the Boston Red Sox at eighteen, won twenty-one games and threw a no-hitter at twenty-one, and had a 34-5 record plus three wins in the 1912 World Series, for a 1.91 ERA, when he was just twenty-two. Then in 1913 Wood suffered devastating injuries to his right hand and shoulder that forced him to pitch in pain for two more years. After sitting out the 1916 season, he came back as a converted outfielder and played another five years for the Cleveland Indians before retiring to coach the Yale University baseball team. With details culled from interviews and family archives, this biography, the first of this rugged player of the Deadball Era, brings to life one of the genuine characters of baseball history.
Boston attorney Brady Coyne gets caught in the middle of a potential political scandal, when his quest to uncover the truth behind a murder leads him to face the deadly consequences of a decades-old tragedy. Martin's Press.
From National Book Award in Fiction finalist Andrew Krivak comes a gorgeous fable of Earth’s last two human inhabitants, and a girl’s journey home In an Edenic future, a girl and her father live close to the land in the shadow of a lone mountain. They possess a few remnants of civilization: some books, a pane of glass, a set of flint and steel, a comb. The father teaches the girl how to fish and hunt, the secrets of the seasons and the stars. He is preparing her for an adulthood in harmony with nature, for they are the last of humankind. But when the girl finds herself alone in an unknown landscape, it is a bear that will lead her back home through a vast wilderness that offers the greatest lessons of all, if she can only learn to listen. A cautionary tale of human fragility, of love and loss, The Bear is a stunning tribute to the beauty of nature’s dominion. Andrew Krivak is the author of two previous novels: The Signal Flame, a Chautauqua Prize finalist, and The Sojourn, a National Book Award finalist and winner of both the Chautauqua Prize and Dayton Literary Peace Prize. He lives with his wife and three children in Somerville, Massachusetts, and Jaffrey, New Hampshire, in the shadow of Mount Monadnock, which inspired much of the landscape in The Bear.
This study places Kipling's fiction in its original cultural, intellectual and historical contexts, exploring the impact of India, America, South Africa and Edwardian England on his imperialist narratives. Drawing on manuscripts, journalism and unpublished writings, Hagiioannu uncovers the historical significance and hidden meanings of a broad range of Kipling's stories, extending the discussion from the best-known works to a number of less familiar tales. Through a combination of close textual analysis and lively historical coverage, The Man Who Would Be Kipling suggests that Kipling's political ideas and narrative modes are more subtly connected with lived experience and issues of cultural environment than critics have formerly recognized.
In Breathing Aesthetics Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.