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From a former Maryland attorney comes the true crime story of accused murderer Orphan Jones—a case mired in the racism and politics of 1930s America. Euel Lee, alias Orphan Jones, was an African American accused of murdering his white employer and family over a single dollar. The tumultuous events and cast of characters surrounding the racially charged crime garnered national media attention and changed the course of Maryland history. With exacting research, former Maryland State’s Attorney Joseph E. Moore reconstructs the murders, the ensuing roller coast of a trial, and the eventual conviction and execution of Orphan Jones. Moore details all of this in the context of Jim Crow politics and American society during the Great Depression in this gripping true crime account. “The Euel Lee case as explored by Joe Moore is more than good, readable, local history. It is about the stresses and strains in American society in the Depression, from the radicalism of a young Communist lawyer to the conscious efforts of a rural community to contain violence, confront or at least deal with their prejudices and see that justice was served for a senseless murder in their midst. Moore sets a high standard of factual accountability and entertaining narrative based upon oral history and archival research. General readers and scholars alike will not be disappointed.” —Edward C. Papenfuse, PhD, Maryland State Archivist and Commissioner of Land Patents
Terrifying tales of the ghosts that roam the marshes, swamps, and waterways of the nine counties on Maryland’s eastern shore. They walk beside the murky waters of the Chesapeake Bay, linger among the fetid swamps and roam the manor halls. These are the tormented souls who refuse to leave the sites of their demise. From pitiless smugglers to reluctant brides, the ghostly figures of the Eastern Shore are at once terrifying and tragic. Mindie Burgoyne takes readers on a spine-tingling journey as she recounts the grisly events at the Cosden Murder Farm and the infamous legend of Patty Cannon. Tread the foggy lanes of Kent Manor Inn and linger among Revolutionary War dead to discover the otherworldly occupants of Maryland’s most haunted shore. Includes photos! “A compilation of tales of hauntings and mysteries in the Eastern Shore area . . .The response to the book was so overwhelming, Burgoyne began organizing bus tours that travel to the sites, allowing her fans to see firsthand the location of the hauntings.” —Cumberland Times-News
The riveting, heart wrenching story of slave traders and abolitionists, kidnappers and freedmen, cruelty and courage on Maryland's eastern shore. African Americans, both enslaved and free, were vital to the economy of the Eastern Shore of Maryland before the Civil War. Maryland became a slave society in colonial days when tobacco ruled. Some enslaved people, like Anthony Johnson, earned their freedom and became successful farmers. After the Revolutionary War, others were freed by masters disturbed by the contradiction between liberty and slavery. Frederick Douglass and Harriet Tubman ran from masters on the Eastern Shore and devoted their lives to helping other enslaved people with their words and deeds. Jacqueline Simmons Hedberg uses local records, including those of her ancestors, to tell a tale of slave traders and abolitionists, kidnappers and freedmen, cruelty and courage.
The definitive account of the lynching of twenty-three-year-old Matthew Williams in Maryland, the subsequent investigation, and the legacy of "modern-day" lynchings. On December 4, 1931, a mob of white men in Salisbury, Maryland, lynched and set ablaze a twenty-three-year-old Black man named Matthew Williams. His gruesome murder was part of a wave of silent white terrorism in the wake of the stock market crash of 1929, which exposed Black laborers to white rage in response to economic anxieties. For nearly a century, the lynching of Matthew Williams has lived in the shadows of the more well-known incidents of racial terror in the deep South, haunting both the Eastern Shore and the state of Maryland as a whole. In The Silent Shore, author Charles L. Chavis Jr. draws on his discovery of previously unreleased investigative documents to meticulously reconstruct the full story of one of the last lynchings in Maryland. Bringing the painful truth of anti-Black violence to light, Chavis breaks the silence that surrounded Williams's death. Though Maryland lacked the notoriety for racial violence of Alabama or Mississippi, he writes, it nonetheless was the site of at least 40 spectacle lynchings after the abolition of slavery in 1864. Families of lynching victims rarely obtained any form of actual justice, but Williams's death would have a curious afterlife: Maryland's politically ambitious governor Albert C. Ritchie would, in an attempt to position himself as a viable challenger to FDR, become one of the first governors in the United States to investigate the lynching death of a Black person. Ritchie tasked Patsy Johnson, a member of the Pinkerton detective agency and a former prizefighter, with going undercover in Salisbury and infiltrating the mob that murdered Williams. Johnson would eventually befriend a young local who admitted to participating in the lynching and who also named several local law enforcement officers as ringleaders. Despite this, a grand jury, after hearing 124 witness statements, declined to indict the perpetrators. But this denial of justice galvanized Governor Ritchie's Interracial Commission, which would become one of the pioneering forces in the early civil rights movement in Maryland. Complicating historical narratives associated with the history of lynching in the city of Salisbury, The Silent Shore explores the immediate and lingering effect of Williams's death on the politics of racism in the United States, the Black community in Salisbury, the broader Eastern Shore, the state of Maryland, and the legacy of "modern-day lynchings."
