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In Cry of Murder on Broadway, Julie Miller shows how a woman's desperate attempt at murder came to momentarily embody the anger and anxiety felt by many people at a time of economic and social upheaval and expanding expectations for equal rights. On the evening of November 1, 1843, a young household servant named Amelia Norman attacked Henry Ballard, a prosperous merchant, on the steps of the new and luxurious Astor House Hotel. Agitated and distraught, Norman had followed Ballard down Broadway before confronting him at the door to the hotel. Taking out a folding knife, she stabbed him, just missing his heart. Ballard survived the attack, and the trial that followed created a sensation. Newspapers in New York and beyond followed the case eagerly, and crowds filled the courtroom every day. The prominent author and abolitionist Lydia Maria Child championed Norman and later included her story in her fiction and her writing on women's rights. The would-be murderer also attracted the support of politicians, journalists, and legal and moral reformers who saw her story as a vehicle to change the law as it related to "seduction" and to advocate for the rights of workers. Cry of Murder on Broadway describes how New Yorkers, besotted with the drama of the courtroom and the lurid stories of the penny press, followed the trial for entertainment. Throughout all this, Norman gained the sympathy of New Yorkers, in particular the jury, which acquitted her in less than ten minutes. Miller deftly weaves together Norman's story to show how, in one violent moment, she expressed all the anger that the women of the emerging movement for women's rights would soon express in words.
The sleepy town of Popcorn Falls is forced into bankruptcy when a neighboring town threatens to turn them into a sewage treatment plant. Their only hope – open a theater! Two actors play over twenty roles in a world of farce, love, and desperation, proving once and for all that art can save the world.
Officer Marcus Moscowicz is a small town policeman with dreams of making it to detective. One fateful night, shots ring out at the surprise birthday party of Great American Novelist Arthur Whitney and the writer is killed…fatally. With the nearest detective an hour away, Marcus jumps at the chance to prove his sleuthing skills—with the help of his silent partner, Lou. But whodunit? Did Dahlia Whitney, Arthur's scene-stealing wife, give him a big finish? Is Barrette Lewis, the prima ballerina, the prime suspect? Did Dr. Griff, the overly-friendly psychiatrist, make a frenemy? Marcus has only a short amount of time to find the killer and make his name before the real detective arrives… and the ice cream melts!
It's the 10-year anniversary of Broadway's longest-running musical, and the best seat in the house is reserved for Hizzoner himself. But it's a performance he'll never forget when cold-blooded murder turns "The Last Laugh" into the hottest ticket in town. And as mayor/sleuth Ed Koch soon discovers, when it comes to suspects, it's standing room only. Now, amid backstage backstabbing and Times Square intrigues, it's up to Koch to follow the clues scene-by-scene as he scrambles to stop a dangerous killer from making an encore appearance.
An intriguing, unusual and chilling look at the destructiveness of racism in the U.S.
The most frequently asked question about writing musicals is, "Which comes first, the music or the lyrics?" As anyone on Broadway will tell you, the answer is, "The book." Tony-winning book writer Robert L. Freedman takes you through the process of writing a new musical, including story structure, song placement, dialogue, character development, and more that led to the creation of A Gentleman's Guide to Love and Murder, the 2014 Best Musical Tony winner. With candor and insight, Freedman describes the challenging and rewarding growing pains of what the critics called "Hilarious!" and "Ingenious!" and said "Ranks among the most inspired and entertaining new musical comedies I've seen in years."
When a Broadway producer is found dead in his luxurious apartment it is believed he choked on a cherry tomato. That he was not murdered is a surprise to the denizens of the Great White Way. The first of Agata Stanford's Dorothy Parker Mystery Series, takes you on a pictorial tour as you romp through the Manhattan of 1924 alongside real-life characters, writer and wit, Dorothy Parker, her adorable Boston terrier named Woodrow Wilson, Robert Benchley and the newspaper men of the Algonquin Round Table. Step out of your Silver Ghost Rolls to go on a scavenger hunt with the Marx Brothers, do the rounds of speakeasies, attend Broadway's opening nights, dance at the Waldorf, and then pull up your chair at the Algonquin Hotel's famous daily luncheon and enjoy a tossed salad of bon mots, all while sleuthing about for clues to find a killer.
Originally published as Rum, a Tailor's Goose, and a Soap Box: Three Murderous Affairs in the History of Hanover, Massachusetts, this book offers readers an updated version of the three crimes that shook peaceful Hanover, Massachusetts more than 100 years ago. The author has delved more deeply into the tragedies and provides additional information about each incident and the principal characters involved, and has included forty illustrations, many not seen in his original version. The shooting deaths of two railroad laborers by a recalcitrant, illicit rum dealer shocked the tranquil town of Hanover, Massachusetts in 1845. Violence again visited the town nearly thirty years later when the manager of a hotel in the town's Four Corners village murdered a woman in his employ. An impulsive young Canadian immigrant entered a Chinese laundry and robbed and killed the owner in the same village three decades after that. Journey back in time as John F. Gallagher chronicles these crimes that afflicted Hanover during the nineteenth and early twentieth centuries. Explore the everyday lives of Hanover's citizens, the social and moral issues of their time, and the impact each murder had on the community, the families of the victims, and the accused. Learn about the circumstances whereby the victims, all recent immigrants, came to America filled with dreams and aspirations they would never realize.
THE STORY: The esteemed and retired Dr. Conrad Bering has selected, out of countless applicants, several individuals for private as well as Group therapy. It seems this Pulitzer Prize- winning doctor might be writing another book and it further see
A blow-by-blow, front-row-center account of the one night on Broadway and ongoing legacy of MOOSE MURDERS, "the golden standard of awfulness against which all theatre is judged."