Nearly 5,000 black Americans were lynched between 1890 and 1960. Over forty years later, Sherrilyn Ifill's On the Courthouse Lawn examines the numerous ways that this racial trauma still resounds across the United States. While the lynchings and their immediate aftermath were devastating, the little-known contemporary consequences, such as the marginalization of political and economic development for black Americans, are equally pernicious. On the Courthouse Lawn investigates how the lynchings implicated average white citizens, some of whom actively participated in the violence while many others witnessed the lynchings but did nothing to stop them. Ifill observes that this history of complicity has become embedded in the social and cultural fabric of local communities, who either supported, condoned, or ignored the violence. She traces the lingering effects of two lynchings in Maryland to illustrate how ubiquitous this history is and issues a clarion call for American communities with histories of racial violence to be proactive in facing this legacy today. Inspired by South Africa's Truth and Reconciliation Commission, as well as by techniques of restorative justice, Ifill provides concrete ideas to help communities heal, including placing gravestones on the unmarked burial sites of lynching victims, issuing public apologies, establishing mandatory school programs on the local history of lynching, financially compensating those whose family homes or businesses were destroyed in the aftermath of lynching, and creating commemorative public spaces. Because the contemporary effects of racial violence are experienced most intensely in local communities, Ifill argues that reconciliation and reparation efforts must also be locally based in order to bring both black and white Americans together in an efficacious dialogue. A landmark book, On the Courthouse Lawn is a much-needed and urgent road map for communities finally confronting lynching's long shadow by embracing pragmatic reconciliation and reparation efforts.
A masterful novel that confronts the dilemmas of race, family, and forbidden love in the wake of America's Civil War Fifteen years after the publication of his acclaimed novel Mason's Retreat, Christopher Tilghman returns to the Mason family and the Chesapeake Bay in The Right-Hand Shore. It is 1920, and Edward Mason is making a call upon Miss Mary Bayly, the current owner of the legendary Mason family estate, the Retreat. Miss Mary is dying. She plans to give the Retreat to the closest direct descendant of the original immigrant owner that she can find. Edward believes he can charm the old lady, secure the estate and be back in Baltimore by lunchtime. Instead, over the course of a long day, he hears the stories that will forever bind him and his family to the land. He hears of Miss Mary's grandfather brutally selling all his slaves in 1857 in order to avoid the reprisals he believes will come with Emancipation. He hears of the doomed efforts by Wyatt Bayly, Miss Mary's father, to turn the Retreat into a vast peach orchard, and of Miss Mary and her brother growing up in a fractured and warring household. He learns of Abel Terrell, son of free blacks who becomes head orchardist, and whose family becomes intimately connected to the Baylys and to the Mason legacy. The drama in this richly textured novel proceeds through vivid set pieces: on rural nineteenth-century industry; on a boyhood on the Eastern Shore of Maryland; on the unbreakable divisions of race and class; and, finally, on two families attempting to save a son and a daughter from the dangers of their own innocent love. The result is a radiant work of deep insight and peerless imagination about the central dilemma of American history. The Right-Hand Shore is a New York Times Notable Book of 2012.
Lynching rumors simmered as journalists descended on the small town of Millington, Maryland, in the spring of 1892. The frenzy focused on nine African American men and boys-some as young as fifteen-accused of murdering Dr. James Heighe Hill, who was white. Prosecutors portrayed this as retribution for the Christmas Eve slaying of Thomas Campbell, an African American, for which no one faced criminal charges. Hill's alleged assailants were tried as a group before three white judges. Although some were clearly bystanders, all but one were convicted and sentenced. Four were executed by hanging, and the rest died in prison. Using court records, contemporary accounts and newspapers, author G. Kevin Hemstock narrates the tragic and compelling story of justice denied on Maryland's Eastern Shore.
Fans of Serial and Making a Murderer, meet Kirk Bloodsworth, the first death row inmate exonerated by DNA evidence. Charged with the rape and murder of a nine-year-old girl in 1984, Bloodsworth was tried, convicted, and sentenced to die in Maryland's gas chamber. From the beginning, he proclaimed his innocence, but when he was granted a new trial because his prosecutors improperly withheld evidence, the second trial also resulted in conviction. Bloodsworth read every book on criminal law in the prison library and persuaded a new lawyer to petition for the then-innovative DNA testing. After nine years in one of the harshest prisons in America, Bloodsworth was vindicated by DNA evidence. Intense and hard-hitting, Bloodsworth is the story of a man’s tireless fight against a justice system that failed him.
Emma wanted to escape the pressures of the real world by going to the Cottage she had inherited on Maryland's Eastern Shore. Everything was as she remembered it from her childhood, except for the absence of her beloved Uncle Jack. She was confused when she found a beautiful antique plantation desk in the garage covered by a tarp. The next morning, everything changed when she discovered a letter that began My Dearest Emma. It was signed Daniel. And she had no idea who that man was. It wasn't long before she discovered the desk was haunted.